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in Anacaona Writes Back: The Columbus Statue in Santo Domingo as a Site of Erasure
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 9 Joiri Minaya, Encubrimiento , 2021. Columbus Park, Santo Domingo. Courtesy of the artist
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in “Todos los negros y todos los blancos y todos tomamos café”: Race and the Cuban Revolution in Nicolás Guillén Landrián's Coffea arábiga
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2015
Nicolás Guillén Landrián, circa 1968. Courtesy of Manuel Zayas
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Published: 01 March 2015
Starman: Nine States , 2009. Digital photographs; variable sizes. Courtesy of the artist
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in The Paradox of Freedom: An Interview with Orlando Patterson
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2013
Orlando Patterson, 2012. Photograph by Anita Patterson. Courtesy Orlando Patterson
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in The Paradox of Freedom: An Interview with Orlando Patterson
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2013
Orlando Patterson, about age eighteen, with his mother, Almina. Courtesy Orlando Patterson
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/10.1215_07990537-3726746/3/s_143fig1.jpeg?Expires=2147483647&Signature=QB8xmNe5aYIHjHSrMsYnMXcLC8XoxkThqgZ7piqM33DaMiHhOUgzhq95lLwHGSUoVVC2aSWvQoAH5EUWFmFaLEt5o5EYRvI3m3T2Lp3qqakxzQ0gdAYkI55tkRz7SZvh4~VEkhSrGneD1Cv2mow2VBVxZ48UyUF4dkNYzUt4CuG98eUzQ5gLZoNBH4XucvlfUhEFZkdKApfwbl9b~~b8uiX4EbDxaGdewEsLG74I0Qo0qYqqF~kQPwPpwDxjJMJZaktD7pAVGw11wKb9f33EDg1hbCic3W4tDsZNMkLWR1vW5CO8-A8P8w2XnrBWRbbV87A21CKHfgGlkos0zJfTmQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 November 2016
Roberto Fernández Retamar con sombrero, circa 1995. Courtesy of Casa de las Américas
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Published: 01 July 2017
Figure 1. “March 19/31 Port of Spain, Trinidad. Traveller's Palm.” Courtesy of University of Toronto Archives
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Published: 01 July 2017
Figure 2. “Washing Coconuts” (Trinidad, 1931). Courtesy of University of Toronto Archives
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Published: 01 July 2017
Sharlene Khan, Family , 2016. Mixed media, 29 × 37 cm. Courtesy of the artist
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in Gaiutra Bahadur’s Coolie Woman : Intimacies, Proximities, Relationalities
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 1 Cane worker and cutlass, Guyana, 2014. Photograph courtesy of Deodat Persaud.
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Published: 01 November 2019
Figure 5 A neighboring house in Free Gut, 2013. Courtesy of the artist.
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Published: 01 November 2019
Figure 6 The artist renovating her studio, 2013. Courtesy of the artist.
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in Inside and Outside the Exhibition Space: The Poetics and Politics of Colectivo Quintapata
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 4 Some of the $1 bills used for El pensamiento de Ushuaia . Courtesy of Colectivo Quintapata
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in The Tambourine Army: Sonic Disruptions and the Politics of Respectability
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2020
Figure 2 Taitu Heron as flag woman leading the march. Photograph courtesy of Taitu Heron, Tambourine Army.
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in The Tambourine Army: Sonic Disruptions and the Politics of Respectability
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2020
Figure 3 Members of dance troupe En Kompane. Photograph courtesy Taitu Heron, Tambourine Army.
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in Dancing in an Enclosure: Activism and Mourning in the Puerto Rican Summer of 2019
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 1 El muerto en motora (Dead man on a motorcycle), April 2010. Courtesy of GFR Media, Primera Hora
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in Dancing in an Enclosure: Activism and Mourning in the Puerto Rican Summer of 2019
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 2 Francisco Oller, El velorio , 1893. Courtesy of Museo de Historia, Antropología y Arte, University of Puerto Rico, Río Piedras campus
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in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 7 Marilyn Houlberg’s Gede altar, Chicago, 2007. Photograph by and courtesy of Deborah Stokes
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Published: 01 July 2022
Figure 9 Undated photograph labeled “Types of Trinidad Coolies.” Courtesy of Jefferson Clarke
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Journal Article
Small Axe (2021) 25 (3 (66)): 147–158.
Published: 01 November 2021
... in. In private collection. Image courtesy of the artist Left Figure 2. Ginal 1, 2014. Charcoal on paper, 72 × 64 in. Image courtesy of National Gallery of Jamaica SX66 [ 11.2021 ] 149 Right Figure 3. Ginal 2, 2014. Charcoal on paper, 72 × 64 in. Image courtesy of National Gallery of Jamaica Following two pages...
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