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Journal Article
King Menelik's Nephew: Prince Thomas Mackarooroo, aka Prince Ludwig Menelek of Abyssinia
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Small Axe (2008) 12 (2): 15–44.
Published: 01 June 2008
...Robert A. Hill Although little studied or understood, the black impostor occupies an important place in the history of the African diaspora. The present essay examines the imposture of Prince Thomas Mackarooroo, aka Prince Ludwig Menelek of Abyssinia, as an avatar of Emperor Menelik II of Ethiopia...
View articletitled, King Menelik's Nephew: <span class="search-highlight">Prince</span> Thomas Mackarooroo, aka <span class="search-highlight">Prince</span> Ludwig Menelek of Abyssinia
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for article titled, King Menelik's Nephew: <span class="search-highlight">Prince</span> Thomas Mackarooroo, aka <span class="search-highlight">Prince</span> Ludwig Menelek of Abyssinia
Journal Article
Discours au Salon maçonnique de Port-au-Prince
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Small Axe (2021) 25 (3 (66)): 166–177.
Published: 01 November 2021
Journal Article
The Clandestine Philosophy of Graffiti in Port-au-Prince
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Small Axe (2021) 25 (3 (66)): 63–88.
Published: 01 November 2021
...Guillermina De Ferrari Inspired by the enigmatic phrase “Le poème tué” (the murdered poem) that the author saw written on the walls of Port-au-Prince, this essay explores street art in Port-au-Prince as staging a public debate about different ways of approaching a life of precarity and crisis...
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Journal Article
Skirts Rolled Up: The Gendered Terrain of Politics in Nineteenth-Century Port-au-Prince
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Small Axe (2021) 25 (1 (64)): 61–83.
Published: 01 March 2021
...Anne Eller; Aaron Kamugisha This essay considers the participation of Port-au-Prince women in municipal and national politics during the later decades of the nineteenth century. The growth of Port-au-Prince changed the dynamics of these contests, as newly arrived women joined expanding popular...
FIGURES
View articletitled, Skirts Rolled Up: The Gendered Terrain of Politics in Nineteenth-Century Port-au-<span class="search-highlight">Prince</span>
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in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 2 Tap-tap bus, Port-au-Prince, 2020. Photograph by Adler Pierre
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in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 3 Decorated bus, Port-au-Prince, 2019. Photograph by Reynier Leyva Novo
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in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 4 Tap-tap bus, Port-au-Prince, 2020. Photograph by Adler Pierre
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Artist Yves Telemak with drapo for Loco, Port-au-Prince, Haiti, ca. 1993. P...
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in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 3 Artist Yves Telemak with drapo for Loco, Port-au-Prince, Haiti, ca. 1993. Photograph by Marilyn Houlberg. EEPA 2012-004-1022.
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Yves Telemak, drapo for La Sirene Diamant, Port-au-Prince, Haiti, 1998. Pho...
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in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 4 Yves Telemak, drapo for La Sirene Diamant, Port-au-Prince, Haiti, 1998. Photograph by Marilyn Houlberg. EEPA 2012-004-2553
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Artist Myrlande Constant with drapo for Nègre Odan Missan, Port-au-Prince, ...
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in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 5 Artist Myrlande Constant with drapo for Nègre Odan Missan, Port-au-Prince, Haiti, 1998. Photograph by Marilyn Houlberg. EEPA 2012-004-1347
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Pierrot Barra with mixed media sculpture of Ogun, Port-au-Prince, Haiti, 19...
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in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 8 Pierrot Barra with mixed media sculpture of Ogun, Port-au-Prince, Haiti, 1998. Photograph by Marilyn Houlberg. EEPA 2012-004-2528
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H.I.M. Haile Selassie presenting a gold medal to Prince Emanuel of the Ethi...
Available to PurchasePublished: 01 November 2017
Figure 8. H.I.M. Haile Selassie presenting a gold medal to Prince Emanuel of the Ethiopia Africa Black International Congress, at Kings House, the seat of the Jamaican head of state. © 1966 The Gleaner Co. (Media) Ltd.
