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Image
Published: 01 July 2022
Figure 2 [A.] Duperly and Sons, Coolies , ca. 1900. Silver gelatin print. Collection of the National Gallery of Jamaica (Note that the NGJ incorrectly attributes this photograph to Adolphe Duperly, Armand Sr.’s father)
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Image
Published: 01 July 2022
Figure 3 A. Duperly and Sons, Negro Village , ca. 1900. Silver gelatin print, reproduced from David Boxer and Edward Lucie-Smith, eds., Jamaica in Black and White: Photography in Jamaica, c.1845–c.1920; The David Boxer Collection (Oxford: Macmillan Educational, 2013), 161
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Image
in Albums of Inclusion: The Photographic Poetics of Caribbean Chinese Visual Kinship
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 3 Albert Chong, The Sisters , 1986. Gelatin silver print.
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Image
in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 1 Archie Lindo, Irish Moss Gatherers , c1950. Digital print on rag paper from original scanned negative, 23.5 × 23.5 in. Collection of the National Gallery of Jamaica. Courtesy of Sue Willingham
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Image
in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 2 Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham
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Image
in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 4 Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham
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Image
in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 5 Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham
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Image
in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 13 James Valentine, A Negro Boy , 1891–92. Albumen print, 6 x 8.5 in. Aaron and Marjorie Matalon Collection, National Gallery of Jamaica
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Journal Article
Small Axe (2016) 20 (1 (49)): 1–16.
Published: 01 March 2016
...Alex Benson Claude McKay's “Cudjoe Fresh from de Lecture” first saw print in his 1912 volume Songs of Jamaica . Its speaker, whose voice appears in a densely patterned representation of Jamaican Creole, meditates on biological variation and colonial history. Setting the poem against discourses...
Journal Article
Small Axe (2009) 13 (1): 41–49.
Published: 01 March 2009
... those preserved in family albums and the throwaway colloquialisms of letters, intimate voices that are often overlooked. Hand tinted silver prints and Xeroxes, & text.11x 24x20inch. Small Axe Incorporated 2009 Oceans Apart
Ingrid Pollard
The Atlantic Ocean as physical and psychic space...
Journal Article
Small Axe (2022) 26 (1 (67)): 111–123.
Published: 01 March 2022
... ; and Elegguas and his unpublished third poetry trilogy, Missa Solemnis , Rwanda Poems , and Dead Man Witness , commemorating and trying to rise beyond what he called his “cultural lynching.” The essay looks at Brathwaite’s online/print Sycorax voice and the politico-philosophico-cultural concept of tidalectics...
Journal Article
Small Axe (2022) 26 (3 (69)): 112–120.
Published: 01 November 2022
...Jorell A. Meléndez-Badillo At the turn of the twentieth century, workers, anarchists, and intellectuals created a global resistance culture through print media, migration, and their radical imaginaries. The networks that animated this resistance culture gave way to the Counter-Republic of Letters...
Journal Article
Small Axe (2023) 27 (3 (72)): 237–245.
Published: 01 November 2023
.... Edmondson shows how the everyday language of the anglophone Caribbean haltingly, ambivalently, but in the end decisively elbowed its way into the rooms where print culture was produced, consumed, and evaluated. [email protected] © Small Axe, Inc. 2023 In five brilliant chapters and an epilogue...
Journal Article
Small Axe (2018) 22 (1 (55)): 159–171.
Published: 01 March 2018
... registers across distinctive histories. Following Chude-Sokei’s engagement with Sylvia Wynter, the essay begins with the centrality of women’s engagements with technologies for mobility featured in African popular print magazines in the era of independence. Turning to a contemporaneous publication, Langston...
Journal Article
Small Axe (2010) 14 (1 (31)): 46–59.
Published: 01 March 2010
... for Lesbians, All-Sexuals and Gays (J-FLAG) to redress legal and social discrimination against sexual minorities continue the efforts of the GFM to create, in Benedict Andersen's famous words, an “imagined community,” I argue for a historical understanding of the print-mediated community generated by the Gaily...
Image
Published: 01 July 2022
Figure 5 A. Duperly and Sons, At Rest, Banana Plantation , ca. 1898. Silver gelatin print. Collection of the Onyx Foundation
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Image
in Albums of Inclusion: The Photographic Poetics of Caribbean Chinese Visual Kinship
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 1 Albert Chong, Addressing the Chinese-Jamaican Business Community , 1992. Gelatin silver print, 30 × 40 in.
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