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Journal Article
Small Axe (2009) 13 (2): 128–134.
Published: 01 July 2009
...Albert Chong Small Axe Inc. 2009 The Photograph
as a Receptacle of Memory
Albert Chong
I have come to know the world by the physical and, unlike my fathers many generations ago,
also by the virtual. The virtual world is to some people as real if not more so than the physi-
cal...
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in A Caribbean Coast Feeling: On Black Central American Women’s Landscape Portraiture
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2023
Figure 3 Iris Abrahams, title unknown, 1992. Oil on canvas. Photograph courtesy of Connie Abrahams, San Andrés
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/10.1215_07990537-9384198/2/s_0250036f1.png?Expires=2147483647&Signature=HvsCdNSbZqi0HWb7mPj6x8B~zD1zcL4Fm0riYLOdKp-gix3QpyMaJBbu~SRlGhiD6IKKs0QSFGAhkrqi1AcQkogzi3y-AP2CG5T-fc-KMipG82QQbSHdkw9IIPYYvFYYm-rlbtb5Gm9k~YskIqKX2jNzUrtJQx~aAeTAEnJDTFRBL7V6YB40k99BAjbUe9p8mImhulRqTsACDxN2zuwoEp-rRVDUC16BttmE3xp9KLbdZmJSC3OLI-bhyExZoqS5Gi25GLGuMSs5Qu1IyCHNmoqkqEtciiJ8c9Pb-J~zN0paJjhMXKhF1Rgw95KlrAzDBFRviojWzydwlgdAlh-YqQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 July 2021
Figure 1 Margarita “Doña Margot” Rivera García, 1987. Photograph by José Rodríguez. © José Rodríguez
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in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 2 Tap-tap bus, Port-au-Prince, 2020. Photograph by Adler Pierre
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/10.1215_07990537-9583418/3/s_0250063_fig3.png?Expires=2147483647&Signature=p1sGpLnFhJkOsd2CrIwYda9As7ss-Gpj~vlsgfBMR-QNYd6rGaV8CS~sU~crcke4LeDnfRv9BKgP-yv5xFKKX-WYJFB-FbJDCU-iDvdLtzbIk5vhPZEbcGP2XLN5JGwL7FpN5BezvCJJlD2ztYizYgStRXJVORf7bgq6lSp51A3rarcBo~tZ6x6z4AVFiyfc2eRWJcIbuaA~ugw0WJHKaKZDMqnduncG3rBT93JVFw~xBjHQMsD2s0kwYtchsNTsbF5rFoSqJ4~IswPxykYL4t49PW0G6UVUpKj-TrM01JmxmGl6Bt7ylTLuUbsX8YJbsL8e~8Z90HBFxblXs5tKnw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 3 Decorated bus, Port-au-Prince, 2019. Photograph by Reynier Leyva Novo
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/10.1215_07990537-9583418/3/s_0250063_fig4.png?Expires=2147483647&Signature=Q8Hgq4Bg3qXrb0kcSI9Y-Ia02NoG5dor~3CIsm6M3Y4SefBLiEn~zh6Mk6mAPmlqDjn-fw81LpU4jxqUc9M0Os3uotLId5QKj7AVXtVJrpdgaD7wtgira8rgoGML~3qSdLgeuxYgbYsy9Bo3NmowMSHKebaymb2UbPuNFizEa8oSy2T9re4czUxrujG7tixJ9c5C7NbGFbGLxIb1vz9Ooj2tN~pyv8UXJ9L6qLCc1NjJwEUs3mT4hXy6gJUQWJMPVveTqBDvjFUX-fziWgoGDHupdppdBA9rOaOvlhDGYrlJM59DzQwyS0pAIt~P3zi1P7blrrI3-9PUsuQ2bFym~g__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 4 Tap-tap bus, Port-au-Prince, 2020. Photograph by Adler Pierre
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/10.1215_07990537-9583418/3/s_0250063_fig13.png?Expires=2147483647&Signature=CcQaGn~~hTJbyE4FFUTyJ9jA9mTMTX8z-YNklQBgELXtQrxnYnPzVOU0e6BE9CllJVsL9MCyxWu427SM2-UJZ~kxxL2U6u8PQ~uQCBh1ZtM8BOWFZ1MBNxYX03qGWb7DRQgR0bzdRdGiHWchXZdtIMd6KDzzyxpcsBsf79pwIkUMOIk2ghCIor4aWNZ4C3TLzAcNrSCgch6kDC-RFmM~~-y5AnRlwg0Jl7H3YF~ULn7SfA5yQIbNyokqMR~MYvsl6vRL2gdBXM8e1cxRj2xIvPgqBwLPLYc8kBOgPJ8ZfBU~6BWj4mbsdFujRaf68I6GDZtXqe-tvXFzdhMG49AKXw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 13 “We Can’t Breathe” graffiti (detail). Photograph by Nadia Todres
