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/10.1215_07990537-1665479/2/s_263fig5.gif?Expires=1563780604&Signature=u21ZWmf3icRVTfE8wshlkgy8cz0TPpK30LXxj0O~MHzmZbMGphWtnVGQYmlIjWumE1NDqc3AiPU590~gx-b0LYGaW~bf6jiYswKoUgaEERrN9aqqfnFAckcqRpJINpsnxax1ftAJcCtXHzG7yhGJ50pol3vz~iWdW4LkA18niO-KTSq1GJX-HGocffL8oqBlj4KkaQCy-RzFwAQymwHSuC92s~MOqtXU03zyaOKoIjkgHQRc6WI3TrBkh8qMeqHibD76YRdl~fGcKdYSpSq0rfqVloKsY7ZgXt4TvKtz-e77fbwX7sxpDF8fGroxzRR2uz51Ll4dJjv92-xA0sAy2A__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 March 2013
Figure 5. James VanDerZee, “Self-Portrait,” 1922. Figure 5. James VanDerZee, “Self-Portrait,” 1922. © Donna Mussenden VanDerZee
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/10.1215_07990537-1665479/2/s_263fig6.gif?Expires=1563780604&Signature=k0g7mfddlgWQakS3NnLpcWFWLCl5TY8v9n83DmuwcBRe5FXV6c6rJVr~i0JfcG4z-fhvFe9FfoEMG-JIWMnqXkZMHE2dPTacH-ZZZbVaBWweA5a9zU6SvrUzfSNibGdAdJqvVV5ZfVcNB2084KPfrXd2wU5eeJBfNLHuLFRNGBiG5bnqB35OPZNnGGwvUILbxW~N5W1nQAHK1wqQXap-40WbrmPeOwSmcAl-t~oXqaOhlPhnYWQN419XU9EM9j~3SeAh0DnfHlsryVhcsNWEzfv8mkg5Ajrnru8AjNT1CZdHh0nUMj90GQR-TqbUJRfAMHsGPVTrVMaEHS5iJhZfHg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 March 2013
Figure 6. James VanDerZee, “UNIA African Legion,” 1924. Figure 6. James VanDerZee, “UNIA African Legion,” 1924. © Donna Mussenden VanDerZee
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/10.1215_07990537-1665479/2/s_263fig7.gif?Expires=1563780604&Signature=jdWq63DVEZGOMs-vflPPONqzJHHtPAp654lh2K52ersn-I4Dho~CtrJ9uuoROY733uuMZm6qWm0WHzvx7688wCXi5vQkHqd9CLHXZ6w1ulFcBY0HnyOLqG2FciFYavWGlqccdSdX2aRosbXcAizfQ0c9xMYOdcZyKBWUUkR4vQwVxqpi0E9-bpAPlgg-LGoxZqVY0dns2O0fYw4TRQj4h20RJCTpsKY6S0MNd3W8XG-8dlCrjglYRnomSR3wSC1xDHoU1er0MXgz1QIzZCIg73herBn-pC29s4T6-S1dWslbhSj1zzfpjNzz0SUNI~NeOLaljfhqnITZMc1ys86l7Q__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 March 2013
Figure 7. James VanDerZee, “UNIA Women's Brigade,” 1924. Figure 7. James VanDerZee, “UNIA Women's Brigade,” 1924. © Donna Mussenden VanDerZee
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/10.1215_07990537-4272067/1/s_167fig1.jpeg?Expires=1563780604&Signature=1Fy7oApZLuzV7iipdRocIco8PMdezLPKhGKdCN4TkC2e2G6~LdcmTdK8iUhACqu3oQllDehkQkn-qXVd~Y19P~csSKv~Tr1824ilKf1KohdYKZ8pB5ZLYKHCKznf3YbJMDed0aS7r1HsOsFy88gFh~TtbhwUXhBrRZT7PWv5CNAZcn83eyjhOT6P5rryvw61YmmyCLh89ylwcOe29IBvV27EIVx3RWmbDa3gpDmDlMUh921HuSIqva8Y2X36Sbd3dxYLf2KckADqWOC0vc~zvimj~IMvwsSnNRhjNJ7tFzb5P7ZCnGqQGefoSHW8gUN58qshdBsaMUnoLrgHwCab~Q__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2017
Figure 1. A burned-out gas station at Coral Gardens. Figure 1. A burned-out gas station at Coral Gardens. © 1963 The Gleaner Co. (Media) Ltd.
