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photography

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Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2013) 17 (1 (40)): 263–280.
Published: 01 March 2013
...Leigh Raiford What is the relationship between photography and diaspora? How did this relationship stave off the catastrophe of black life? This essay uses the nineteenth-century photographic form of the stereograph as a hermeneutic. Through an examination of two iconic photographs of Pan-African...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2009) 13 (1): 50–74.
Published: 01 March 2009
... of violence and the visible; the crisis of imperial legitimacy; and what I call `the enemy deficit. What is the relation between photography and forgetting? What accounts for the persistent presence of photography in the scene of torture? I critique the `pornography-made-them do-it” narrative and...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2013) 17 (1 (40)): 71–83.
Published: 01 March 2013
... of the political fortunes of black male leadership in the Caribbean as potentially thwarted by female authority, ancestral shame, and the objectification of tourist photography offers a useful way of conceptualizing the black radical tradition in terms of vulnerability as a condition to be avoided...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 February 2008) 12 (1): 157–168.
Published: 01 February 2008
...Richard J. Powell In response to Krista A. Thompson's An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque (2006), this essay considers the notion of a tourism generated tropical image, but informed and colored as well by local self-conceptions. From probing the...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2017) 21 (1 (52)): 126–140.
Published: 01 March 2017
... Dominican art scene both thematically and technically. While Ramírez creates installations that include wood carving, xylography, and paint, Paiewonsky often combines textile design and sewing with other artistic media technologies, excelling at photography. Despite the diverse old and new materials and...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2018) 22 (2 (56)): 35–56.
Published: 01 July 2018
... of remixing, they engage with the affect and entanglements of family photography to form a visual vocabulary of diasporic kinship. In doing so, the artwork—collages, documentaries, installations—interrogates the afterlife of the nineteenth-century European colonial experiment of Chinese indenture...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2018) 22 (2 (56)): 144–160.
Published: 01 July 2018
...Dixa Ramírez Focusing on early-twentieth-century images, this essay constructs a method for discerning how ordinary, often anonymous, Dominicans fulfill, refuse, or frustrate the myriad desires contained in the imperial gaze as recorded in photography. This method, which the author terms “ monte...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2018) 22 (2 (56)): 232–243.
Published: 01 July 2018
... Woman exemplifies postindenture or “coolietude” aesthetics otherwise documented in art, performance, and photography. Taking this up, the commentary’s letter form is counterarchival, an imaginative and intergenerational object that cites Bahadur’s techniques of memory work and her provocation to a...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2017) 21 (2 (53)): 81–93.
Published: 01 July 2017
... requires the arts of imagination to understand the invisible and visible currents still present. © Small Axe, Inc. 2017 indentured labor photography archives diaspora Caribbean The editor of this special section invited us to contemplate indentured labor and its contributions to an aesthetic space. I...
Image
Published: 01 March 2015
“Still from Beach Scene,” Passage , 2013. Director, Kareem Mortimer; Director of Photography, Ian Bloom. “Still from Beach Scene,” Passage, 2013. Director, Kareem Mortimer; Director of Photography, Ian Bloom. More
Image
Published: 01 March 2015
“Still from Dance Scene,” Children of God , 2011. Director, Kareem Mortimer; Director of Photography, Ian Bloom. “Still from Dance Scene,” Children of God, 2011. Director, Kareem Mortimer; Director of Photography, Ian Bloom. More
Image
Published: 01 March 2015
“Still from Cave Scene,” Children of God , 2011. Director, Kareem Mortimer; Director of Photography, Ian Bloom. “Still from Cave Scene,” Children of God, 2011. Director, Kareem Mortimer; Director of Photography, Ian Bloom. More
Image
Published: 01 March 2019
Figure 2 Rex Nettleford in performance in Myal (chor. Rex Nettleford), 1974. Maria LaYacona Photography. Courtesy of the National Dance Theatre Company Figure 2. Rex Nettleford in performance in Myal (chor. Rex Nettleford), 1974. Maria LaYacona Photography. Courtesy of the National Dance More
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2015) 19 (1 (46)): 123–146.
Published: 01 March 2015
...“Still from Beach Scene,” Passage , 2013. Director, Kareem Mortimer; Director of Photography, Ian Bloom. “Still from Beach Scene,” Passage, 2013. Director, Kareem Mortimer; Director of Photography, Ian Bloom. ...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2009) 13 (1): 230–233.
Published: 01 March 2009
... Museum in Harlem, the Bronx Museum of the Arts, and most recently at the Brooklyn Museum in the show “Infinite Island: Contemporary Caribbean Art.” He has been the recipient of the Studio Museum in Harlem Artist in Residence, Center for Photography at Woodstock Fellowship, the New York Foundation...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2013) 17 (2 (41)): 136–153.
Published: 01 July 2013
... reference for the examination of imagery and the practices associated with visual material culture. Recent texts, magazines, and websites, including Krista Thompson's An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Figure 1. Sheena Rose, Sweet Gossip: I wonder how she does...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2013) 17 (1 (40)): 281–282.
Published: 01 March 2013
...), and Rhizome A (forthcoming). L eigh R aiford is associate professor of African American Studies at the University of California, Berkeley, where her teaching and research interests focus on photography, film, and art of the African diaspora. She is the author of Imprisoned in a Luminous Glare...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2017) 21 (1 (52)): 260–265.
Published: 01 March 2017
... Caribbean Photography (2012) and See Me Here: A Survey of Contemporary Self-Portraits from the Caribbean (2014). She has exhibited work in Wrestling with the Image: Caribbean Interventions , Washington, DC (2011); Pictures from Paradise , CONTACT Photography Festival, Toronto, Canada (2014); In...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2017) 21 (1 (52)): 70–88.
Published: 01 March 2017
... it—a “Jamaican-white” father and a French, “Euro-white” mother. She left Jamaica for London in 1983 and was raised and educated in the United Kingdom and France. In 2011, she returned to Jamaica after completing a master's degree in photography. Upon her return, she soon found herself recognized...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2011) 15 (2 (35)): 79–88.
Published: 01 July 2011
... say, I want to be somebody! From the moment I discovered photography, I found myself; I became confident, I was good. I knew I was good and so did Mr. Paterson, who created the photo club for the St. Marks Church choir boys, of which I was a member. He guided me, taught...