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Journal Article
Small Axe (2017) 21 (1 (52)): 110–125.
Published: 01 March 2017
... to contemporary visual artwork is the perspective of Caribbean women artists. Through a discussion of Roshini Kempadoo's interactive installation Ghosting , the essay considers alternative forms of archiving lived memory through Diana Taylor's notion of the repertoire. It also considers modernist...
Image
Published: 01 July 2017
The three artists pictured are, left to right, Roshini Kempadoo, Sharlene Khan, and Wendy Nanan. Andil Gosine, from Cane Portraiture: The Descendants , 2016; photographs, 12 × 18 in.
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Image
Published: 01 July 2017
Roshini Kempadoo, Face Up , 2015. Screenshots from one short story (“Deirdre”). All images courtesy of the artist
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Journal Article
Small Axe (2009) 13 (1): 181–191.
Published: 01 March 2009
...Roshini Kempadoo Artist project. Small Axe Incorporated 2009 Amendments: Digital Griots
as Traces of Resistance
Roshini Kempadoo
Entering the gallery space, screen characters invite us to join in playing a game of dominos—
as laid out on the table beside the screen. As we place...
Journal Article
Small Axe (2004) 8 (1 (15)): 235–241.
Published: 01 March 2004
...Roshini Kempadoo Small Axe Incorporated 2004 Imaging historical traces: Virtual Exiles project [2000]
[httpwww.mediascot.org/exiles/ve/index.html]
Roshini Kempadoo
Virtual Exiles is a digital print and Internet artwork, based on material from Guyana I collected and
created between...
Journal Article
Small Axe (2017) 21 (2 (53)): 135–150.
Published: 01 July 2017
...The three artists pictured are, left to right, Roshini Kempadoo, Sharlene Khan, and Wendy Nanan. Andil Gosine, from Cane Portraiture: The Descendants , 2016; photographs, 12 × 18 in. ...
FIGURES
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Journal Article
Small Axe (2017) 21 (2 (53)): 81–93.
Published: 01 July 2017
.... 32 Roshini Kempadoo, Face Up (2015); see Grace Ali, “Un” | Fixed Homeland (Newark, NJ: Aljira, 2016), 51, graceali.com/wp-content/uploads/2016/09/unfixed-homeland-catalogue.-aljira-contemporary-art.pdf . Face Up was part of the “Un” | Fixed Homeland exhibition of Guyanese artists curated...
FIGURES
Journal Article
Small Axe (2013) 17 (2 (41)): 136–153.
Published: 01 July 2013
...Roshini Kempadoo Recent political agitations across countries, including those in Southern Europe, the Middle East, South America, and North and Middle Africa, are further problematized by the perceived failure of “state multiculturalism” in Europe. European citizens of different cultures...
Journal Article
Small Axe (2017) 21 (2 (53)): 63–67.
Published: 01 July 2017
... and will represent a full geography of indentureship that includes South Africans such as Sharlene Khan, Mauritian Shiraz Bayjoo, and Guadeloupe's Kelly Sinnipah Mary, and also “twice-diasporized” migrants such as Guyanese-born, UK residents Vannetta Seecharran, Roshini Kempadoo, and Kamal Singh. The essays...
Journal Article
Small Axe (2015) 19 (2 (47)): 167–176.
Published: 01 July 2015
...Roshini Kempadoo This essay is a contribution to the book discussion of Timed Out: Art and the Transnational Caribbean (2011) by Leon Wainwright. Kempadoo offers an exploration and commentary on the way Wainwright's publication has been structured and conceived, exploring the rationale...
Journal Article
Small Axe (2009) 13 (1): 230–233.
Published: 01 March 2009
... of Subjection: Terror, Slavery and Self-Making in Nineteenth-Century America
(1997); and Lose Your Mother: A Journey along the Atlantic Slave Route (2007). She is currently
at work on a project on photography and ethics.
Roshini Kempadoo is a London-based digital artist, critic, and Reader in Media...
Journal Article
Small Axe (2013) 17 (2 (41)): 8–26.
Published: 01 July 2013
... Box (Schoolgirl Series) appears elsewhere in this issue of Small Axe . See Roshini Kempadoo, “Gazing Outward and Looking Back: Configuring Caribbean Visual Culture,” 143. 48 “Holly Bynoe,” hollybynoe.com (accessed 17 March 2011). 47 Cozier, “Notes,” 6. 46 Ibid., 249. 45...
Journal Article
Small Axe (2015) 19 (2 (47)): 185–196.
Published: 01 July 2015
... , exhibition catalogue (London: Hayward Gallery, South Bank Center, 1989). The term was first used by Araeen in his article “Our Bauhaus Others' Mudhouse,” Third Text , no. 6 (1989): 3. 2 Roshini Kempadoo, “Timings, Canon, and Art History,” this issue of Small Axe , 173. 1 Leon Wainwright...
Journal Article
Small Axe (2017) 21 (2 (53)): 209–211.
Published: 01 July 2017
... and memories as women's visual narratives. Recent exhibitions of work and writing include Ghosts: Keith Piper and Roshini Kempadoo (2015) and Creole in the Archive: Imagery, Presence, and Location of the Caribbean Figure (2016). S harlene K han is a South African visual artist who uses masquerading...
Journal Article
Small Axe (2004) 8 (1 (15)): v–vii.
Published: 01 March 2004
... Historical Traces: A Virtual Exiles Project
Roshini Kempadoo 235
REVIEWS
Coming to Terms
Stewart Brown 242
The Tragedy of the Zong
Geoffrey Philp...
Journal Article
Small Axe (2015) 19 (1 (46)): 118–122.
Published: 01 March 2015
...? What is the aesthetic grammar through which the past is constituted as a site of incitement and engagement for artists? In each of the three issues for 2009, we featured an array of artists and writers: in Small Axe 28, David Boxer, Roshini Kempadoo, Terry Boddie, Michael MacMillan, and Petrina...
Journal Article
Small Axe (2004) 8 (1 (15)): 248.
Published: 01 March 2004
...
stories, Ariadne & Other Stories, making him the youngest person to ever win a Guyana
Prize. He is the only locally resident writer to have two works shortlisted (his anthology
of poems, Th e Enormous Night, was runner-up for Best First Book of Poetry) for the
prize.
roshini kempadoo...
Journal Article
Small Axe (2004) 8 (1 (15)): 249–251.
Published: 01 March 2004
...
stories, Ariadne & Other Stories, making him the youngest person to ever win a Guyana
Prize. He is the only locally resident writer to have two works shortlisted (his anthology
of poems, Th e Enormous Night, was runner-up for Best First Book of Poetry) for the
prize.
roshini kempadoo...
Journal Article
Small Axe (2009) 13 (1): vii–xiv.
Published: 01 March 2009
... as Traces of Resistance
Roshini Kempadoo
Book Discussion: Carole Boyce Davies, Left of Karl Marx:
The Political Life of Black Communist Claudia Jones
193 Locating the Transnational in Postwar African American History
Kevin Gaines
203 Woman Overboard: The Perils of Sailing...
Journal Article
Small Axe (2017) 21 (2 (53)): 112–122.
Published: 01 July 2017
... is through a preoccupation with theories of space. Exploring ideas of space in visual texts, Michelle Stephens argues that works such as Marlon Griffith's The Powder Box ( Schoolgirl Series ) (2009) and Roshini Kempadoo's Virtual Exiles: Frontline/Backyards (3) (2000) favor a course for Caribbean studies...
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