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Journal Article
Small Axe (2008) 12 (1): 169–181.
Published: 01 February 2008
... the Police. Call the Army.
Call God. And Let’s Have One
Helluva Big Story”: On Writing
Caribbean Art Histories After
Postcoloniality
Krista A. Thompson
Ab s t r a c t : Are there intrinsic and unique ways of representing the “visual atmospherics” of the
Caribbean? Might...
Journal Article
Small Axe (2009) 13 (2): 4–25.
Published: 01 July 2009
... may result in the misrecognition an ensuing neglect of seminal chapters of the black experience. Small Axe Inc. 2009 One and Divisible: Meditations
on Global Blackness
Silvio Torres-Saillant
Sentimental Education
These meditations emerged initially out of a desire to approximate...
Journal Article
Small Axe (2017) 21 (1 (52)): 250–259.
Published: 01 March 2017
... homophobia Guyanese cross-dressing Belize sodomy law When one labors on a book of scholarship for years, completing it brings a rush of satisfaction. Then the signing of a contract—sometimes months or years later—brings a sense of relief and anticipation. For me, all these emotions were compounded...
Journal Article
Small Axe (2004) 8 (2): 199–204.
Published: 01 September 2004
...Peter Dean Rickards Small Axe Incorporated 2004 The Afflicted One
Peter Dean Rickards
Scratch
Small Axe 16, September 2004: pp. 199–204
ISSN 0799-0537
Dollaz
Monty and Ernie
Spragga
Blam!
Ninja ...
Journal Article
Small Axe (2020) 24 (1 (61)): 103–110.
Published: 01 March 2020
...Sarah Knights Copyright © 2020 by Small Axe, Inc. 2020 All figures are from the series Chamomile (One Thousand Me s ) . Photographed by Stefano Caines. Figure 1 Patpat 2 , 2017. Embroidery and acrylic on canvas, 20 × 16 in. Figure 1. Patpat 2, 2017. Embroidery and acrylic...
FIGURES
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Image
in Alternative Soundscape Paradigms from Kamau Brathwaite and the Mighty Sparrow
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2021
Figure 5 Lyrics to “Simpson” (1959), by the Mighty Sparrow, from One Hundred and Twenty Calypsoes to Remember (Port of Spain: National Recording, c. 1963), 22; annotations by the author
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Image
in Epic Humor: Elpidio Valdés and the Mythopoetics of Populist Laughter
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 1 A jovial Elpidio astride his trusty steed, Palmiche, in one of the series’s earliest cartoon shorts. Still from Una aventura de Elpidio Valdés ( Elpidio Valdés’s Adventure ), dir. Juan Padrón and Noel Lima, 1974, episode 1 (cartoon shorts), 6:40 min.
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Image
Published: 01 November 2023
Figure 8 Two Heads, One Spine , 2023 Plaster, mahogany pods, sisal, and reclaimed wood 12 × 5.5 × 3.5 in / 30.5 × 14 × 8.9 cm
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Image
Published: 01 November 2015
Figure 3. Mark Bradford, A Truly Rich Man Is One Whose Children Run into His Arms Even When His Hands Are Empty , 2008. Photomechanical reproductions, acrylic gel medium, comic-book paper, carbon paper, acrylic paint, caulking, and additional mixed media on canvas; 102 × 144 in. Courtesy Hauser
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Image
Published: 01 July 2012
Eugene Palmer (b. 1955, Jamaica), Copy Series (One of Six) , ca. 1999. Acrylic on canvas, 48 x 41 in. Collection of Eddie Chambers.
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Image
Published: 01 November 2017
Figure 11. One of the two tractors used in the operation to destroy Shanty Town got stuck in the swamp. © 1966 The Gleaner Co. (Media) Ltd.
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Image
Published: 01 November 2017
Figure 12. Members of one family escaping with their house. © 1966 The Gleaner Co. (Media) Ltd.
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Image
Published: 01 July 2017
Roshini Kempadoo, Face Up , 2015. Screenshots from one short story (“Deirdre”). All images courtesy of the artist
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Image
in Inside and Outside the Exhibition Space: The Poetics and Politics of Colectivo Quintapata
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 5 Detail of chewing gum on one of the screens of Colectivo Quintapata’s video installation ADN , 2012, Venice Biennial. Courtesy of Colectivo Quintapata
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Journal Article
Small Axe (2007) 11 (2): 209–216.
Published: 01 June 2007
... insurrection of 1791 and the role of Vodou in the revolution. Small Axe Incorporated 2007 Sa Nou Pa We Yo
(The Invisible Ones):
A Reply to Four Readers
Madison Smartt Bell
Ab s t r a c t : This essay responds to four critics who discuss Bell’s trilogy of novels about the Haitian...
Journal Article
Small Axe (2009) 13 (3 (30)): 84–92.
Published: 01 November 2009
...Alex Burke Small Axe, Inc. 2009 Remembering to
Reinvent One’s Future
Alex Burke
At the end of the 1960s, I was doing representational painting in black and white; I had
eliminated color out of an effort for more simplicity.
At the beginning of the 1970s...
Journal Article
Small Axe (2023) 27 (1 (70)): vii–x.
Published: 01 March 2023
...David Scott But the neglect of the significance of the Osirian figure of the Beautyful One is not the only oversight committed by Armah’s critics. As he tells us, there is also a temporal sense of anticipatory hope and longing inscribed in the novel’s title to which insufficient attention has...
Image
Published: 01 November 2019
Figures 9 and 10. Archival Dialectics (detail), 2018. Two-sided black-and-white photocopies—one side with image of wax rubbings of coral stones; one side with archival text on inverse of rubbings image—displayed in two stacks. Courtesy of the artist.
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Image
Published: 01 November 2019
Figures 9 and 10. Archival Dialectics (detail), 2018. Two-sided black-and-white photocopies—one side with image of wax rubbings of coral stones; one side with archival text on inverse of rubbings image—displayed in two stacks. Courtesy of the artist.
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Image
in Bigger than the Sound: The Jamaican Chinese Infrastructures of Reggae
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 2 Map of Jamaican Chinese business infrastructure distribution across Jamaica, 1957–1963. The dot density (i.e., darker dots) on this map indicates multiple shops in one area. Designed by Tao Leigh Goffe, 2017 (Datawrapper)
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