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Published: 01 July 2022
Figure 11 The right-hand image of Coolies, Man and Woman, Jamaica , a stereograph by Carleton H. Graves, 1899. Photographs and Prints Division, Schomburg Center for Research in Black Culture, New York Public Library
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Image
in Patería and Contemporary Puerto Rican Queer/Trans Performance
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2024
Figure 2 Image accompanying Lawrence La Fountain– Stokes’s “Queer Ducks, Puerto Rican Patos , and Jewish-American Feygelekh : Birds and the Cultural Representation of Homosexuality” ( CENTRO 19, no. 1 [2007]: 192)
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Image
in From Louverture to Lenin: Aimé Césaire and Anticolonial Marxism
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2015
Front Image: Aimé Césaire, circa 1964; photographer, Jean-Philippe Charbonnier. Credit: Getty Images Left Image: Aimé Césaire, 22 December 1982; photographer, Pierre Guillaud. Credit: Getty Images
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in Kitchen Table Talk: Richard Fung and Ian Harnarine in Conversation
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2017
Figure 2. Still from Ian Harnarine's Doubles with Slight Pepper , 2011. Image by Elizabeth Harnarine
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Image
in Postdisaster Futures: Hopeful Pessimism, Imperial Ruination, and La futura cuir
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2020
Figure 3 Image from María José’s performance of La futura . Screen shot by Karla Claudio Betancourt.
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Journal Article
Small Axe (2009) 13 (3 (30)): 100–104.
Published: 01 November 2009
...Valérie John Small Axe, Inc. 2009 An Artist Smuggler of
Images-Matter
Valérie John
I am she who serves as memory to create a work: imbued as I am with time and human
experiences. I pace territories tread by others before me. As a creator, I have to stitch pieces
back together...
Journal Article
Small Axe (2017) 21 (3 (54)): 152–166.
Published: 01 November 2017
... without social revolution, without social upheaval, in fact with scarcely any social dislocation to speak of. But to Norris, this self-image, and the parade of indices used to demonstrate the general state of prosperity in the country, barely concealed a darker, more unsettling truth of unacknowledged...
Journal Article
Small Axe (2004) 8 (1 (15)): 235–241.
Published: 01 March 2004
...Roshini Kempadoo Small Axe Incorporated 2004 Imaging historical traces: Virtual Exiles project [2000]
[httpwww.mediascot.org/exiles/ve/index.html]
Roshini Kempadoo
Virtual Exiles is a digital print and Internet artwork, based on material from Guyana I collected and
created between...
Journal Article
Small Axe (2013) 17 (3 (42)): 16–34.
Published: 01 November 2013
... of a combative demotic expression. According to booops, “‘Don't Piss Here’ is also a kry uv the Caribbean Woman who iz continually downpressed” (37). Altogether, then, the slogan “Don't Piss Here” constitutes “a social sermon[,] … a mental image uv how [she] perceive[s] the intuitive recognition uv a truth” (38...
FIGURES
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Journal Article
Small Axe (2017) 21 (1 (52)): 57–69.
Published: 01 March 2017
...Rocío Aranda-Alvarado This essay explores the photographic and film work of New York–born artist Rachelle Mozman (of Panamanian heritage) and the paintings and drawings of Dominican-born artist Firelei Báez. Both artists make use of the form, the image, the representation, and the reading...
FIGURES
Image
in Inside and Outside the Exhibition Space: The Poetics and Politics of Colectivo Quintapata
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 8 Images of Operación espejos hang in the Capilla de los Remedios, Santo Domingo, for the Colectivo Quintapata retrospective exhibition Inventario ( Inventory ), 2014. Courtesy of Colectivo Quintapata
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Journal Article
Small Axe (2023) 27 (2 (71)): 147–158.
Published: 01 July 2023
... greens and blues became muted and desaturated. The images selected for this photo essay were taken from a powerboat, with friends on board, during the first series of explosive eruptions that occurred that day. They are merely a snapshot of the larger project— The Beginning is the End and the End...
FIGURES
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Journal Article
Small Axe (2007) 11 (2): 66–87.
Published: 01 June 2007
...Ama Few Jamaican visual artists have been able to capture the quintessence of Jamaican identity in the way that Ras Daniel Heartman did, exposing powerful images of Rastafari that are unequalled in any genre. While reggae music provided a soundtrack to the conscious struggle for self-determination...
Journal Article
Small Axe (2008) 12 (1): 133–144.
Published: 01 February 2008
...Leon Wainwright This article discusses various perspectives on image-making in the Anglophone Caribbean with reference to the economy of relations between its visitors and inhabitants during the modern colonial period and its aftermath. It evaluates the framework of the “tropical picturesque...
Journal Article
Small Axe (2008) 12 (1): 157–168.
Published: 01 February 2008
...Richard J. Powell In response to Krista A. Thompson's An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque (2006), this essay considers the notion of a tourism generated tropical image, but informed and colored as well by local self-conceptions. From probing...
Journal Article
Small Axe (2009) 13 (1): 41–49.
Published: 01 March 2009
... the juxtapositions of various voices this work examines how the legacy of black families in the Caribbean connects with the stories of European maritime `hero's, such as Frances Drake, Christopher Columbus, Walter Raleigh and James Cook. Images of state sanctioned and educational authorities are placed alongside...
Journal Article
Small Axe (2009) 13 (1): 112–134.
Published: 01 March 2009
... Edna Manley's description of Bogle, is established, fashioned, or brought to material life. How do images participate in the constitution of identity through history, and what are the ambivalences or tensions such displays reveal about the political culture of the new nation? Small Axe Incorporated...
Journal Article
Small Axe (2017) 21 (1 (52)): 89–98.
Published: 01 March 2017
...Gabrielle Civil; Rosamond S. King What does it mean to embody the Caribbean as performance/art? In this coolaborative essay, two Caribbean women artists respond to this question in a dynamic dialogue of text and images. Each has individually performed at and been exhibited in more than fifty venues...
Journal Article
Small Axe (2017) 21 (1 (52)): 220–232.
Published: 01 March 2017
... and its TV adaptation; Roger de Jaham's Tous Créoles! movement; and Romain Bolzinger's documentary Les derniers maîtres de la Martinique . Through the prism of the manifesto, the essay sketches a number of tropes, images, and discursive positions that, whether directly influenced by créolité...
Journal Article
Small Axe (2014) 18 (3 (45)): 52–63.
Published: 01 November 2014
... Republic and vendors traveling between Haiti, Curacao, Panama, and the Bahamas, as well as return migrants and others. The author posits that the insistence that all multiligual Haitians belong to the same socioeconomic category depends on the image of the authentic Haitian as poor, illiterate...
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