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/10.1215_07990537-9901612/3/s_0260060f2.png?Expires=2147483647&Signature=YQ3nWsfT2uPrerVc9oCtkTuLb4RfYaIpm0QDGT4~OPzdnVmmp-RUhd9UkO3jqmQNu3BFHe8Jw4DHhrT0IfyelpE9-hp-eVmnnDaihruxH1Ha954~4YBmIwlpjwmbbtnrxgylLTEgnFVMdZWhHUOXy1~GPaA47sOHOCs3r3TxI0u8P62xTWiF~kqj8D9fshAbDJ3yAUmfecR0UdVyLqTpb3MfcPKD1MVu1QY3cBc0lpndwjdZi7RMb~gg3BsJbafEt1Bh~JUP-n~32O3SJ2PSu0Xi0Qen8w5l~5SOSuVY-kkFUHr3NwGHgKhK91rz0ghdZhXW629YWezRY38RM4CbcA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 2 Ceremony at Le Péristyle de Mariani, Haiti, 1985. Photograph by Marilyn Houlberg. EEPA 2012-004-0819
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in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 7 Marilyn Houlberg’s Gede altar, Chicago, 2007. Photograph by and courtesy of Deborah Stokes
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Published: 01 July 2022
Figure 9 Undated photograph labeled “Types of Trinidad Coolies.” Courtesy of Jefferson Clarke
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Published: 01 July 2014
Mandela's Release, 1990 . Photograph by Graeme Williams. Used by permission.
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in The Paradox of Freedom: An Interview with Orlando Patterson
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2013
Orlando Patterson, 2012. Photograph by Anita Patterson. Courtesy Orlando Patterson
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in “That Area of Experience That We Term the New World”: Introducing Sylvia Wynter's “Black Metamorphosis”
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2016
Sylvia Wynter, circa late 1950s. Photograph by Oswald Jones. Used with permission
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Published: 01 July 2015
Fighting the Currents (work in progress), digital photograph, 2014
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Published: 01 July 2017
Sharlene Khan, Drowning Durga VI , 2015. Digital color photograph, 61 × 91 cm. Photographer: Nicola Gear
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Published: 01 July 2017
Sharlene Khan, Drowning Durga X , 2015. Digital color photograph, 61 × 91 cm. Photographer: Nicola Gear
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/10.1215_07990537-6985935/2/s_219_fig1.png?Expires=2147483647&Signature=UDUY2Yg6eIHt7V6jArvz-BOlInGhvNTd8tJSVIZ2EfptHXU1ZQkFZZktPSrlXqEzqaJCgXYKt~Qcz2ZAFurE7J2VNWvsR5szM8aaI82E3XZZgWPwKkrAJOQJMap5Doc9MKtUfh3LEAvNVM9o5ebQGmJzOAz435ZwUO9WIfiU3eft8S06fd2uBbSoQQozR-8ukIpXQHteUEgJg9JbD9VKFOHiaMAA5THO1Eh2jy2vvbMn5eHQi4H9kI2zLQXclcVrmX8dFUx-h9ugWo-TOLQoaASkp2ygJmlAW5P53mvChnqtckSbDz2sGj2Yl0RuURChgyQbJCWlQpcLKeJuOWY4sA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Gaiutra Bahadur’s Coolie Woman : Intimacies, Proximities, Relationalities
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 1 Cane worker and cutlass, Guyana, 2014. Photograph courtesy of Deodat Persaud.
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in Dominican Pride and Shame: Gender, Race, and LGBT Activism in Santo Domingo
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 1 DR Pride logos 2016. Photograph posted on Facebook by the author. Santo Domingo, Dominican Republic.
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