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/10.1215_07990537-4272067/1/s_167fig12.jpeg?Expires=1563780604&Signature=KGL5dms4XJeLybK40Rj5g2zjnpxovipZ9w7mFZgIGI1P8P~ey0XpFN3rqHmnKxvGaxZnDDVeCs11W34LfQjHgo6vkBsA4Akf6QhJjuDne9Gd~vFLFu0LV9-9CwUKWoQ-2deDfPyDRiASwItRnWAgcx5gWw1DnSv6xSxihTL5P1tTcR0zuPblpxR5hOcRXLrMGas3OkgxpX0Gbnsj6JFhSXX-J6mlLXNckXbRNan9yXSyJZSvA89YVZXDi3z2htkKi2EAe-M9fCzxevwmsHMFIqaDY-KaF~7~I7eaLrAhQnJJ82e4SVwRQ9mVAxSn4jxvfdvWWT2D~qEOaRilY9~-Rg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2017
Figure 12. Members of one family escaping with their house. Figure 12. Members of one family escaping with their house. © 1966 The Gleaner Co. (Media) Ltd.
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/10.1215_07990537-4272067/1/s_167fig16.jpeg?Expires=1563780604&Signature=BHa6qhbX6y-mgncYzLeViiUQQ6VL0a9XQWNHE-g5GtX-SCY1vtQ1bSmY8MWkfkBVto3dUzu13yX1zVIFq0RJ1lQrGKULrZ0c6oq7EglO0sx0H~sXXHaVWpNnTmxdSOX3ARY0EnxKtrp9OOGKLFoWYifEL87QP5VSSUk5Y7QAs1E5fAu83RvNubkhWzESnUE9MRaj7AvW3zz7XGwWvQmNc8xMK2njOGYEFDFNPQC-wK3wIfQjDmxLh5yK1M~McEVqh8L-kYvzK7uqnrFR~E1CL8rVQN-RCu8TB95sf6emMuVr-jzGRvYFpOq05dSozmNYw8paWqHZpeQTWyUSBnoEMw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2017
Figure 16. Youths demonstrating against the banning of Walter Rodney. Figure 16. Youths demonstrating against the banning of Walter Rodney. © 1968 The Gleaner Co. (Media) Ltd.
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/10.1215_07990537-4156834/2/s_123fig1.jpeg?Expires=1563780604&Signature=zUT-LKUhnIl8K5n0ERajh3mXUn0s2gCejrZDC6JtCT0X4ZqEipXeEwapnSVPUsLG6L8MIeN3R5wJRBk1NItGhTqlHiXBKlVDbmY6zst9rYhezVJVYxenpTfUPq~ceRrk~sKgrTgG5yM8E3Dh~FZEgDw-gznboSkgUE~6wvecSAD~vkVHBJd5ee75n~~TntHFD15QqLTR4gRQYxL9C~7~ZSsst3-KiRccSha8~q7a0d46QXjB1ESB9KWykwWUd9jci4u3g~h9-kZlnJ~pfvxiioyoE0tBPyEQdax0PMpDK~HiYOlGiCDMGW-pnpt0NeQ-VXnKItiKW5sj-Al0z~Bqaw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Kitchen Table Talk: Richard Fung and Ian Harnarine in Conversation
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2017
Figure 1. Still from Richard Fung's Dal Puri Diaspora , 2012 Figure 1. Still from Richard Fung's Dal Puri Diaspora, 2012
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/10.1215_07990537-6985666/2/s_35_fig3.png?Expires=1563780604&Signature=fAI1Qm7QYC8vq39MkGo2D3~8wX0yyftkrB5-dEBF1ZgFVDMbjwkHzOgxgTmoMmMcMMOVOC24hrmH-aEbNaOmr~tYWyu0lBiCZc1raqgBB7S10HU3LSXMsUOxFRLH0J0IyyMkcP1SnWpuyGY-lDHMGmPGl71WWIKvbpU6MOkuSU8YlsuY5zausB75TXCt4ITRdO1xrlp1l8aL9Eaw3SWQP0APY65N4li7n2HSfxLyy-7NIlHDmOUyjj6OLH3GaexU-Enp9Yz7XLE936DA~Mdj1x2eKzXWWLxO40yhT7zZgvTRFF4Z2E1sfopHeMNnHxFtfmg4T~rhUF4gWlGIi8il6w__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Albums of Inclusion: The Photographic Poetics of Caribbean Chinese Visual Kinship
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 3 Albert Chong, The Sisters , 1986. Gelatin silver print. Figure 3. Albert Chong, The Sisters, 1986. Gelatin silver print.
