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in Making History Visible: Caribbean Artist Josef Nassy’s Visual Diary of Nazi Internment
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2021
Figure 3 Josef Nassy, Untitled , n.d. Woven paper, ink, and ink wash; 5.980 × 7.480 in. United States Holocaust Memorial Museum, Washington, DC; gifts of the Severin Wunderman Family. Photographs by the author
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Published: 01 March 2024
Figure 1 Thousands of Thousands no. 46 ; ink on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 4 Thousands of Thousands no. 98 ; ink on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 5 Thousands of Thousands no. 51 ; ink and bleach on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 6 Thousands of Thousands no. 176 ; ink and bleach on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 8 Thousands of Thousands no. 50 ; ink on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 9 Thousands of Thousands no. 49 ; ink on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 10 Thousands of Thousands no. 38 ; ink on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 11 Thousands of Thousands no. 2 ; ink on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 12 Thousands of Thousands no. 10 ; ink on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 13 Thousands of Thousands no. 84 ; ink on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 14 Thousands of Thousands no. 7 ; ink on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 16 Thousands of Thousands no. 127 ; ink on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 17 Thousands of Thousands no. 41 ; ink on paper, 4 × 4 in.
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Published: 01 March 2024
Figure 1 Wifredo Lam, Untitled , 1943; ink on paper. Illustration from Aimé Césaire, Retorno al país natal (1943). Courtesy of the Latin American and Caribbean Collections, George A. Smathers Libraries, University of Florida
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Published: 01 March 2024
Figure 2 Wifredo Lam, Untitled , 1943; ink on paper. Illustration from Aimé Césaire, Retorno al país natal (1943). Courtesy of the Latin American and Caribbean Collections, George A. Smathers Libraries, University of Florida
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in The Boundary of Light: Buried Beings and Black Sacred Geographies
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2024
Figure 4 William Berryman, “View of Negro village,” c.1808–16; black and gray ink and pencil, 6 × 8.8 in. LC-96522191
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in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 3 O’Neil Lawrence, Awakening , 2007. Archival ink on rag paper, 17 × 26 in. Courtesy of the artist
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Journal Article
Small Axe (2024) 28 (1 (73)): 123–134.
Published: 01 March 2024
...Figure 1 Thousands of Thousands no. 46 ; ink on paper, 4 × 4 in. ...
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