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Image
Published: 01 July 2020
Figure 2 Taitu Heron as flag woman leading the march. Photograph courtesy of Taitu Heron, Tambourine Army. Figure 2. Taitu Heron as flag woman leading the march. Photograph courtesy of Taitu Heron, Tambourine Army. More
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Published: 01 July 2020
Figure 3 Members of dance troupe En Kompane. Photograph courtesy Taitu Heron, Tambourine Army. Figure 3. Members of dance troupe En Kompane. Photograph courtesy Taitu Heron, Tambourine Army. More
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Published: 01 November 2019
Figure 5 A neighboring house in Free Gut, 2013. Courtesy of the artist. Figure 5. A neighboring house in Free Gut, 2013. Courtesy of the artist. More
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Published: 01 July 2018
Figure 1 Cane worker and cutlass, Guyana, 2014. Photograph courtesy of Deodat Persaud. Figure 1. Cane worker and cutlass, Guyana, 2014. Photograph courtesy of Deodat Persaud. More
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Published: 01 November 2019
Figure 6 The artist renovating her studio, 2013. Courtesy of the artist. Figure 6. The artist renovating her studio, 2013. Courtesy of the artist. More
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Published: 01 July 2017
Figure 2. “Washing Coconuts” (Trinidad, 1931). Courtesy of University of Toronto Archives Figure 2. “Washing Coconuts” (Trinidad, 1931). Courtesy of University of Toronto Archives More
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Published: 01 July 2017
Figure 1. “March 19/31 Port of Spain, Trinidad. Traveller's Palm.” Courtesy of University of Toronto Archives Figure 1. “March 19/31 Port of Spain, Trinidad. Traveller's Palm.” Courtesy of University of Toronto Archives More
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Published: 01 July 2017
Sharlene Khan, Family , 2016. Mixed media, 29 × 37 cm. Courtesy of the artist Sharlene Khan, Family, 2016. Mixed media, 29 × 37 cm. Courtesy of the artist More
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Published: 01 November 2016
Roberto Fernández Retamar con sombrero, circa 1995. Courtesy of Casa de las Américas Roberto Fernández Retamar con sombrero, circa 1995. Courtesy of Casa de las Américas More
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Published: 01 March 2015
Nicolás Guillén Landrián, circa 1968. Courtesy of Manuel Zayas Nicolás Guillén Landrián, circa 1968. Courtesy of Manuel Zayas More
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Published: 01 March 2015
Starman: Nine States , 2009. Digital photographs; variable sizes. Courtesy of the artist Starman: Nine States, 2009. Digital photographs; variable sizes. Courtesy of the artist More
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Published: 01 November 2020
Figure 4 Some of the $1 bills used for El pensamiento de Ushuaia . Courtesy of Colectivo Quintapata Figure 4. Some of the $1 bills used for El pensamiento de Ushuaia. Courtesy of Colectivo Quintapata More
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Published: 01 March 2015
Bubalups/Mother Sally: Private Audition , 2013. Digital photographs; variable sizes. Courtesy of the artist Bubalups/Mother Sally: Private Audition, 2013. Digital photographs; variable sizes. Courtesy of the artist More
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Published: 01 July 2017
Roshini Kempadoo, Face Up , 2015. Screenshots from one short story (“Deirdre”). All images courtesy of the artist Roshini Kempadoo, Face Up, 2015. Screenshots from one short story (“Deirdre”). All images courtesy of the artist More
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Published: 01 November 2016
Roberto Fernández Retamar con Tomás “Titón” Gutiérrez Alea, circa 1970. Courtesy of Casa de las Américas Roberto Fernández Retamar con Tomás “Titón” Gutiérrez Alea, circa 1970. Courtesy of Casa de las Américas More
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Published: 01 March 2017
Figure 7. Olivia McGilchrist, Ernestine and Me , 2012. Multimedia installation, National Gallery of Jamaica, Kingston. Courtesy of the artist Figure 7. Olivia McGilchrist, Ernestine and Me, 2012. Multimedia installation, National Gallery of Jamaica, Kingston. Courtesy of the artist More
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Published: 01 March 2017
Figure 2. Belkis Ramírez, Amadas , 2006. Installation, variable dimensions. Centro Cultural de España, Santo Domingo. Courtesy of the artist Figure 2. Belkis Ramírez, Amadas, 2006. Installation, variable dimensions. Centro Cultural de España, Santo Domingo. Courtesy of the artist More
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Published: 01 November 2020
Figure 7 Colectivo Quintapata’s public intervention Operación espejos , 2014, Santo Domingo. Courtesy of Colectivo Quintapata Figure 7. Colectivo Quintapata’s public intervention Operación espejos, 2014, Santo Domingo. Courtesy of Colectivo Quintapata More
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Published: 01 November 2020
Figure 6 Colectivo Quintapata’s public intervention Reflejos , 2009, Ciudad Colonial, Santo Domingo. Courtesy of Colectivo Quintapata Figure 6. Colectivo Quintapata’s public intervention Reflejos, 2009, Ciudad Colonial, Santo Domingo. Courtesy of Colectivo Quintapata More
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Published: 01 November 2020
Figure 3 O’Neil Lawrence, Awakening , 2007. Archival ink on rag paper, 17 × 26 in. Courtesy of the artist Figure 3. O’Neil Lawrence, Awakening, 2007. Archival ink on rag paper, 17 × 26 in. Courtesy of the artist More