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/10.1215_07990537-7249199/2/s_115_fig2.png?Expires=1563780604&Signature=Hixi2322uk4XI~KK2xc-yuBc-wDVSUVwISomydkZ67Rc~pjiLqu0jAOp0lCE~t4TdI~v4lJTXlQNQnkXxs82cGbTDgIWoYHI1EgmdQyJVLegVNT~-fa5EjD-QxhMiyZ-KLM7sRoiNHwy7sNEgUCjO~WUqdx7pL6~neVNW3ioR3zUmyKr5y7xT9oMtNesbjZpZtAnnEGVjbCfBsRyDNqRhMqQN5liV7GQeDObeNkSJtqZdi-0PbWFS0MPazQV30kmsWc2P4j4Dc9vdWE6DPvRzop5uv5VOz4tNJF6vU3S70tpNPp4OsW9B4GfW075diX5ZEHUsxlLcYEEsf77qHjjbA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2018
Figure 2 Double-Phantom / Entro-P.R. (detail). Photograph by Jason Wyche. Figure 2. Double-Phantom / Entro-P.R. (detail). Photograph by Jason Wyche.
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/10.1215_07990537-7249199/2/s_115_fig4.png?Expires=1563780604&Signature=t9iBsJnkMCm2fxwUYIsJuqt~JU~zUPZqIpOINVG5X80l-hCqIKHqK198aEy12m53EcXLlIaEJs4eZ3hkBRE1mBZHpLlJcbULVx8TpITwYzrfDQl8TAO~u2tOJHmPP5WQ6OmIs3apjuI4z~TQNp-Ze4TqAoxHMRrCVBivIWIpG6MPfEKz0xQtf7TVtDKhVacmN5ETVS5WQZ1TDDDlIo9Gd21EhvDuoIIPFN1nwo9bJH6vZ9eyPAIDM1410LYnvl3pQuW9c2bOXnuYJvDqT4q3VEWUNDcQAzYuNZJqx9m5GLaQi7Z0BZhw1ogM6G7Q~9StcD17B9LhZe-KhBibx6K6TA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2018
Figure 4 Estadista ( Statehood’er ) (detail). Photograph by Jason Wyche. Figure 4. Estadista (Statehood’er) (detail). Photograph by Jason Wyche.
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/10.1215_07990537-7249199/2/s_115_fig6.png?Expires=1563780604&Signature=kd1aetXG5XO6Zgfqlj7J5041UMLWOzx-aCmoBo2y7GmldF7MO6DUp3AAyAnyOgses-K0sb-Cr22OAgO6RyHqFfuBz6O0t~an4GrRVlnzx~YS98IiY7-UHkdSSvSZNQ43EVvoNdn5PCC1KEBkgfMhmIa5hg1Xw5b0NhULeIwlgpymD4795obTady7zKulX5UsArrRPuzrQ1xEs8UpNl8BQxdU35xhFe~Mtt8zuruSR7dpOXZ75~O7PEfI2Uf2DzKWxno1FC9V6G0QHbzAy1NBkxu4YgZu~XQwkyCaFyjUu-IYz971M62EGtE6izo1EO7gt58JpEUaWg6P1PjGGVWPwQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2018
Figure 6 Run-a-Bout (detail). Photograph by Chaz Langley. Figure 6. Run-a-Bout (detail). Photograph by Chaz Langley.
