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mixed
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Image
Published: 01 March 2020
Figure 7 Western Dress , 2015. Mixed media on canvas board, 30 × 24 in. Figure 7. Western Dress, 2015. Mixed media on canvas board, 30 × 24 in.
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in Albums of Inclusion: The Photographic Poetics of Caribbean Chinese Visual Kinship
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 6 Tomie Arai, Double Happiness , 2004. Mixed-media installation, Bronx Museum of the Arts. Tables, place settings, chairs; light boxes; silk screen; interview text; audio Figure 6. Tomie Arai, Double Happiness, 2004. Mixed-media installation, Bronx Museum of the Arts. Tables, place
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in “He Was a Lion, and He Would Destroy Much”: A Speculative School of Revolutionary Politics
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2019
Figure 1 Clara Morera, The Preboste Juan , 2017. Mixed media on canvas, 72 × 48 in. From the Visionary Aponte: Art and Black Freedom exhibit; Little Haiti Cultural Center, New York University, and Duke University, 2017–18. Courtesy of the artist Figure 1. Clara Morera, The Preboste Juan
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Image
Published: 01 March 2019
Figure 2 Dem ova Deh Suh, wih ova Yah Suh , 2016; mixed media on fabric, 81.5 × 50 in. Figure 2. Dem ova Deh Suh, wih ova Yah Suh, 2016; mixed media on fabric, 81.5 × 50 in.
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Image
Published: 01 November 2015
Figure 1.2. Lorna Simpson and Alva Rogers, Five Rooms , 1991. Mixed media, dimensions variable. Courtesy the artist and Salon 94, New York Figure 1.2. Lorna Simpson and Alva Rogers, Five Rooms, 1991. Mixed media, dimensions variable. Courtesy the artist and Salon 94, New York
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Image
Published: 01 March 2019
Figure 5 Yes We Have Met Before , 2017; triptych, mixed media on canvas, 96 × 144 in. Figure 5. Yes We Have Met Before, 2017; triptych, mixed media on canvas, 96 × 144 in.
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Image
Published: 01 March 2019
Figure 1 High-Sis in the Garden of Heathen , 2017; mixed media on fabric, various dimensions. Figure 1. High-Sis in the Garden of Heathen, 2017; mixed media on fabric, various dimensions.
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Image
Published: 01 March 2019
Figure 3 Pimper’s Paradise, the Terra Nova Nights Edition , 2018; triptych, mixed media on canvas, 7 ft. 5 in. × 16 ft. 8 in. Figure 3. Pimper’s Paradise, the Terra Nova Nights Edition, 2018; triptych, mixed media on canvas, 7 ft. 5 in. × 16 ft. 8 in.
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in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 1 Garçon III , 2018; mixed media on canvas, 8 × 10 in. Figure 1. Garçon III, 2018; mixed media on canvas, 8 × 10 in.
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in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 2 Conciliabule , 2016; mixed media on paper, 18 × 24 in. Figure 2. Conciliabule, 2016; mixed media on paper, 18 × 24 in.
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in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 3 Ex Mente II , 2019; mixed media on paper, 16 × 20 in. Figure 3. Ex Mente II, 2019; mixed media on paper, 16 × 20 in.
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in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 4 In Between , 2017; mixed media on paper, 8 × 10 in. Figure 4. In Between, 2017; mixed media on paper, 8 × 10 in.
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in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 5 Sens dessus dessous dans le frangipanier , 2016; mixed media on paper, 14 × 17 in. Figure 5. Sens dessus dessous dans le frangipanier, 2016; mixed media on paper, 14 × 17 in.
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in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 6 Untitled , 2016; mixed media on paper, 8 × 10 in. Figure 6. Untitled, 2016; mixed media on paper, 8 × 10 in.
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in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 7 Kind of Blue , 2017; mixed media on paper, 40 × 40 in. Figure 7. Kind of Blue, 2017; mixed media on paper, 40 × 40 in.
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Image
Published: 01 November 2015
Figure 1.3. Glenn Ligon, To Disembark , 1993. Mixed media, dimensions variable. Courtesy the artist; Luhring Augustine, New York; Regen Projects, Los Angeles; and Thomas Dane Gallery, London Figure 1.3. Glenn Ligon, To Disembark, 1993. Mixed media, dimensions variable. Courtesy the artist
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Image
Published: 01 November 2015
Figure 1.4. Renée Green, Mise-en-Scène , 1991. Mixed media, dimensions variable. Photo: Bernard Renoux. Courtesy the artist and Free Agent Media Figure 1.4. Renée Green, Mise-en-Scène, 1991. Mixed media, dimensions variable. Photo: Bernard Renoux. Courtesy the artist and Free Agent Media
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Image
Published: 01 July 2017
Sharlene Khan, Family , 2016. Mixed media, 29 × 37 cm. Courtesy of the artist Sharlene Khan, Family, 2016. Mixed media, 29 × 37 cm. Courtesy of the artist
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in The Artwork of Clara Morera: Afro-Cuban Religious Legacy with a Twist
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2017
Figure 2. Clara Morera, El santo pájaro ( The Sacred Bird ), 2010. Mixed media on canvas, 122 × 147 cm. Photograph by Mary Jane Bent. Courtesy of Alejandro de la Fuente Figure 2. Clara Morera, El santo pájaro (The Sacred Bird), 2010. Mixed media on canvas, 122 × 147 cm. Photograph by Mary
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in Bleeding, Wailing, and Hypnosis: The Words and Images of Caroline “booops” Sardine
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2013
Figure 8. Caroline “booops” Sardine, pain-T sets you freee , 2010. Handmade mixed-media mermaid in a fish bowl, variable dimensions. Figure 8. Caroline “booops” Sardine, pain-T sets you freee, 2010. Handmade mixed-media mermaid in a fish bowl, variable dimensions. Photograph by booops
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