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Journal Article
Birth of a Station: Broadcasting, Governance, and the Waning Colonial State
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Small Axe (2014) 18 (2 (44)): 36–52.
Published: 01 July 2014
... soundscape with points in New York, Havana, Port-au-Prince, and London. The author relies on an implicitly comparative framework but is also interested in following people and things as they traveled between these places and instigated new sonic routes. The notion of the disposition of things animates...
Journal Article
Dread Bodies: Doubles, Echoes, and the Skins of Sound
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Small Axe (2014) 18 (2 (44)): 191–201.
Published: 01 July 2014
...Julian Henriques This essay takes off from Tavia Nyong'o's “Afro-philo-sonic Fictions” to make a journey into the embodiment of sounding through the dread body. It starts with Prince Buster's Judge Dread persona and Rastafarianism rather than the sonic bodies of the bashment gal in the setting...
Journal Article
Disciplining the Unruly (National) Body in Staceyann Chin's The Other Side of Paradise
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Small Axe (2014) 18 (3 (45)): 1–17.
Published: 01 November 2014
... is documenting the child abuse and homophobic violence she suffered. This essay makes visible the connections between physical punishments during slavery (with particular reference to “The History of Mary Prince”), practices of child abuse and homophobic violence in Jamaica, and contemporary modes of recognizing...
FIGURES
Journal Article
Sympathetic Graffiti in Haiti: Jerry's Murals as a Scene of Pedagogical Curiosity
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Small Axe (2017) 21 (2 (53)): 22–43.
Published: 01 July 2017
...Chelsey L. Kivland Since 2010, “Jerry” has become Haiti's most prominent graffiti artist. Dealing with the most sensitive issues of the day—disaster, insecurity, illiteracy, aid dependency, corruption, and poverty—he has canvassed Port-au-Prince and other cities with murals that invite compassion...
Journal Article
Women in the Whirlwind: Withholding Guadeloupe's Archipelagic History
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Small Axe (2012) 16 (3 39): 143–165.
Published: 01 November 2012
..., and Joëlle Ferly's “revolutionary” performance in Port-au-Prince in 2011. The article concludes on the impossibility of Guadeloupean identity outside of an archipelagic construction of history. © 2012 by Small Axe, Inc. 2012 Women in the Whirlwind:
Withholding Guadeloupe’s
Archipelagic History...
Journal Article
Représentations de l’Afrique dans l’imaginaire haïtien au vingtième siècle
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Small Axe (2021) 25 (3 (66)): 199–209.
Published: 01 November 2021
... in Port-au-Prince (2019) par Greg Beckett revient sur le hiatus entre les pensées de Joseph Anténor Firmin et de Jean Price-Mars, deux grandes figures de l’école haïtienne d’anthropologie/ethnologie. Se dévoilent ainsi l’évolution lente puis la brusque mutation qui, des années 1910 aux années 1950...
Journal Article
The Specificity of the Ordinary
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Small Axe (2021) 25 (3 (66)): 210–219.
Published: 01 November 2021
...Greg Beckett In this essay, anthropologist Greg Beckett responds to Rivke Jaffe’s, Nadège T. Clitandre’s, and Jhon Picard Byron’s critical engagements with his 2019 ethnography, There Is No More Haiti: Between Life and Death in Port-au-Prince . Beckett discusses issues of representation and form...
Journal Article
“The Antilles for the Sons of the Antilles”: On Translating Ramón Emeterio Betances
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Small Axe (2021) 25 (3 (66)): 160–165.
Published: 01 November 2021
...Khalila Chaar-Pérez In sharing the original French version as well as Spanish and (first-ever) English translations of “Speech at the Masonic Lodge of Port-au-Prince” (ca. 1870–71), the author argues for the importance of the work of Afro–Puerto Rican activist Ramón Emeterio Betances in the history...
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