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/10.1215_07990537-7374538/2/s_0230187f4.png?Expires=1563780604&Signature=K9Sb16TVXMSahJHz5QmvAOx87VMinyc8kontfp~96tQLvtdMLlK7Qbj3CtImGChV9MFpYsggpxsy-D~u2ymt1Dv1Du5CipA5RRtHozRcFjp558nvgPKEjhlmgyhfJa566YCNDccqkNRGxiT7LH5p~51Rpn7RKppOYAzYEcjVLvXc6wzjd~CA0KoBfiDZm0vbHRYm3R-7brQS~EPM2N1uG-H3JiUzo068P85hui25VfO9pk3Ofq2JWCq1l~oU6ZkpS3ZAhkc65a6f8nLgH8~lMOhtv-WL6dBpmJKX-esC1WUEs0TD~jGUvKgez7zuZ3H03dRX40aUkjqyH5RFtFMdxw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 March 2019
Figure 4 George Steibel , 2018; oil on canvas, 83 × 52 in. Figure 4. George Steibel, 2018; oil on canvas, 83 × 52 in.
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/10.1215_07990537-7703344/1/s_0230115f1.png?Expires=1563780604&Signature=VHwtML6qhgFVR73UNrozWSNRcbHyACsUhHi2tKiACs6yaqGfY1dOqMXjmnaHXrDsmTGmsgiwJY6qlig8i1Mi1t~ppP06ixfkK2kFkK9Y9c4yXmsA6JArxltMTJgY4pCv3YVkMyflNGgCCK2MWeZ~2wANYs7eR2AUjJjWxvWJ0OWtJJxcRUD8rinExYDqg2wCMvcevTzJ1vJOH-gDyTuiNTV2GgwibKx-jbY6yThVg3-aNxDgZ3~fSMO5Qs6HHQRXlb~gEQ91wR~iZdxdi~ug0ok6PZq8xntxBIaaXJ--uklK30nP80jlp8qw-44I1bSFOyk2NyaSKropTetUNBIB9g__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 1 Garçon III , 2018; mixed media on canvas, 8 × 10 in. Figure 1. Garçon III, 2018; mixed media on canvas, 8 × 10 in.
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/10.1215_07990537-7703344/1/s_0230115f2.png?Expires=1563780604&Signature=qpoHg75pU62De-a0m1vsZGSN1vLrSkS6dsUuvZKHbB1MkhCH0EZSB6TOtZN5SPl1i3AMLGRcmun63dLuBgd7MOQ124ZFroYgV3NeX9XgkiHPZg2fIXIzSo5uWDV75bfOYgq2rWNNuSE6dbLAbSyRL0E4MiPo~IZ8U54Y9oFCA0DsLeY5VBsxp1Smqub6NsLUxOcHncINo1ZCNQGbYApeA6X02U-L0jtu04mmhjb59Ct2TFg8XdGoPyGKD2A5kNVmyFQHkTMjEAJAdLip9oQb7YFTOXhyYa8LM9opw9CR4g7sQm16i9PYusBqBG6Rh0JLrFu5tDMjUSfwvJxOtLr9tQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 2 Conciliabule , 2016; mixed media on paper, 18 × 24 in. Figure 2. Conciliabule, 2016; mixed media on paper, 18 × 24 in.
