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kempadoo
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/10.1215_07990537-4156846/2/s_135fig1.jpeg?Expires=2147483647&Signature=AoeFO5XBKC2SdA5eQj2PS6oi-tHC7vHq22KPg6b1gaVvgJSNQs8riNABMxY9zLx6fsIWa2jipRZO8FJqZSUN-IiVH4OtF7WCsLbsXRbfwwDptoF~RQYncnlGse4VXNax5~gLC2toBpWh5jg~eC3V4BoCzsLzRgTjYRtu6UW3HgTU6pRCelYgUw1viTEDEK9vj-AvwrHi2gY7shzGPFcbrN3Tc0nxGiZJRLsIWD-YSDAmfWZez6447vTEfc3-HWrirVRzj4F4Itdif-CwsipR76GEJ6lBlM2ufEAHc-9koTjy~OkwXKo-dfln8jCWwKKGysdEATmdtvoBXc5dG0sTtQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 July 2017
The three artists pictured are, left to right, Roshini Kempadoo, Sharlene Khan, and Wendy Nanan. Andil Gosine, from Cane Portraiture: The Descendants , 2016; photographs, 12 × 18 in.
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Published: 01 July 2017
Roshini Kempadoo, Face Up , 2015. Screenshots from one short story (“Deirdre”). All images courtesy of the artist
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Journal Article
Small Axe (2017) 21 (1 (52)): 110–125.
Published: 01 March 2017
... to contemporary visual artwork is the perspective of Caribbean women artists. Through a discussion of Roshini Kempadoo's interactive installation Ghosting , the essay considers alternative forms of archiving lived memory through Diana Taylor's notion of the repertoire. It also considers modernist...
Journal Article
Small Axe (2009) 13 (1): 181–191.
Published: 01 March 2009
...Roshini Kempadoo Artist project. Small Axe Incorporated 2009 Amendments: Digital Griots
as Traces of Resistance
Roshini Kempadoo
Entering the gallery space, screen characters invite us to join in playing a game of dominos—
as laid out on the table beside the screen. As we place...
Journal Article
Small Axe (2015) 19 (2 (47)): 167–176.
Published: 01 July 2015
...Roshini Kempadoo This essay is a contribution to the book discussion of Timed Out: Art and the Transnational Caribbean (2011) by Leon Wainwright. Kempadoo offers an exploration and commentary on the way Wainwright's publication has been structured and conceived, exploring the rationale...
Journal Article
Small Axe (2004) 8 (1 (15)): 235–241.
Published: 01 March 2004
...Roshini Kempadoo Small Axe Incorporated 2004 Imaging historical traces: Virtual Exiles project [2000]
[httpwww.mediascot.org/exiles/ve/index.html]
Roshini Kempadoo
Virtual Exiles is a digital print and Internet artwork, based on material from Guyana I collected and
created between...
Journal Article
Small Axe (2013) 17 (2 (41)): 136–153.
Published: 01 July 2013
...Roshini Kempadoo Recent political agitations across countries, including those in Southern Europe, the Middle East, South America, and North and Middle Africa, are further problematized by the perceived failure of “state multiculturalism” in Europe. European citizens of different cultures...
Journal Article
Small Axe (2017) 21 (2 (53)): 135–150.
Published: 01 July 2017
...The three artists pictured are, left to right, Roshini Kempadoo, Sharlene Khan, and Wendy Nanan. Andil Gosine, from Cane Portraiture: The Descendants , 2016; photographs, 12 × 18 in. ...
FIGURES
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Journal Article
Small Axe (2017) 21 (2 (53)): 81–93.
Published: 01 July 2017
..., metaphoric visual expression, and thematic and symbolic complexities through institutional and personal archives, as well as the visual creativities of two artists: Roshini Kempadoo and Karran Sahadeo. Both are descendants of indentured laborers, living in the diaspora, who use photography to probe the past...
FIGURES
Journal Article
Small Axe (2015) 19 (2 (47)): 185–196.
Published: 01 July 2015
... (with the book Timed Out ) but also by teaching and developing university curricula with the Caribbean in view, curating exhibitions and arts programs, supporting scholarly debate through editorial work, and informing art and cultural policy. Of course, as Roshini Kempadoo writes in her review...
