...Hazel V. Carby Reflecting on arguments and insights in the discussion essays by Eddie Chambers, Marisa Fuentes, and Marc Matera on the author’s Imperial Intimacies: A Tale of Two Islands , this response essay focuses on the dilemma of black feminist critique, practice, methodology, and pedagogy...

...Marc Matera Through a combination of critical memoir and family history, Hazel V. Carby’s Imperial Intimacies: A Tale of Two Islands offers an intimate history of empire—an excavation of close connections across space and time, of empire’s presence in the most intimate spaces and relationships...

...Marc Brudzinski Small Axe Incorporated 2006 ...

... his arms and legs and recognizes a police officer who had assisted the drug runs. Romulus recognizes him from the meeting in Miami that had led him home and then to prison. He remembers that the others had called him Marc or Marco. Romulus had never considered that he would run into him again...

... to that afternoon, my former mechanic, Marc, and I were having a wide-ranging conversation about pesticides, about food, about hormones and aging. We talked about prostate cancer, about manhood, and about his workout and diet regimen. We talked more about pesticides. We talked about his body. We talked about what...

..., Olivier Flambert, Miguel Gómez, Fonso Khouri, Abraham Khouri, Roxane Ledan, Daniel Morel, Darìo Oleaga, Marc Steed, and Roberto Stephenson, seek to demonstrate small axe 24 • October 2007 • p 83–92 • ISSN 0799-0537 84 | SX24 • Pares & Nones (Evens & Odds) the disparate unity of both...

... grandson, Jean-Marc Césaire, founded the organization Ciné woulé in the late 1990s to provide opportunities for Guadeloupeans to see films outside of traditional cinemas. Partnering with the DRAC, Ciné woulé has its own unique history, while sharing many of the goals of the program...

... Benjamin | 57 All the paintings are mixed media on canvas, 30 × 48 inches, from the private collection of Galerie Monnin, Pétionville, Haiti. Photo credit: Marc Lee Steed. The paintings reproduced here were part of an exhibition at Galerie Monnin between 6 and 28...

...: Shalini Puri’s The Caribbean Postcolonial Marc Brudzinski Shalini Puri’s The Caribbean Postcolonial: Social Equality, Post-Nationalism, and Cultural Hybridity analyzes “the hybrid,” which is understood here as a critical discourse and as an abstract figure created by that critical discourse...

...: Shalini Puri’s The Caribbean Postcolonial Marc Brudzinski Shalini Puri’s The Caribbean Postcolonial: Social Equality, Post-Nationalism, and Cultural Hybridity analyzes “the hybrid,” which is understood here as a critical discourse and as an abstract figure created by that critical discourse...

...: Shalini Puri’s The Caribbean Postcolonial Marc Brudzinski Shalini Puri’s The Caribbean Postcolonial: Social Equality, Post-Nationalism, and Cultural Hybridity analyzes “the hybrid,” which is understood here as a critical discourse and as an abstract figure created by that critical discourse...

...: Shalini Puri’s The Caribbean Postcolonial Marc Brudzinski Shalini Puri’s The Caribbean Postcolonial: Social Equality, Post-Nationalism, and Cultural Hybridity analyzes “the hybrid,” which is understood here as a critical discourse and as an abstract figure created by that critical discourse...

.... In Puerto Rico, the work done by local activists and scholars led the way in recognizing the challenges posed by foreign capital or extraction (mainly from the United States) common in the Caribbean region. 21 As Marc Schuller has argued in relation to Haiti, neoliberalism has set, in the presence...

... and the history of Haitians outside Haiti in light of Maroon history. For example, Sabine F. Cadeau and Marc C. McLeod each explore the Maroon-like experiences of repression and evasion that ethnic Haitians faced during the twentieth century in the Dominican Republic and Cuba. 8 In the former context, a wave...

..., for instance, Photograph courtesy of Marc Rammelaere Photograph courtesy of Marc 4. A group of William “Woody” Joseph carvings in a Kingston private collection. Woody was one of the Intuitives included in Jamaican Art...

... Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition (2019). 206 Contributors Marc Matera i s an associate professor of history and a codirector of the Center for Cultural Studies at the University of California, Santa Cruz. He is the author of Black London: The Imperial Metropolis...

... of Texas at Austin, 1989), 96–129; Marc Christian McLeod, “Undesirable Aliens: Haitians and British West Indian Immigrant Workers in Cuba, 1898 to 1940,” (PhD diss., University of Texas at Austin, 2000), 87–280; Jorge L. Giovannetti, “Black British Subjects in Cuba: Race, Ethnicity, Nation...

... 5. Roshini Kempadoo, Ghosting, 2004. Multimedia installation still. Courtesy of the artist Caribbean literature, and this type of critical engagement extends to Caribbean visual arts. 33 The collaboration between Marc Matthews and Roshini Kempadoo confirms the productive dialogue and shared...

... University Press, 2000). 4. James Ferguson, Global Shadows: Africa in the Neoliberal World Order (London and Durham: Duke University Press, 2006). 5. “Haitians Claim Officials Left Them for Dead,” Associated Press wire, 11 May 2007; Marc Lacey, “New Routes and New Risk, As More Haitians Flee...

...: Truth, Abolitionism, and Slave Testimony (New York: New York University Press, 2001). 33 See Ira Berlin, Marc Favreau, and Steven Miller, eds., Remembering Slavery: African Americans Talk about Their Personal Experiences of Slavery and Emancipation (New York: New Press, 1998). 32 As we...