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/10.1215_07990537-7703344/1/s_0230115f3.png?Expires=1563780604&Signature=eoC7m1E-JaDZ9U-NAbkseGAFPrLybva22eXeVn8IKPaG8eI7jBZKxwIenj71mmaoErBui4gyQQMxAon~wnYkjM8uTXHYjgUf9y0yq7jTuh-3K8naez0VUD1o-34HWrDIZbaud-KnHWb8k2n~2DOB~knUn9RAojg8ip2xVTNlto7wRWC69CpZbIpR1KJ91Gn1vxiseW07edvYSy04IKEuQZiVlNji0zXP6UTTJ~X1zhUs3ANz6RvQXm129O0IVIntDPyia3Pdr~CqUYJPniN2z8VyYRg-XtSIFufyNRa0XiSfbmn0vUpw4wI-rEMPKkVT5ltnIeCTqxn6UzEwvldsHQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 3 Ex Mente II , 2019; mixed media on paper, 16 × 20 in. Figure 3. Ex Mente II, 2019; mixed media on paper, 16 × 20 in.
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/10.1215_07990537-7703344/1/s_0230115f4.png?Expires=1563780604&Signature=qrxMJLFIthGXlWSElni3O~zWDrgFA3ZyhkiQRQRKZ0G5j-1DDq0I-FlKIQPiGzYBlCvMCKeFaEWYcNVCyCjtfW30boHLWyrxVBJbq29FSe~D6T9xoBZKPTkUeer0L8xu8ObC3Gi10cNuup7prTqU1XLxwEThbb4X3gmveHaKlSQygLZ8fjaiqTgQyyBiA6E6of2stl2gS1ax7U3BW-mcygjpCAZNCahX1blkys9ii3TBCMZBavWujRPuEQzRddRdZIjE8NEvy6-~UlxWIWWhDGnHCNTYsO04aK61fURmiYJ1zrkAiurmwNpwPTyun7S2Su6IMEO50YeA8zEmDQANYw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 4 In Between , 2017; mixed media on paper, 8 × 10 in. Figure 4. In Between, 2017; mixed media on paper, 8 × 10 in.
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/10.1215_07990537-7703344/1/s_0230115f6.png?Expires=1563780604&Signature=CEXZYra91wKdKvxcLJoJtSNsxLFWbc5M~JLureVtwdlK0IHhqof7QMwQ2rt5FGAMjGSStMG~MvVDBvICIUO973rzJAwc2Khr762Y-CJWGKe8oNgBUUQMmRDTqO3~7UBVEulbE8YDtR7SwOhP-qPu~cm3Yggp5JwHTf4DK7jFyAz-ia3jSoiLRn-1A9-5eURjiuMsMzyUxaduqEGrmfFP32gqjndllDpEluQdvpMGXylVdj5yfljSrdqEUx-54NerxFZkgd-ZiKvuV2aJVpjfxL7WOaF-lQ4uHk93JuaIpKBA2S80m9WNEkPY0dKrCUDkb8ujfYsxUlT66ruz3GNw9g__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 6 Untitled , 2016; mixed media on paper, 8 × 10 in. Figure 6. Untitled, 2016; mixed media on paper, 8 × 10 in.
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in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 7 Kind of Blue , 2017; mixed media on paper, 40 × 40 in. Figure 7. Kind of Blue, 2017; mixed media on paper, 40 × 40 in.
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Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2012) 16 (1 (37)): 20–35.
Published: 01 March 2012
...Tzarina T. Prater The central protagonist of Patricia Powell's The Pagoda , Mr. Lowe, is a transgendered figure, a girl named Lau A-yin who is dressed as a boy by her father until she reaches adolescence, when he attempts to sell her into marriage to satisfy debts. She escapes by cutting her hair...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2009) 13 (3 (30)): 12–24.
Published: 01 November 2009
...Carine Mardorossian The Martinican philosopher, psychiatrist, and social revolutionary Frantz Fanon is considered one of the pioneering figures of postcolonial studies. As an icon of postcolonialism, an increasingly institutionalized field, Fanon has thus come to be associated with what is...
