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/10.1215_07990537-9384346/2/s_0250151f2.png?Expires=2147483647&Signature=tXnaLRxVx8J-yAOQZs6BcB78f3Vz9DCXFS9j-7q0ZwQlsFJVoJRgQeO7hhKYcN-Fv8GKP3F0V~NcKyLuWKacWgURLRBp6xq1FvxnmWcqo5AuKrMy4UopZIUUSdROXedhZQSfDASDOO44efZoHYn27Lmb2jyLm4MtHdLQwcs4JXEnw-Cuh33zHuYZlXAJmBFK7sl7iGarTObjct0gYy42B9qC4M0xTKjGZpm9X1yAc7aaTNwEu2WhMWi59vx1gGG3no~YSSXz00hdQv6eQmauMhbCx7DQT-CEJcx~4lbXXiuC6EC7jlG-4lRcIpoBjMcTKoUApfFtS66BQwmjgqXAEQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 July 2021
Figure 2 Figure 2: 1777 plantation journal page, with sugarcane leaves.
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/10.1215_07990537-9384346/2/s_0250151f6.png?Expires=2147483647&Signature=aExrFzgVsDHwrJ3wN4Vq-d5uBVqBiajtQwR4K9NDRJqYxZLR651qyvI9M24MZNLBl8j50it8FphYgegNuxYt-zpyogidPitNeCrz9O4ajw58jito9Uofr7zadQN~ctUMmFSR1hCz9035dXbXce-aJS~WX9OKAHIwS4xc8UZjv9kAxvKS9iAPHFSKngWIKiwTh4st9IPIB~0Ftd5X6TnAvkiJyrTeuwc6NEZtK99RmJgLHWvmJVdX5MNq2LaWbc~mzLHHZu6hCaWPjwZjr9YZ-m6ggO0HWcQM9oh6B~BcfjaGrPPz-E1GI8PSutzaqU6xsYk6G29Qi2kla8docqW2Qg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
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/10.1215_07990537-8604466/4/s_0240035f4.png?Expires=2147483647&Signature=jjFl39mKT0TqNWPxMyKzcJmNWo2mAh0VfB3N4u6Ew2BgNhAm32j~TYbietyirxP~NrrMWolJHr~bkOZADT11Ix6lpANCZTv3luFm2K9ydz77vWx~Bjrn5pd7jt4jTjz9RZ5MKM-I0PmFOkebUmnQx5pDMuGXzKcplD7aZMzZN6iPGf5pkyTFGW0EzJP5M45kklVTAjL26kDu75vocjBmjs9BKVgohK3h1NRXbpYn5NDL2UnWQJLCB6TsCL4CT9JiKBy~rlqkD3UwpYJENe71iXNV3g2~DDlJrQaDIgPOkggpE7nvUIiXrpyPu1WEM9IlPmSkKy8tX6ASCByyKpr~1g__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in The Tambourine Army: Sonic Disruptions and the Politics of Respectability
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2020
Figure 4 Tambourine Army: Bun Out Rape Culture. Photograph by Shani Roper. Figure 4. Tambourine Army: Bun Out Rape Culture. Photograph by Shani Roper.
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/10.1215_07990537-7912382/7/s_0230119f2.png?Expires=2147483647&Signature=tasE9ZUFp2gcEh9YTF~oIqNsmf-zgFAEI7kh8kOsyMlIm9hiWRdDJ3et2pS3CV3Z8~cRZk751LLj01Mnk2Bybk3YBrtJqra-TMZ3i~8zH-qkngmvOesHGEvNb2KtNjKxGMV5ooNdJHVLISQbhaHJTFBbPddJmkJTVbSrjjhi7WMUE02z~7AAq4S0pTxBtKcWEAaPYIrfK0aUBqvAl2~Bu5pvpJAkh1NswKHAKwLT2S7e-~fyzogT-ltLYXRYcE6b3bFC9T1TU3eAhCCKRqS7OvMRt~dk8X4ANvUvEoPGUiSM4P2wKaRG4uIvDzoe3bGPtKwX-NMpcA3lAoXQt9sxwA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2019
Figure 2 Cuts and Burns (ledger series 002) (detail), 2017. Figure 2. Cuts and Burns (ledger series 002) (detail), 2017.
