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Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2011) 15 (2 (35)): 117–123.
Published: 01 July 2011
...Lauren K. Alleyne © 2011 by Small Axe, Inc. 2011 LITERARY COMPETITION WINNERS 2010: POETRY Small Graces Lauren K. Alleyne First Place, Poetry Mama Remembers Mayaro The dirt tracks splintered with coconut trees tall with...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2013) 17 (2 (41)): 203–210.
Published: 01 July 2013
... mercy left for daughters in New Grace. There is a way to walk among trees: slow, open-handed, face turned upward to the breeze. And there is a way to carry sorrow: washed, filed blunt, tucked beneath your first rib where it won't snag your heart's twice-stitched silk. Pack...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2013) 17 (2 (41)): 136–153.
Published: 01 July 2013
... Guyanese social and cultural activist Grace Ali, is illustrative of the way family photography accrues an intensity of value, used as a means of communication and operating within different visual economies. 43 The photographs portraying her mother's early life in Guyana had been gifted to her; Ali in...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2002) 6 (1): 173–178.
Published: 01 March 2002
... without nurture,” “senses without the benefi t of the mind,” “nature divorced from grace,” “born to slavery and not to freedom then Caliban’s Reason is Eurocentric thought—if nothing else, it is “dena- tured nurture,” “mind without the benefi t of the senses,” “nature misled by grace...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2016) 20 (2 (50)): 133–148.
Published: 01 July 2016
... face the sun coconut trees are full of grace blessed with cool nourishin' sweetwater   milk to drink     meat to eat       oil to cure a fresh cold     or fry ballahoo in   straw to weave a fine basket buttons for a nice cotton blouse coconut trees are callous...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2010) 14 (2 (32)): 150–159.
Published: 01 July 2010
... by a self-composed/collaged soundscape. Prior music collaborations have included Grace Jones and Louise Bourgeois, to name just two. (I currently hold the flute and percussion chair as a nine-year member of the Gotham City–based band Burnt Sugar, the Arkestra Chamber led by...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2010) 14 (2 (32)): 184–186.
Published: 01 July 2010
... installations Grace Jones accompanied and Louise with Bourgeois sound, as (in well her as less-well-known paintings and drawings. activities Heas spoken-word poet and rapper), and is currently a member of Greg Tate’s band Burnt Sugar and is working on a solo album titled “Griots and CyberCrooks...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2009) 13 (3 (30)): 51–62.
Published: 01 November 2009
...-vient permanent entre le dedans et le dehors, entre l’intime et le public, structure l’œuvre romanesque et le monologue de théâtre grâce auquel Pliya conserve toute la richesse de l’œuvre originale : le psychologique se conjugue au politique tout comme le privé et l’intime côtoient...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2011) 15 (2 (35)): 174–185.
Published: 01 July 2011
... commentator, because “writing came easy to him,” Smith takes us through Thomas’s argument that writers like Wenkstern, for whom access to a classical education and exposure to cosmopolitan influences were an integral part of their socializa- tion, display an effortless grace in their work. Thomas claims...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2014) 18 (2 (44)): 173–179.
Published: 01 July 2014
... music of international musical icon Grace Jones to her Jamaican background in reggae and dub, exploring how her vocalization on tracks such as her cover of “She's Lost Control” powerfully reconfigures and indeed invalidates Western conceptions of female masochism and hysteria. 11 Weheliye's...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2014) 18 (3 (45)): 107–114.
Published: 01 November 2014
... becomes nothing, like the King of Asini in Seferis's poem, nothing more than “a void under the mask.” 13 It is true that letting oneself be told is both the giving up and the gift, the way and grace of being at another's mercy, and at the same time, the need for make one's way toward whatever...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 September 2002) 6 (2): 201–208.
Published: 01 September 2002
... holds no certainties. Eventually she alone survives and returns to England. She says, “! e history of our island is a history of hell. It is also a history of grace terrestrial. I lived in a brightness beyond description, and did not know true darkness till I came here...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 February 2006) 10 (1): 94–99.
Published: 01 February 2006
... Ingrid, dat nuh soun’ like we! Dah nuh so we talk! Hm! Da mussy wah American Belizean Creole yuh de talk.” When my niece Karen responded so insightfully to fi rst reading my short story, “Tears No Have To Fall,” she exposed the heart of my own “battle with language While for Grace Nichols, this...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2014) 18 (2 (44)): 1–17.
Published: 01 July 2014
... radicals. Pizzolato thus understands the transnational network James helped forge, linking radicals in Fordist Detroit (such as James and his associates Selma James, Raya Dunayevskaya, Grace Lee Boggs, James Boggs, George Rawick, and Martin Glaberman) to their Italian comrades in the Fordist industrial...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2012) 16 (3 39): vii–x.
Published: 01 November 2012
... 1995.8 A short, obsessive book of controlled intensities, at once nuanced critique and graceful lament, Silencing the Past is meant to be a historiographical meditation on the ways narratives of the past are constrained by the unequally competing social powers that shape their contexts of...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 September 2003) 7 (2): 93–110.
Published: 01 September 2003
... Robotham, in his Grace, Kennedy Lecture, bemoaned the fact that while in the seventies the class struggle divided the tribes, in contemporary Jamaica another division is being drawn in terms of color: ssmallmall aaxexe Many people, especially light-skinned Jamaicans, perceive that...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2018) 22 (2 (56)): 18–34.
Published: 01 July 2018
... put it in his classic work of political thought, Facing Reality (written with Grace Lee Boggs): “No groups of individuals can anticipate the social formations of the future.” 2 Such an orientation involves a poetics whereby, as Suzanne Césaire alerts us, “the most beautiful ambition of the human...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 September 2004) 8 (2): 154–169.
Published: 01 September 2004
... you think that selecting Laura Facey Cooper’s “Redemption Song” to grace Emancipation Park is a monumental error it’s because you are: a) a butu¹⁹ who just can’t appreciate High Art; after all, you’ve never visited the Sistine Chapel b) a simple-minded black racist who...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2009) 13 (2): 218–228.
Published: 01 July 2009
... book, and they’re usually not even sure how they managed that, having done it in a sort of stupor; and if they do know, they aren’t about to tell, any more than a magician will hasten to reveal exactly how he made the pigeon come out of your ear.” Margaret Atwood, “In Search of Alien Grace...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2017) 21 (2 (53)): 81–93.
Published: 01 July 2017
... Roshini Kempadoo, Face Up (2015); see Grace Ali, “Un” | Fixed Homeland (Newark, NJ: Aljira, 2016), 51, graceali.com/wp-content/uploads/2016/09/unfixed-homeland-catalogue.-aljira-contemporary-art.pdf . Face Up was part of the “Un” | Fixed Homeland exhibition of Guyanese artists curated by Grace...