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Journal Article

Street Art as I See It: A Photographic Document

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Donnette Zacca
Small Axe (2010) 14 (1 (31)): 184–188.
DOI: https://doi.org/10.1215/07990537-2009-049
Published: 01 March 2010
...Donnette Zacca Small Axe, Inc. 2010 Street Art as I See It: A Photographic Document Donnette Zacca There was a time when what was on the minds of the people echoed through the local untrained yet extremely talented artists. The neighborhood walls became blank...
View articletitled, Street Art as I See It: A <span class="search-highlight">Photographic</span> Document View PDF for article titled, Street Art as I See It: A <span class="search-highlight">Photographic</span> Document
Journal Article

Albums of Inclusion: The Photographic Poetics of Caribbean Chinese Visual Kinship

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Tao Leigh Goffe
Small Axe (2018) 22 (2 (56)): 35–56.
DOI: https://doi.org/10.1215/07990537-6985666
Published: 01 July 2018
...Tao Leigh Goffe This essay focuses on artwork that centers family photographs and home movies as a point of departure to trouble the conventional family album in order to narrate a story about Caribbean Chinese kinship. In the art examined, personal visual archives are used to respond to the lacuna...
FIGURES | View All (6)
View articletitled, Albums of Inclusion: The <span class="search-highlight">Photographic</span> Poetics of Caribbean Chinese Visual Kinship View PDF for article titled, Albums of Inclusion: The <span class="search-highlight">Photographic</span> Poetics of Caribbean Chinese Visual Kinship
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Figure 1. A. Duperly and Sons, Coolies at Worship, ca. 1900. Photographic plate 74 in A. Duperly and Son, Picturesque Jamaica: With Descriptive Text of the Island (Kingston: A. Duperly and Son, n.d.)

A. Duperly and Sons, Coolies at Worship , ca. 1900. Photographic plate 74 ...

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in Life, Labor, and a Coolie Picturesque in Jamaica > Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 1 A. Duperly and Sons, Coolies at Worship , ca. 1900. Photographic plate 74 in A. Duperly and Son, Picturesque Jamaica: With Descriptive Text of the Island (Kingston: A. Duperly and Son, n.d.) More
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Figure 4. A. Duperly and Sons, Me and My Family, ca. 1900. Photographic plate 67 in Picturesque Jamaica

A. Duperly and Sons, Me and My Family , ca. 1900. Photographic plate 67 in...

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in Life, Labor, and a Coolie Picturesque in Jamaica > Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 4 A. Duperly and Sons, Me and My Family , ca. 1900. Photographic plate 67 in Picturesque Jamaica More
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Figure 6. “Coolie Belle,” unnumbered photographic plate in James H. Stark, Stark’s History and Guide to Jamaica (Boston: James H. Stark, 1898), between 192 and 193.

“Coolie Belle,” unnumbered photographic plate in James H. Stark, Stark’s H...

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in Life, Labor, and a Coolie Picturesque in Jamaica > Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 6 “Coolie Belle,” unnumbered photographic plate in James H. Stark, Stark’s History and Guide to Jamaica (Boston: James H. Stark, 1898), between 192 and 193. More
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Figure 2. Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham

Archie Lindo, untitled and undated print from a scanned photographic negati...

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in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art > Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 2 Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham More
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Figure 4. Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham

Archie Lindo, untitled and undated print from a scanned photographic negati...

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in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art > Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 4 Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham More
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Figure 5. Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham

Archie Lindo, untitled and undated print from a scanned photographic negati...