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/10.1215_07990537-7912382/7/s_0230119f5.png?Expires=2147483647&Signature=Zfi7AATJHkDDozXmUfa-le-8HGuBhgZRjCH3vmrqj37DgDLjO4M~6xudsVkgCjw7c48BDl5Ov29SY8F8GRVHL03lJPBsw68xg2kbzvYfERXlB9SjsWWzeqWPMmBkbBNeYJ2NPTv-2bOU5HAP7anfFRbw77PtM9bTykvdeHrNS~raBWphEzKEX6c3a922g79FoXqgeg2kzgSH~XMH~csj9EvgUBc0-XVa6vzQkzGagoin8L6sUkJ5P2XiWlKARY9-jdIEiKyLlLDhq7GEpeR1gAuX7VDCnb8MmneOHnSKBen-kKUPoGYUmcrOLKqWaZVCftxhxnIx2Y6dCAwwHzxTMw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2019
Figure 5 A neighboring house in Free Gut, 2013. Courtesy of the artist. Figure 5. A neighboring house in Free Gut, 2013. Courtesy of the artist.
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/10.1215_07990537-7912382/7/s_0230119f6.png?Expires=2147483647&Signature=sZudugalZBLgvoIfP4ZYDS-Nr1xNnZzHXHKxpZrwk6dwaiBor6fivaiyT~OHvneCbg-8iWtsJmn9bII3J-55T9b8pIQHjLe9oz4-x4ajxhLD8-a0xGY8JVz53AKSRF1k-TeBsZfPMSowWIqYHot15yTcM2Zbuiwox5TgMITrgA~u1tJBnXbxMO87OaIsARNGqmGCohhpqBe-fo2yHgZZBXTvoFsvJiqr6FzBNDra6Cw5SMUV3~Sw~6QyCMqpOU8JP7nYDvtLRd8zWLvJEpFd8m-M~gA-MZf9Ru5RHF6FxS9iD7mEKRqdynwdPUD2ldlmw2WSE3fC~gVx-rRdXYmOaA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2019
Figure 6 The artist renovating her studio, 2013. Courtesy of the artist. Figure 6. The artist renovating her studio, 2013. Courtesy of the artist.
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/10.1215_07990537-1665479/2/s_263fig5.gif?Expires=2147483647&Signature=N-Q7OYjpbL8tR1sN0yO2-Owvc~sciIZcD8KuiWfejrChlVpJde~BzSSuxMdHIzSAjJywEI3Ek5kiydcSjcFVbuAEisZ698F-eiyR5WPA7URpVgiL2lzkmFW3I2-rIOFt1GvKO3KYnwMcfrIYXf7yArTc7GUsWa-6Qa3e-YY187Ufo7bVBsDfyPdS1hPGtNY1HNfhCKuqux6QOQM8qQTrstBUI--JLP0mvWBd41IkXzmcTp3HmbPAWMtkLPDPAFiym7JQzsrOv7iF9e-eGhC8wa9zGzL2gmpER6sNG4baa42uDFJKiiga5LbEGE7zUfTDJboqUkBU87Br7xqmnf4fxA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 March 2013
Figure 5. James VanDerZee, “Self-Portrait,” 1922. Figure 5. James VanDerZee, “Self-Portrait,” 1922. © Donna Mussenden VanDerZee
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/10.1215_07990537-1665479/2/s_263fig6.gif?Expires=2147483647&Signature=rqanUINGCxJfwr1JiV-Bl85TWRcvn4C64UJ4nj6Jl8r0kR-sCFcn-6ae5GNijSbREcO3IVHa5wJTmt1fVn~oSorwYRL01tsfAjYaU3EONK7XO1iyh3YDphlIBjyH7wQhUQhq1JrsmaQ~I7Mustgoyj5rTV-LuB3zTbGY~HDsHzc0VPdnO8CCc9YROa5A-48ObGqPX~A-P1QiC14UcDuGEKMejw-g4XVoul3-yQqkUgpG8othFA5x8GOhW4zQRqMJRVsZRFZeXqnwVbixnUNgw4SztNeOrJHQ9FJ-S9jO2H3r4i8NvFJTxaLdWTW61o6yHgbHgbD88z5~1eazLNjU-Q__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 March 2013
