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1
Journal Article
Small Axe (2005) 9 (1): 40–63.
Published: 01 March 2005
...Jocelyne Guilbault Small Axe Incorporated 2005 Audible Entanglements:
Nation and Diasporas in Trinidad’s
Calypso Music Scene
Jocelyne Guilbault
n 1963 the Mighty Sparrow was crowned calypso king when he performed the song
“Kennedy.” In newly independent Trinidad...
Journal Article
Small Axe (2017) 21 (2 (53)): 22–43.
Published: 01 July 2017
... that sparks viewers' identification with rather than separation from the subjects portrayed? An analysis of the specific scenes and subjects of Jerry's murals, as well as careful engagement with Jerry's own readings of his craft, provides support for the following assertion: that the power...
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/10.1215_07990537-7374514/2/s_0230150f3.png?Expires=2147483647&Signature=xyFv-JdviKb8yQMPQDNr0Ny0ikTtj2FjFXve8Ej6yMQbVrSmDrz3Q3QCaZoevML03rvwd6LvEe47-xekjqoXNk1pX1YeXpDhHGv4IwyBVtPM7v~SXuV7rSW-atPW2MnrQQjzGwe7HMYiYvVMiS5BK-dv1szIzUgEEmocb~Xc7MJRePb2zmjngqEB234oHuAsMrPUahOFyLVONaJuu-Hq3rQkERIOsTfOrU16lUH6yrVKviPBPiha~2vCHJamooxyDV3OZC7ybC32aHjVMEjmFSK3nuTvwQk4V3Nh7NvljJtzNajQEwenHZiJeOOJTI7~EXW8lKGPUFs8lj8YKsDnNA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Body and Performance in 1970s Jamaica: Toward a Decolonial Cultural Method
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2019
Figure 3 The rape scene in Bellywoman Bangarang , 1978. From left, Lorna Haslam, Rebecca Knowles, and Vivette Lewis. Photograph by Diane Ellis
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/10.1215_07990537-2873278/3/s_123fig10.jpeg?Expires=2147483647&Signature=3rpN3a3iBA49jtVQZMMle56c6Nq8eVp5sMNWWVZIafIBeqt6mV7mwGtqkOiwhN3No9XzoBm993bD3hba~AfwyEfkd6IFDkkG1vVeCw2j8oSBpxoqG5aH5UlNs8xcRTDHrDGRmXQ2gcB6XcG-MV4BCkrnKz4taRUDOYB1a8o~cH4u8hrT6Go1I88z3YOpPXDPvd9bDgb4koLVPcNCeoYbeQnYEJEJcAtriuyhvMi02-SJyw4aLLAx2EX-LB3p6hXP-O~OBj4nMvNeiFOrVnuGW-0Z1zapStfDkaxHmgptqn~4pBOjVqien1xHuzS2aQb9kdfkz~68~gpRy0DvFvglAQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 March 2015
“Still from Beach Scene,” Passage , 2013. Director, Kareem Mortimer; Director of Photography, Ian Bloom.
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Image
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Published: 01 March 2015
“Still from Dance Scene,” Children of God , 2011. Director, Kareem Mortimer; Director of Photography, Ian Bloom.
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Image
/10.1215_07990537-2873278/3/s_123fig12.jpeg?Expires=2147483647&Signature=PYteseM6U5vOBcyaHOO2N6mnAXXbkIihXVr5SY1D9SfYFyL5l3fWJd-Nd4aSJlsi7C6ifrl-JNJQi-d5IK4KhTMZO72VP164Fic-Ru7oJ5r330XpmcU4Jp89xhqUf3LlJe3vzjoCFl0zbtGQ3aCfS~bPAM5I6Pm4QHFJhyHaqUMN5ZGud499w4iUnyCdQ7eDWd5H9D639gISh4Utomc5feIw-~Y-ONeXp-FH1N3POqmCl79CKkVg~t67SdJimVlnE8eLawSOD0-malHVatwj3s5rDfFO5l2HAx2VEN8sUlyWA-jL6tViHjqUUSD8MWFV1KF3Ehf8DBetwDyy9REjjg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 March 2015
“Still from Cave Scene,” Children of God , 2011. Director, Kareem Mortimer; Director of Photography, Ian Bloom.
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Image
/10.1215_07990537-3341789/3/s_205fig4.jpeg?Expires=2147483647&Signature=pD9VMsVk7qGXwX6dfTjeP6ZkvFRg5d3BlEaK-OwYVG-5Bn2TXLr7jLJ~nkiCmaOn-X9~d6dht-8lHWhNMN53vmdXqwZJJ4lEV4Z8EzrVbwARHsIRwKisAXJvaidWZ3N~Ikwf1ytGciVGWCBv5WPvBIcI-VsGpJAwPrc69G-Ed-hGqyYBtNiFXNjYZzyNffAPEKHda6pTlPT1A1MTQ632VnRQI03~IXl-u8AcbYsd8oAyoaVX1tpWhZ90sv43UGWi~S3OvQBGmWG5jeMvO5nWQcxCLfE4kCQmU-RNAV81zgEFDV7VRXydWtHKO6WMH~s~BV3YmE0cD6q0hOtS7n6t5Q__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2015
Figure 1.4. Renée Green, Mise-en-Scène , 1991. Mixed media, dimensions variable. Photo: Bernard Renoux. Courtesy the artist and Free Agent Media
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Journal Article
Small Axe (2009) 13 (1): 50–74.
