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Image
Published: 01 July 2017
Sharlene Khan, Family , 2016. Mixed media, 29 × 37 cm. Courtesy of the artist Sharlene Khan, Family, 2016. Mixed media, 29 × 37 cm. Courtesy of the artist More
Image
Published: 01 July 2018
Figure 6 Tomie Arai, Double Happiness , 2004. Mixed-media installation, Bronx Museum of the Arts. Tables, place settings, chairs; light boxes; silk screen; interview text; audio Figure 6. Tomie Arai, Double Happiness, 2004. Mixed-media installation, Bronx Museum of the Arts. Tables, place More
Image
Published: 01 November 2013
Figure 4. Caroline “booops” Sardine, big frens tun n-e-meee (detail), 2008. Mixed media assemblage, dimentions vary. Figure 4. Caroline “booops” Sardine, big frens tun n-e-meee (detail), 2008. Mixed media assemblage, dimentions vary. Photograph by Jane Bryce More
Image
Published: 01 November 2013
Figure 8. Caroline “booops” Sardine, pain-T sets you freee , 2010. Handmade mixed-media mermaid in a fish bowl, variable dimensions. Figure 8. Caroline “booops” Sardine, pain-T sets you freee, 2010. Handmade mixed-media mermaid in a fish bowl, variable dimensions. Photograph by booops More
Image
Published: 01 March 2015
Untitled Species II , 2010. Mixed media on paper; 66.75 × 50 in. Collection of Eric and Tara Hirshberg, Los Angeles. Photo courtesy of the artist and Monique Meloche Gallery, Chicago Untitled Species II, 2010. Mixed media on paper; 66.75 × 50 in. Collection of Eric and Tara Hirshberg, Los Angeles More
Image
Published: 01 March 2015
Brella Krew , from the Fambily series, 2013. Mixed-media, hand-embellished photo tapestry; 78 × 285 in. Collection of 21c Museum Hotel, Louisville. Photo courtesy the artist and Monique Meloche Gallery, Chicago Brella Krew, from the Fambily series, 2013. Mixed-media, hand-embellished photo More
Image
Published: 01 March 2015
Duppy Treez (detail), 2013. Mixed media on paper; 78.5 × 63 in. Collection of Vascovitz Family Collection, Seattle. Photo courtesy of the artist and Monique Meloche Gallery, Chicago Duppy Treez (detail), 2013. Mixed media on paper; 78.5 × 63 in. Collection of Vascovitz Family Collection, Seattle More
Image
Published: 01 March 2015
Lost at Sea ii , 2012. Mixed media on canvas, 46 × 50 in. Lost at Sea ii, 2012. Mixed media on canvas, 46 × 50 in. More
Image
Published: 01 November 2015
Figure 1.2. Lorna Simpson and Alva Rogers, Five Rooms , 1991. Mixed media, dimensions variable. Courtesy the artist and Salon 94, New York Figure 1.2. Lorna Simpson and Alva Rogers, Five Rooms, 1991. Mixed media, dimensions variable. Courtesy the artist and Salon 94, New York More
Image
Published: 01 November 2015
Figure 1.3. Glenn Ligon, To Disembark , 1993. Mixed media, dimensions variable. Courtesy the artist; Luhring Augustine, New York; Regen Projects, Los Angeles; and Thomas Dane Gallery, London Figure 1.3. Glenn Ligon, To Disembark, 1993. Mixed media, dimensions variable. Courtesy the artist More
Image
Published: 01 November 2015
Figure 1.4. Renée Green, Mise-en-Scène , 1991. Mixed media, dimensions variable. Photo: Bernard Renoux. Courtesy the artist and Free Agent Media Figure 1.4. Renée Green, Mise-en-Scène, 1991. Mixed media, dimensions variable. Photo: Bernard Renoux. Courtesy the artist and Free Agent Media More
Image
Published: 01 March 2017
Figure 2. Clara Morera, El santo pájaro ( The Sacred Bird ), 2010. Mixed media on canvas, 122 × 147 cm. Photograph by Mary Jane Bent. Courtesy of Alejandro de la Fuente Figure 2. Clara Morera, El santo pájaro (The Sacred Bird), 2010. Mixed media on canvas, 122 × 147 cm. Photograph by Mary More
Image
Published: 01 March 2019
Figure 1 Clara Morera, The Preboste Juan , 2017. Mixed media on canvas, 72 × 48 in. From the Visionary Aponte: Art and Black Freedom exhibit; Little Haiti Cultural Center, New York University, and Duke University, 2017–18. Courtesy of the artist Figure 1. Clara Morera, The Preboste Juan More
Image
Published: 01 March 2019
Figure 1 High-Sis in the Garden of Heathen , 2017; mixed media on fabric, various dimensions. Figure 1. High-Sis in the Garden of Heathen, 2017; mixed media on fabric, various dimensions. More
Image
Published: 01 March 2019
Figure 2 Dem ova Deh Suh, wih ova Yah Suh , 2016; mixed media on fabric, 81.5 × 50 in. Figure 2. Dem ova Deh Suh, wih ova Yah Suh, 2016; mixed media on fabric, 81.5 × 50 in. More
Image
Published: 01 March 2019
Figure 3 Pimper’s Paradise, the Terra Nova Nights Edition , 2018; triptych, mixed media on canvas, 7 ft. 5 in. × 16 ft. 8 in. Figure 3. Pimper’s Paradise, the Terra Nova Nights Edition, 2018; triptych, mixed media on canvas, 7 ft. 5 in. × 16 ft. 8 in. More
Image
Published: 01 March 2019
Figure 5 Yes We Have Met Before , 2017; triptych, mixed media on canvas, 96 × 144 in. Figure 5. Yes We Have Met Before, 2017; triptych, mixed media on canvas, 96 × 144 in. More
Image
Published: 01 March 2017
Figure 3. Nicole Awai, Specimen from Local Ephemera: Go Go Green Compression—Mix More Media! , 2010. Graphite, acrylic paint, nail polish, and glitter on paper; 38 × 50 in. Courtesy of the artist Figure 3. Nicole Awai, Specimen from Local Ephemera: Go Go Green Compression—Mix More Media!, 2010 More
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2012) 16 (3 39): 39–57.
Published: 01 November 2012
...Naïma Hachad et Valérie Loichot This essay addresses the aesthetics and politics of “restitution” in the works of Victor Anicet, a contemporary ceramist and painter from Martinique. Specifically, it investigates the mixed-media piece titled Restitution as a site of memory, restoration, reinvention...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2009) 13 (2): 39–56.
Published: 01 July 2009
...Patricia de Santana Pinho This article analyzes anecdotes, jokes, standards of beauty, color categories, and media representations of “mixed-race” individuals to assess the junctions and disjunctions of whiteness and blackness in Brazil. While the multiple and contradictory meanings of “racial...