Journal Article
Small Axe (2002) 6 (2): 209–211.
Published: 01 September 2002
...Paula Aymer Small Axe Incorporated 2002 Exposing Caribbean Tourism
Paula Aymer
Sun, Sex, and Gold: Tourism and Sex Work in the Caribbean, Kamala Kempadoo, ed. Lanham,
Md.: Rowman and Littlefi eld, 1999. ISBN 0-847-69517-4.
he black body in its varied shades of blackness...
Journal Article
Small Axe (2002) 6 (2): 212.
Published: 01 September 2002
... Small Axe Incorporated 2002 Exposing Caribbean Tourism
Paula Aymer
Sun, Sex, and Gold: Tourism and Sex Work in the Caribbean, Kamala Kempadoo, ed. Lanham,
Md.: Rowman and Littlefi eld, 1999. ISBN 0-847-69517-4.
he black body in its varied shades of blackness is a major site...
Journal Article
Small Axe (2012) 16 (2 (38)): 43–59.
Published: 01 July 2012
... discourses about natives internalizing hypersexuality in ways that complicate Kempadoo's notion of a “lived reality.” 32 Ironically, given Isobel's explanations of her Caribbean identity, the very paradigms that condemn women of color become an escape valve for the white female slave owner in pursuit...
Journal Article
Small Axe (2017) 21 (2 (53)): 63–67.
Published: 01 July 2017
... that includes South Africans such as Sharlene Khan, Mauritian Shiraz Bayjoo, and Guadeloupe's Kelly Sinnipah Mary, and also “twice-diasporized” migrants such as Guyanese-born, UK residents Vannetta Seecharran, Roshini Kempadoo, and Kamal Singh. The essays that follow draw on explicit connections...
Journal Article
Small Axe (2010) 14 (1 (31)): 46–59.
Published: 01 March 2010
... activism of the GFM and J-FLAG, respec-
tively, Caribbean women’s studies, specifically the work of M. Jacqui Alexander, Kamala
Kempadoo, and Tracy Robinson, makes valuable connections between the sociolegal con-
struction of gender and sexualities in the postcolonial Caribbean. Robinson...
Journal Article
Small Axe (2009) 13 (1): 230–233.
Published: 01 March 2009
... of Subjection: Terror, Slavery and Self-Making in Nineteenth-Century America
(1997); and Lose Your Mother: A Journey along the Atlantic Slave Route (2007). She is currently
at work on a project on photography and ethics.
Roshini Kempadoo is a London-based digital artist, critic, and Reader in Media...
Journal Article
Small Axe (2013) 17 (2 (41)): 8–26.
Published: 01 July 2013
... of these alternative modes of expression and knowing in the work of contemporary artists. Figure 8. Roshini Kempadoo, Virtual Exiles: Frontline/Backyards (3) , 2000. Giclé print; 47.4 × 72 cm. Used by permission of the artist. Figure 8. Roshini Kempadoo, Virtual Exiles: Frontline/Backyards (3), 2000. Giclé...
Journal Article
Small Axe (2018) 22 (2 (56)): 128–143.
Published: 01 July 2018
.... Depicting the Caribbean as a monolithically anti-LGBT space in news stories and tourist guides contradicts the reality of how people live with sexual variation that, as Kamala Kempadoo has argued, is integral to Caribbean society. 28 Lorgia García-Peña’s theorization of how “contra/dictions” negotiated...
FIGURES
Journal Article
Small Axe (2017) 21 (2 (53)): 209–211.
Published: 01 July 2017
... exhibitions of work and writing include Ghosts: Keith Piper and Roshini Kempadoo (2015) and Creole in the Archive: Imagery, Presence, and Location of the Caribbean Figure (2016). S harlene K han is a South African visual artist who uses masquerading as a postcolonial strategy to interrogate her...
Journal Article
Small Axe (2004) 8 (1 (15)): v–vii.
Published: 01 March 2004
... Historical Traces: A Virtual Exiles Project
Roshini Kempadoo 235
REVIEWS
Coming to Terms
Stewart Brown 242
The Tragedy of the Zong
Geoffrey Philp...
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