Published: 01 March 2009
... of violence and the visible; the crisis of imperial legitimacy; and what I call `the enemy deficit. What is the relation between photography and forgetting? What accounts for the persistent presence of photography in the scene of torture? I critique the `pornography-made-them do-it” narrative and explore...
Journal Article
Small Axe (2009) 13 (3 (30)): 25–36.
Published: 01 November 2009
... considering postcolonial issues. A number of key commemorative dates over the past two decades have set the scene for a re-visioning of French and francophone history - 1992 was the 500 th anniversary of the new world's “discovery” by Christopher Columbus, 1998 was the 150 th anniversary of the abolition...
Journal Article
Small Axe (2019) 23 (2 (2)): 80–88.
Published: 01 July 2019
...—whether through grammar, digitization, or death. Yet there remains an abiding desire to explode the beauty of (extra)ordinary moments and scenes. Diasporic and hyperlocal, these poems entangle language(s), archives, and memory to map constellations of identities formed and complicated by colonization...
Journal Article
Small Axe (2020) 24 (3 (63)): 164–180.
Published: 01 November 2020
... that saw the role and function of the London scene being debated and contested within the region. 6 Brown and Rosenberg, “Introduction: Looking beyond Windrush,” 11. The “Windrush scandal” came to public attention in 2018, when a series of investigative newspaper reports documented how changes...
Journal Article
Small Axe (2008) 12 (3 (27)): 151–164.
Published: 01 October 2008
...LeGrace Benson With his painting and sculpture, Duval Carrié creates mise-en-scène in which viewers become vicarious participants in four acts of the transatlantic drama of violation of sovereignties and identities: act 1, the destruction of the Caribbean environment and its indigenous people; act...
Journal Article
Small Axe (2012) 16 (1 (37)): 36–52.
Published: 01 March 2012
...Clare Counihan Counter to many of the critical readings of Breath, Eyes, Memory , this essay argues that Sophie Caco does not in fact succeed in speaking for herself in the novel's final scene, reflecting the text's ambivalent desire to formulate a Haitian identity that will both testify to Haitian...
Journal Article
Small Axe (2017) 21 (1 (52)): 126–140.
Published: 01 March 2017
... the Dominican art scene both thematically and technically. While Ramírez creates installations that include wood carving, xylography, and paint, Paiewonsky often combines textile design and sewing with other artistic media technologies, excelling at photography. Despite the diverse old and new materials...
FIGURES
Journal Article
Small Axe (2021) 25 (1 (64)): 61–83.
Published: 01 March 2021
... well known, as they exerted an influence on the military movements that toppled the administration several times. These armed contests, as well as the stratification and militarization of the political scene during peacetime, provoked gendered violence. Simultaneously, working women confronted disdain...
FIGURES
Journal Article
Small Axe (2009) 13 (3 (30)): 51–62.
Published: 01 November 2009
... roman au théâtre, du dialogue et du récit au monologue, de l'écriture à la mise en voix et en mouvement par la mise en scène hybride de Vincent Goethals qui explore les frontières mouvantes entres les arts.). Small Axe, Inc. 2009 Haïti en scène! Renaissance
de la trilogie romanesque...
Journal Article
Small Axe (2023) 27 (3 (72)): 1–14.
Published: 01 November 2023
...-Chauvet uses theatrical tropes of gestures in the case of Mme Acquaire and mise-en-scène in the case of the Saint-Ar plantation, reminding the reader that the progressive White identity of these characters has been intentionally constructed. Her use of dramatic conventions, then, serves her critiques...
Journal Article
Small Axe (2015) 19 (1 (46)): 123–146.
Published: 01 March 2015
...“Still from Beach Scene,” Passage , 2013. Director, Kareem Mortimer; Director of Photography, Ian Bloom. ...
FIGURES
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Journal Article
Small Axe (2016) 20 (3 (51)): 179–188.
Published: 01 November 2016
... society and their different standing as intellectuals and as artists in the latter moments of the life of the regime. By centering a female protagonist and observing a studied avoidance of overly sexualized scenes throughout this novel, Horn suggests that Contreras accomplishes a “significant side...
Journal Article
Small Axe (2003) 7 (1): 46–71.
Published: 01 March 2003
... this movie,” he also gives credit for the scripting of some scenes to
his cowriter, explaining that the accomplished playwright Rhone “threw out the whole
fi rst part” of his script and came up with the idea of starting the story with country
5. Keith Q. Warner, On Location: Cinema and Film...
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