Figure 6. James VanDerZee, “UNIA African Legion,” 1924. Figure 6. James VanDerZee, “UNIA African Legion,” 1924. © Donna Mussenden VanDerZee
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/10.1215_07990537-1665479/2/s_263fig7.gif?Expires=2147483647&Signature=KQrEmSfZi5wDFK2hFhUN2rj~38SygaXI4kMaCWY9Dg0rz-LGMgBu077OHqxyUtu9xCuiif4pS8VhpMqL-6Cugb9GkGHrKAk8e3dzA8POPctgxKch1jEKLF-DxYQ-WjIDQ6znhikVfDfCZRkAiKnJdwzolDc-sSRT9NKysP44L8F7lXMJ2QhjWuOH5kbeF7VEjj7nhYpqM2JxHPeiwUv1GMJufgWW8GI2XBzbnrNdFogrYLdcgo8pzvv-YVwuz8U~mrLMMwYkJ8Ky0cxnckZiw0lgRPcynP6YnG7KxTK0W6XMjXoR~oRNFFuFJ-g1fW48kWikWuJWSjlz9xZ~XxGB~A__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 March 2013
Figure 7. James VanDerZee, “UNIA Women's Brigade,” 1924. Figure 7. James VanDerZee, “UNIA Women's Brigade,” 1924. © Donna Mussenden VanDerZee
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/10.1215_07990537-4272067/1/s_167fig1.jpeg?Expires=2147483647&Signature=B~o~VN9sdp5pj0a~3exnKUw4Qg2ptH4tOUXvRhcZtWUwkyuEA6nIh4iAQUBhj9tyJAmATdC-bGDnvtrPmm~YS4lIP6HbJ0KFrwtuUiYwDeQZaga5i6XKN1A7zxS839jGND7P-ltrdtxOTRlqPsj-Y8GQ~T8l7d2XlklIYd0hmGJlDosqO5l5kF3DamsrefW1HAqGC3r92H9RfiM~5ohKoCHdyfxr85n9bPQo-11dqwXmGlMO1lsYLyysc3veioArg8d~HY6NxW4FOU851EnfN7TjBSzyj5DsnG8CVj7gR4kw4vKmWUAhv97fjbpyHqrAjOWw-7WJ-BwspR8OYINPKg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2017
Figure 1. A burned-out gas station at Coral Gardens. Figure 1. A burned-out gas station at Coral Gardens. © 1963 The Gleaner Co. (Media) Ltd.
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/10.1215_07990537-4272067/1/s_167fig12.jpeg?Expires=2147483647&Signature=fWTuPntZO5YB6Ub8zKXJvmOXkt6NilTTtp4hFGCDq5VIgtn4~OKB04VIlr4psMmCj8p6IYUHBFKtSBCryZHSnjn-rAzhHQpfNLYmzSmyjVw4D2tHc0QWl8VNESjuHxng7XyjWcg9Jnwgu443PGf8JlWen32hwG9vtf~CxMuxWO4cljEDoIv-Ss~9lUjgsRzEz-wlOWFDCZq5TXrJ0Vynh8ug-rw6sBLiaxb7XtVRMibsCTtLY1J~2oX8kLRe-ecTQ0AeXZEj~Qfc43750EuKc1fWFOzUOIWD1XWTAX7agFcHoq67G0wPiaaIjNLBo4WMLivuFy3d~NkFBpXwp6POMw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2017
Figure 12. Members of one family escaping with their house. Figure 12. Members of one family escaping with their house. © 1966 The Gleaner Co. (Media) Ltd.
