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photograph
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Journal Article
Small Axe (2009) 13 (2): 128–134.
Published: 01 July 2009
...Albert Chong Small Axe Inc. 2009 The Photograph
as a Receptacle of Memory
Albert Chong
I have come to know the world by the physical and, unlike my fathers many generations ago,
also by the virtual. The virtual world is to some people as real if not more so than the physi-
cal...
Image
Published: 01 November 2018
Antonio Benítez-Rojo in exile. Amherst, Massachusetts, 1989. Photograph by Gigi Kaeser. Used by permission. Antonio Benítez-Rojo in exile. Amherst, Massachusetts, 1989. Photograph by Gigi Kaeser. Used by permission.
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Published: 01 November 2018
Figure 2 Double-Phantom / Entro-P.R. (detail). Photograph by Jason Wyche. Figure 2. Double-Phantom / Entro-P.R. (detail). Photograph by Jason Wyche.
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Image
Published: 01 November 2018
Figure 4 Estadista ( Statehood’er ) (detail). Photograph by Jason Wyche. Figure 4. Estadista (Statehood’er) (detail). Photograph by Jason Wyche.
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Published: 01 November 2018
Figure 6 Run-a-Bout (detail). Photograph by Chaz Langley. Figure 6. Run-a-Bout (detail). Photograph by Chaz Langley.
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Published: 01 July 2017
Sharlene Khan, Drowning Durga VI , 2015. Digital color photograph, 61 × 91 cm. Photographer: Nicola Gear Sharlene Khan, Drowning Durga VI, 2015. Digital color photograph, 61 × 91 cm. Photographer: Nicola Gear
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Published: 01 July 2017
Sharlene Khan, Drowning Durga X , 2015. Digital color photograph, 61 × 91 cm. Photographer: Nicola Gear Sharlene Khan, Drowning Durga X, 2015. Digital color photograph, 61 × 91 cm. Photographer: Nicola Gear
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in The Paradox of Freedom: An Interview with Orlando Patterson
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2013
Orlando Patterson, 2012. Photograph by Anita Patterson. Orlando Patterson, 2012. Photograph by Anita Patterson. Courtesy Orlando Patterson
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Published: 01 July 2015
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Published: 01 July 2015
Self Portrait—Infinity , digital photograph, 2005 Self Portrait—Infinity, digital photograph, 2005
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Published: 01 July 2015
Fighting the Currents (work in progress), digital photograph, 2014 Fighting the Currents (work in progress), digital photograph, 2014
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Published: 01 July 2014
Mandela's Release, 1990 . Photograph by Graeme Williams. Used by permission. Mandela's Release, 1990. Photograph by Graeme Williams. Used by permission.
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in “That Area of Experience That We Term the New World”: Introducing Sylvia Wynter's “Black Metamorphosis”
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2016
Sylvia Wynter, circa late 1950s. Photograph by Oswald Jones. Used with permission Sylvia Wynter, circa late 1950s. Photograph by Oswald Jones. Used with permission
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in “Freak Letters”: Tracing Gender, Race, and Diaspora in the Panama Canal Archive
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 5 Untitled photograph, 1910, Tabernilla, Panama Canal Zone; 5 × 7 in. Photographer unknown. Records of the Panama Canal, National Archives at College Park, MD. National Archives and Records Administration. Figure 5. Untitled photograph, 1910, Tabernilla, Panama Canal Zone; 5 × 7
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in The Tambourine Army: Sonic Disruptions and the Politics of Respectability
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2020
Figure 2 Taitu Heron as flag woman leading the march. Photograph courtesy of Taitu Heron, Tambourine Army. Figure 2. Taitu Heron as flag woman leading the march. Photograph courtesy of Taitu Heron, Tambourine Army.
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in The Tambourine Army: Sonic Disruptions and the Politics of Respectability
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2020
Figure 3 Members of dance troupe En Kompane. Photograph courtesy Taitu Heron, Tambourine Army. Figure 3. Members of dance troupe En Kompane. Photograph courtesy Taitu Heron, Tambourine Army.
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in The Tambourine Army: Sonic Disruptions and the Politics of Respectability
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2020
Figure 4 Tambourine Army: Bun Out Rape Culture. Photograph by Shani Roper. Figure 4. Tambourine Army: Bun Out Rape Culture. Photograph by Shani Roper.
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in Gaiutra Bahadur’s Coolie Woman : Intimacies, Proximities, Relationalities
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 1 Cane worker and cutlass, Guyana, 2014. Photograph courtesy of Deodat Persaud. Figure 1. Cane worker and cutlass, Guyana, 2014. Photograph courtesy of Deodat Persaud.
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in Dominican Pride and Shame: Gender, Race, and LGBT Activism in Santo Domingo
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 1 DR Pride logos 2016. Photograph posted on Facebook by the author. Santo Domingo, Dominican Republic. Figure 1. DR Pride logos 2016. Photograph posted on Facebook by the author. Santo Domingo, Dominican Republic.
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in Dominican Pride and Shame: Gender, Race, and LGBT Activism in Santo Domingo
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 2 Pride DR 2016. Photograph posted on Facebook by Lorena Espinoza Peña. Puerta de las Ataranzas, Santo Domingo, Dominican Republic. Figure 2. Pride DR 2016. Photograph posted on Facebook by Lorena Espinoza Peña. Puerta de las Ataranzas, Santo Domingo, Dominican Republic.
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