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in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art > Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 5 Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham More
Journal Article

The Photograph as a Receptacle of Memory

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Albert Chong
Small Axe (2009) 13 (2): 128–134.
DOI: https://doi.org/10.1215/07990537-3697118
Published: 01 July 2009
...Albert Chong Small Axe Inc. 2009 The Photograph as a Receptacle of Memory Albert Chong I have come to know the world by the physical and, unlike my fathers many generations ago, also by the virtual. The virtual world is to some people as real if not more so than the physi- cal...
View articletitled, The <span class="search-highlight">Photograph</span> as a Receptacle of Memory View PDF for article titled, The <span class="search-highlight">Photograph</span> as a Receptacle of Memory
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The Architect, digital photograph, 2006

The Architect , digital photograph, 2006

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in Portfolio II > Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2015
The Architect , digital photograph, 2006 More
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Self Portrait—Infinity, digital photograph, 2005

Self Portrait—Infinity , digital photograph, 2005

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in Portfolio II > Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2015
Self Portrait—Infinity , digital photograph, 2005 More
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Figure 4. Estadista (Statehood’er) (detail). Photograph by Jason Wyche.

Estadista ( Statehood’er ) (detail). Photograph by Jason Wyche.

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in Ride or Die > Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2018
Figure 4 Estadista ( Statehood’er ) (detail). Photograph by Jason Wyche. More
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Figure 6. Run-a-Bout (detail). Photograph by Chaz Langley.

Run-a-Bout (detail). Photograph by Chaz Langley.

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in Ride or Die > Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2018
Figure 6 Run-a-Bout (detail). Photograph by Chaz Langley. More
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Fighting the Currents (work in progress), digital photograph, 2014

Fighting the Currents (work in progress), digital photograph, 2014

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in Portfolio II > Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2015
Fighting the Currents (work in progress), digital photograph, 2014 More
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Figure 2. Signed photograph of Juan Antonio Corretjer with the following dedication: “To Earl Browder, in days of struggle and hope. With intimate affection, Juan Antonio Corretjer. Monroe, N.Y.—28 July 1943.” Box 81, Earl Browder Papers. Courtesy of Special Collections Research Center, Syracuse University Libraries.

Signed photograph of Juan Antonio Corretjer with the following dedication: ...

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in Puerto Rican Colonialism, Caribbean Radicalism, and Pueblos Hispanos ’s Inter-Nationalist Alliance > Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2019
Figure 2 Signed photograph of Juan Antonio Corretjer with the following dedication: “To Earl Browder, in days of struggle and hope. With intimate affection, Juan Antonio Corretjer. Monroe, N.Y.—28 July 1943.” Box 81, Earl Browder Papers. Courtesy of Special Collections Research Center, Syracuse More
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Mandela's Release, 1990. Photograph by Graeme Williams. Used by permission.

Mandela's Release, 1990 . Photograph by Graeme Williams. Used by permission...

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in Oríkí fe Madíba > Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2014
Mandela's Release, 1990 . Photograph by Graeme Williams. Used by permission. More
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Orlando Patterson, 2012. Photograph by Anita Patterson.

Orlando Patterson, 2012. Photograph by Anita Patterson. Courtesy Orlando...

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in The Paradox of Freedom: An Interview with Orlando Patterson > Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2013
Orlando Patterson, 2012. Photograph by Anita Patterson. Courtesy Orlando Patterson More
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Wendy Nanan, A work-in-progress, 2016. Photographs; personal collection

Wendy Nanan, A work-in-progress , 2016. Photographs; personal collection

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in After Indenture: Three Photo Stories > Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2017
Wendy Nanan, A work-in-progress , 2016. Photographs; personal collection More
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Figure 13. “We Can’t Breathe” graffiti (detail). Photograph by Nadia Todres

“We Can’t Breathe” graffiti (detail). Photograph by Nadia Todres

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in The Clandestine Philosophy of Graffiti in Port-au-Prince > Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 13 “We Can’t Breathe” graffiti (detail). Photograph by Nadia Todres More
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Figure 7. Marilyn Houlberg’s Gede altar, Chicago, 2007. Photograph by and courtesy of Deborah Stokes

Marilyn Houlberg’s Gede altar, Chicago, 2007. Photograph by and courtesy of...

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in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti > Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 7 Marilyn Houlberg’s Gede altar, Chicago, 2007. Photograph by and courtesy of Deborah Stokes More