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/10.1215_07990537-4272067/1/s_167fig16.jpeg?Expires=2147483647&Signature=BBh8AxuSBY2T4ZzOhBJ5hwIKZHvU~nX0r0LLrUTFrw4WLOpp5hrjQFyOII3LJq1q88IMOi9ZrlU-kAnNy226s2mhc8lyKY9bjxxMtKOGIgGRmdA8fV3X9K7cGLUbQkiixu3kgB8tSGyN4vLQRmcNpneimqP9l4TwFzvesMF2h5fl3r8LtFpMsTeYWP8bLq0QH9uo7spo7~bAO0nUu5qy79FEJmXKj2epC-0gvYeABfJxzNqhfqcpcQNcfMCQ5TSzzjcIPyDvX2QCAL9hE88hKw9ayG9QsQOnIIhPIARg9f5TnBfqhi8orgdgQu3UnW4cTE4e~SHBIJlmtjMqafEnCA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2017
Figure 16. Youths demonstrating against the banning of Walter Rodney. Figure 16. Youths demonstrating against the banning of Walter Rodney. © 1968 The Gleaner Co. (Media) Ltd.
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/10.1215_07990537-4156834/2/s_123fig1.jpeg?Expires=2147483647&Signature=22UmehMYK5bIK85o3GdDGZnJ9pgMERmzEIllrBX3ZDkSnOmX3BP~kwOlF8wmX4WDM~qylAEeCIgfa8XIs6O2ZyyUq6ccIA4oAwBzO~2LF~ObphoaqYzanK-gCr9lpWI0vuJDk9TENb98KXRwFlwXT-oeSssL2P0z7cZ~j~1hUGdY4HLG9rW~5JfAn0M0lUKmNp8kyNUri52tAAJXhaRLmVgs4LQMyYI37sOEi4Lhuct2zujwnPafJ-3COp1l7OlvzBdhoZ6TnTO7eAD4mfXla6Nlai868jCWuxGS36dRlx4wzDgwJGt0Uf3M1u9bSe31o5pBvytkhcehjYXnZb9J1Q__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Kitchen Table Talk: Richard Fung and Ian Harnarine in Conversation
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2017
Figure 1. Still from Richard Fung's Dal Puri Diaspora , 2012 Figure 1. Still from Richard Fung's Dal Puri Diaspora, 2012
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/10.1215_07990537-7703344/1/s_0230115f1.png?Expires=2147483647&Signature=NuaoM0X6C1C8ulkII4LmNQsISeaMci29OiBcH8UYx6bGvz5DGB6CkDzcJWIH5ddEUs-Ep6ZzE4D9zZnyI8Lp~fnVRmNZ5nXgazWJbN0wo1qKrvpqhg1spnh2eRH-NjveIvQMQWbGjgqQi3V-iaM5P3tAPF6Pz60KRKdRrK49~Rd0aMeywnDechuxhWYooYqU-bFRfi~AOFfQYzT1c7dm1-AUlHw3xkiI4oU0CPuVo9mp4mwsVno05WQHaT17Mv36M177HCn4LPqziVjXwQgY01c3ubUthWnJbgrNAz1toNhnrxh3iOXWwtyScBbnhE9Ik7CZNaKvtRzgpguYV8WxDw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 1 Garçon III , 2018; mixed media on canvas, 8 × 10 in. Figure 1. Garçon III, 2018; mixed media on canvas, 8 × 10 in.
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/10.1215_07990537-7703344/1/s_0230115f2.png?Expires=2147483647&Signature=BOF-qEBUWSZ7nE4dekxFJKBc3s9Z~dZOJSanBkBxqtv95ziRo9~UoksPjlFmj-xDqeuVQCLRbiqWbTitt8QuyBb~XUduvAFlWurIud5FpzT2Q-MdVZM7N0zjVAQjyiWY5ymwFXFaUcDnija64idb4T7SI3PsL~W33Fm68mjBxD16~i-1btLGPSelmoyHPkUFNfbBBslVIvcucvj1CwGZmjcIt0pEmz5H47-iwtJosuBs3aSMBB6XTD3FbQFu1IfNjkb~sqmo6xqqqqb3~gaQzxqO49hEA~Pwb95XQUn4-u~raJtfDpKxbsuT1ZvRsADiKorCoQ5jwF7isO7kFgDPnw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 2 Conciliabule , 2016; mixed media on paper, 18 × 24 in. Figure 2. Conciliabule, 2016; mixed media on paper, 18 × 24 in.
