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modes of production
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Journal Article
Small Axe (2016) 20 (1 (49)): 47–61.
Published: 01 March 2016
... in the global structures of production.” Just as Wynter demonstrates, with respect to the pieza classification, that an underlying ontological structure assigns one's place in the system, such a structure could be generalized to all subordinated peoples: “It is the institution of a mode of social relations...
Journal Article
Small Axe (2013) 17 (3 (42)): 89–99.
Published: 01 November 2013
...Justin Izzo This essay examines the roles played by ethnographic writing and translation in Raphaël Confiant's 1994 L'allée des soupirs . This novel fictionalizes the 1959 riots in Martinique while simultaneously creating characters who debate the relative merits of modes of expression capable...
Journal Article
Small Axe (2018) 22 (1 (55)): 137–146.
Published: 01 March 2018
..., generating a vision of creole fiction as ethnographic fiction. More specifically, he demonstrates how the human sciences perform three interrelated tasks in the history the créolistes create of their own literary production: first, they serve as disciplinary frameworks for creole fiction; second, they index...
Journal Article
Small Axe (2022) 26 (2 (68)): 176–193.
Published: 01 July 2022
... Puerto Rican) aesthetics, culture, and history that are distinctly presented and theorized in each of the scholarly interlocutor’s book-forum essays, this essay thinks about reading itself and other perceptual modes, such as listening, qua Whiteness, “the ontic,” and “slow violence.” In its (re...
FIGURES
Journal Article
Small Axe (2024) 28 (2 (74)): 17–33.
Published: 01 July 2024
... with cultural hierarchies, it is remarkable that the most literate, flexible, and skilled cultural translator of the play is not a storied hero of the Haitian Revolution; rather, it is a servant woman overlooked by traditional histories. Through his portrayal of Celestine, James demands modes of historical...
Journal Article
Small Axe (2014) 18 (3 (45)): 1–17.
Published: 01 November 2014
... is documenting the child abuse and homophobic violence she suffered. This essay makes visible the connections between physical punishments during slavery (with particular reference to “The History of Mary Prince”), practices of child abuse and homophobic violence in Jamaica, and contemporary modes of recognizing...
FIGURES
Journal Article
Small Axe (2015) 19 (3 (48)): 205–224.
Published: 01 November 2015
... his work emerged, clarifies the book's primary assumptions and interventions, and lays out the future directions of his own work as a mode of reflexive artistic writing. Throughout, he aims to complicate and expand our understanding of what is made possible for critical inquiry in the productive...
FIGURES
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Journal Article
Small Axe (2023) 27 (3 (72)): 50–65.
Published: 01 November 2023
... the task of historicizing the present and generating usable African pasts. [email protected] © Small Axe, Inc. 2023 neocolonialism vindicationism modes of production Ujamaa How Europe Underdeveloped Africa opens with the following lines: “This book derives from a concern...
Journal Article
Small Axe (2016) 20 (1 (49)): 113–128.
Published: 01 March 2016
... of capitalist production (17). 14 The underlife, for Wynter, is represented in the provision ground or “plot” on the colonial plantation. 15 The modes of performative self-expression enacted in this obscured realm of lived experience enabled the revaluation of blackness and represented an incalculable...
Journal Article
Small Axe (2015) 19 (3 (48)): 129–145.
Published: 01 November 2015
... of the struggle to destroy slavery in Saint-Domingue. And yet, like his followers Jean-Jacques Dessalines and Henri Christophe, he remained unable to conceptualize new social structures implied by the stance of universal antislavery, instead reactivating the plantation-based mode of production, ordering...
FIGURES
Journal Article
Small Axe (2016) 20 (1 (49)): 79–91.
Published: 01 March 2016
... (the racial economies and racial histories that underpin the production and distribution of black creative works), lyrical content (if the tune indeed has lyrics), and the waveforms that underpin and sonically frame song. 2 Black musical aesthetics not only emerge within and against long-standing antiblack...
Journal Article
Small Axe (2016) 20 (2 (50)): 76–84.
Published: 01 July 2016
... and scholarship, but only if there are initiatives and projects that create ways of giving agency to “subaltern” modes of knowledge production not totally integrated in the circuits of racial info-capitalism, data management, and asymmetric network power of the overdeveloped world exploiting the crisis. Can...
Journal Article
Small Axe (2024) 28 (2 (74)): 179–189.
Published: 01 July 2024
..., on this anti-Black ground as productive of the technologies of terror that will later be used among the Blackened, the poor, and the queer in their adapted modes. As such, when Zambrana asserts in Colonial Debts that “precarity and violence stem not from the colonial condition . . . but from an ongoing...
Journal Article
Small Axe (2024) 28 (2 (74)): 201–218.
Published: 01 July 2024
... the persistence of modes of domination and forms of subjection coined in chattel slavery in contemporary regimes of systemic racism. She contends that colonialism and coloniality in Puerto Rico compel us to theorize neoliberal regimes, as well as collective actions and quotidian practices that challenge...
Journal Article
Small Axe (2014) 18 (2 (44)): 1–17.
Published: 01 July 2014
... powers of the working class. 36 Their second line of inquiry moved beyond a critique of work to a construction of postwork alternatives, exploring how the subsumption of the social into production proliferated modes of practice through which workers could reappropriate their social productivity...
Journal Article
Small Axe (2018) 22 (2 (56)): 18–34.
Published: 01 July 2018
... people in the process of production, at the various modes of production, social formations, cultural formations which arose historically and the direction in which the society was tending.” Though Rodney frames this as Cabral’s Marxist methodology, he finds that a central feature of that approach...
Journal Article
Small Axe (2011) 15 (3 (36)): 1–21.
Published: 01 November 2011
... to find a mode of belonging and of representation that does not reify
or stifle the creative, productive energies of “becoming.” The utopian charge of the future
anterior governs the novel’s political and aesthetic vision, which identifies the failed liberation
struggles of the past...
Journal Article
Small Axe (2012) 16 (1 (37)): 53–70.
Published: 01 March 2012
...: Perspectives Créoles, 1982).
13 Frampton, “Towards a Critical Regionalism,” 21 (italics in original).
62 | Roger Turton, Unfinished Pictures: A Prelude
eighteenth- and nineteenth-century modes of production in preference to the modern.14 While
Berthelot’s built work was frankly unremarkable...
Journal Article
Small Axe (2019) 23 (1 (58)): 62–76.
Published: 01 March 2019
... with a family irrevocably disarticulated from within. Sewell thus puts very different pop-fiction genres productively in harness together. The historical interludes of the family-saga mode disrupt the forward drive of the political-thriller plot structure. These interludes, moreover, are all focalized...
Journal Article
Small Axe (2014) 18 (1 (43)): 38–54.
Published: 01 March 2014
... production and its study, it is noteworthy that even though “the popular” and their “modes of dissemination” are included in the volume Methodology and History of the Caribbean , the ongoing (un- disciplined ) exuberance of historical production, appearing in proliferating media and beholden to innumerable...
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