Skip Nav Destination
Close Modal
1-20 of 435 Search Results for
photograph
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
Small Axe (2009) 13 (2): 128–134.
Published: 01 July 2009
...Albert Chong Small Axe Inc. 2009 The Photograph
as a Receptacle of Memory
Albert Chong
I have come to know the world by the physical and, unlike my fathers many generations ago,
also by the virtual. The virtual world is to some people as real if not more so than the physi-
cal...
Image
in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 2 Tap-tap bus, Port-au-Prince, 2020. Photograph by Adler Pierre
More
Image
in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 3 Decorated bus, Port-au-Prince, 2019. Photograph by Reynier Leyva Novo
More
Image
in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 4 Tap-tap bus, Port-au-Prince, 2020. Photograph by Adler Pierre
More
Image
in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 13 “We Can’t Breathe” graffiti (detail). Photograph by Nadia Todres
More
Image
in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 2 Ceremony at Le Péristyle de Mariani, Haiti, 1985. Photograph by Marilyn Houlberg. EEPA 2012-004-0819
More
Image
in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 7 Marilyn Houlberg’s Gede altar, Chicago, 2007. Photograph by and courtesy of Deborah Stokes
More
Image
Published: 01 July 2022
Figure 9 Undated photograph labeled “Types of Trinidad Coolies.” Courtesy of Jefferson Clarke
More
Image
in A Caribbean Coast Feeling: On Black Central American Women’s Landscape Portraiture
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2023
Figure 3 Iris Abrahams, title unknown, 1992. Oil on canvas. Photograph courtesy of Connie Abrahams, San Andrés
More
Image
in The Dundus and the Chineyman: Reflections on Postnationalism Prefigured
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2024
Figure 1 Timothy Chin and Charles Carnegie, Bates College, December 1993. Photograph by Peter Scarpaci. Courtesy of Edmund S. Muskie Archives, Bates College, Lewiston, Maine
More
Image
in A Multispecies Caribbean: The Aesthetics of Ecological Reinvention in Art by Dhara Rivera
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2024
Figure 5 Dhara Rivera, Manigua , from Abra paisaje , 2019; mixed media. Photograph by Javier Del Valle
More
Image
Published: 01 July 2021
Figure 1 Margarita “Doña Margot” Rivera García, 1987. Photograph by José Rodríguez. © José Rodríguez
More
Image
Published: 01 July 2014
Mandela's Release, 1990 . Photograph by Graeme Williams. Used by permission.
More
Image
in The Paradox of Freedom: An Interview with Orlando Patterson
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2013
Orlando Patterson, 2012. Photograph by Anita Patterson. Courtesy Orlando Patterson
More
Image
in “That Area of Experience That We Term the New World”: Introducing Sylvia Wynter's “Black Metamorphosis”
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2016
Sylvia Wynter, circa late 1950s. Photograph by Oswald Jones. Used with permission
More
Image
Published: 01 July 2015
Fighting the Currents (work in progress), digital photograph, 2014
More
Image
Published: 01 July 2017
Sharlene Khan, Drowning Durga VI , 2015. Digital color photograph, 61 × 91 cm. Photographer: Nicola Gear
More
Image
Published: 01 July 2017
Sharlene Khan, Drowning Durga X , 2015. Digital color photograph, 61 × 91 cm. Photographer: Nicola Gear
More
1