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/10.1215_07990537-7703344/1/s_0230115f3.png?Expires=2147483647&Signature=m-9Yji~wq34QIq86fukSxM-SI7THhE1usKHmujmpT8G9duabp0-gPeM1DwqQQnYDDCNaHTC9cTTIhcWbbxBRXY-jVhQaabWF3r9iyw5J7WPe~zVRazn1adz20l1vgn9fTR58U9~1NyxuxWBIBrELJgerKnqLW3deD3WSbLy6D2pXtlfJBR3aVVpYrFZRXSzcSDtIn4QPoWt7X4gl9VCXBR1SNG3M21AgLwQwBWXLZelGaM4~VkDgZQ6RxBOwKPE2j8mQcI~FhrV0jKX~7k1CVuwc52SxSuPGVUE-tFi7JbybVfM0dLCfhT-iy8MXVy1YlXw4HWsmcfeSNScQCqGCAg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 3 Ex Mente II , 2019; mixed media on paper, 16 × 20 in. Figure 3. Ex Mente II, 2019; mixed media on paper, 16 × 20 in.
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/10.1215_07990537-7703344/1/s_0230115f4.png?Expires=2147483647&Signature=BYm1eL4lZmBTCAFrXuPx7r-ZngSH4hjlUyPb9GdgWjyV3M6yxBPhMaeZw9dt5uelMjsD3JmuUa2wxuR2U2wffuBvcIVOkONQsQE6LPvLkFsvZGo60nlxAJdOKyxn10rRNDP2dvIx9KMZqejCDGrqcPeMbJdzprQRoJNpF17iIgD2tjGhWSeCH7OBv23TpqSD5L-GfCmkDyPz2Rh4aYefDjpOjrWBXl3dQy5n~E6OCTw~8feEJBbIA4HKVtqLmfs52y1wbYDaUu0i44qH9LrtoFqI~jZvQ9bQ1UYoFHpR5c9EfWZwvkXu5LR4tWLfb24bogwqBdMhoQlqWh~rmMKMAw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 4 In Between , 2017; mixed media on paper, 8 × 10 in. Figure 4. In Between, 2017; mixed media on paper, 8 × 10 in.
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/10.1215_07990537-7703344/1/s_0230115f6.png?Expires=2147483647&Signature=UrTb361rKoE8vT2xXk5THthrs-1l763KiF5LE1DYy0DEV4VgOz8W9fLb2A7LsKI7XaLYj4HHafo2-r6hkKGHZowWH4qlsMnzdm4QFSDbq-Y~ph9Y3dsWdlvB7L-CvIks9JpIkVn9jfPZgepXVC1eREJ6nSwaDJRJ~YARvVQpFcbd7vvzyuQvqXnoRe2VgNRge21783zZ2KObL-HGYVDMgVBQL9sHeKbjqnOitgP5-U-hOHSyVvE2EtTHvCjAPTDvS7BXKbNNQPr8O06UvUV~xHb8Z4a8tb1XyGRyJljLdtZTT2eUmCrW5nolsHt1mWZRaJoCb1kG19zN9qqZwGKcrg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 6 Untitled , 2016; mixed media on paper, 8 × 10 in. Figure 6. Untitled, 2016; mixed media on paper, 8 × 10 in.
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/10.1215_07990537-7703344/1/s_0230115f7.png?Expires=2147483647&Signature=d-4D3qUiIrR29x0EhxDlvqdiIckvN-b~fSjIxLiFX0uO9jV-8w63Hi~DNXDOeP6akDUHO-c0AqsZGxb1SPvvT4h-xyDKzgPZNsn~cG5F2lB~zIJFFiIvQrML9Q4mPbU7zWT9I~XUlvKw4Wm2WvXWIJ9~mKw-OafTBRylcDnvREg3hXFXYx1w0voRw49dxSqgbFCwPfo3-VGM5mDuXuKnDF~l0wGN1EHjfCQbVKaMv1eVV9cOViM-U-UhHGKImq6g7lw3F7DhgoVNFH0KeCT81eIgYEdcgONE1bHwUdKK6gTurCrtUpxPCGBt81-nk8U5p-rr2zbyZ2i9eRZvy6aQaA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 7 Kind of Blue , 2017; mixed media on paper, 40 × 40 in. Figure 7. Kind of Blue, 2017; mixed media on paper, 40 × 40 in.
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