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collective exhibitions
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Journal Article
Small Axe (2016) 20 (3 (51)): 1–19.
Published: 01 November 2016
... conditioning, “Caribe insular” sketched, nevertheless, a new conceptualization for the large-scale Caribbean art shows of the 2000s. © Small Axe, Inc. 2016 art institutions collective exhibitions cultural politics curatorship The main interest of this essay is the representational politics...
Journal Article
Small Axe (2007) 11 (3): 73–82.
Published: 01 October 2007
....
In the summer of 2006, the National Gallery of Jamaica staged Intuitives III, a survey exhi-
bition of what it has called Intuitive art, the work of self-taught popular artists of Jamaica.
It was an important exhibition, not only in its own right but also in terms of the Gallery’s
institutional history...
Journal Article
Small Axe (2012) 16 (2 (38)): 186–197.
Published: 01 July 2012
... and Culture are not just a collection of nostalgic frolic. They are an appreciation of artists originally from widely varying backgrounds; their present human, cultural and environmental conditions focus on the direction of their future development. The concept of black Art in this exhibition, whilst...
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Journal Article
Small Axe (2022) 26 (2 (68)): 60–78.
Published: 01 July 2022
... and practitioners like Barra, to have spiritual efficacy. Barra’s and Cassaise’s relative success, characterized by the presence of their work in many international collections and in exhibitions, also demonstrated the material’s potential appeal to audiences abroad. Reflecting on the impact that Sacred Arts...
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Journal Article
Small Axe (2008) 12 (3 (27)): 94–104.
Published: 01 October 2008
...-profit-making community networks, which finance
their humanitarian activity partly through commercial operations. Accordingly, the Collectif
Haïti de France regularly organizes exhibitions of naïve art. Money collected in this way has
been used to build schools (among other projects) in Haiti.2...
Journal Article
Small Axe (2020) 24 (3 (63)): 31–52.
Published: 01 November 2020
... Domingo. Courtesy of Colectivo Quintapata Although the composition of the collective shifted shortly after the exhibition, when Capellán left the group, Mover la roca remains a kind of mantra for the collaborative work produced by Quintapata. 12 Abstract enough to allude to burdens...
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Journal Article
Small Axe (2013) 17 (3 (42)): 227–243.
Published: 01 November 2013
... by members of the Atis rezistans collective, with Mario Benjamin acting as artistic director, and commissioned for permanent exhibition at Liverpool's International Slavery Museum (ISM). With reference to Roland Barthes's semiotic approach to meaning making and Henrietta Lidchi's exploration...
Journal Article
Small Axe (2017) 21 (1 (52)): 34–42.
Published: 01 March 2017
... History with Art: “The Myriad of Myself,” in Lips, Sticks and Marks: Seven Women Artists from the Caribbean , exhibition catalogue (St. Philip, Barbados: Art Foundry, 1998). Paul was a member of the founding editorial collective of Small Axe (1996). 6 Yolanda Wood, “Revistas y trayectorias...
Journal Article
Small Axe (2017) 21 (1 (52)): 260–265.
Published: 01 March 2017
... on the adjunct faculty of the Art Department at the City College of New York. Her writing has appeared in various publications and exhibition catalogues. D eborah A nzinger is a Jamaica-based artist whose work is an exercise in testing the limits of understanding existence as hybrid and indeterminate...
Journal Article
Small Axe (2009) 13 (3 (30)): 84–92.
Published: 01 November 2009
... in a
collection of cigar boxes spray painted black. On white canvas, I created scenes with dolls
and different black objects: a torn folder, a baby’s swaddling cloth, and so on. I also made
wooden structures in which to arrange them: cases, boxes, bags to move them to the different
exhibition sites...
Journal Article
Small Axe (2013) 17 (2 (41)): 136–153.
Published: 01 July 2013
... ; and Mohammed, Imaging the Caribbean . 19 Thompson, Eye for the Tropics , 5, 21. 20 John Gilmore, quoted in ibid., 280. 21 Michael Goldberg Postcard Collection, West Indies Special Collection, University of the West Indies Library, St. Augustine Campus, mainlib.uwi.tt/divisions/wi/collsp...
Journal Article
Small Axe (2008) 12 (3 (27)): 165–174.
Published: 01 October 2008
.... Only now, as of the writing of this response to the
Duval Carrié book (July 2008), are a few of the pictures seen in a little-heralded but intensely
interesting and instructive exhibition of Latin American and Caribbean art from the MoMA
collection at the New York State Museum, Albany, organized...
Journal Article
Small Axe (2015) 19 (2 (47)): 197–200.
Published: 01 July 2015
...; at the Insitituto Valenciano de Arte Moderno (IVAM), Valencia, Spain, in 2013; and at UNESCO, Paris, in 2014. He exhibited at the 52nd Venice Biennial in 2009 and also at the 55th Venice Biennial with the Collective QUINTAPATA in 2013. In 2014 he attended the Davidoff Art Residency at the Künstlerhaus Bethanien...
Journal Article
Small Axe (2004) 8 (2): 228–231.
Published: 01 September 2004
...: island cul-
ture and the well grounded memory, as well as the fi rst Jamaican pavilion at the Venice
biennial.
rocío aranda-alvarado is the curator at the Jersey City Museum, where she orga-
nizes exhibitions of historical and contemporary art, based on the permanent collection
and on work...
Journal Article
Small Axe (2021) 25 (2 (65)): 125–141.
Published: 01 July 2021
... to challenge the sensibilities of not only accepted Cuban society but also petit bourgeois, middle-class Afro-Cuban society in presenting a collection of work that, while distinctively “Afro” in its delivery, wholly incorporated and exhibited mastery of the lauded techniques of European classics. Literary...
Journal Article
Small Axe (2012) 16 (3 39): 208–210.
Published: 01 November 2012
... departments.du Halle Sénat, sector,in de the laJardin collective Villette,the economicdu Luxembourg,Paris, exhibition in lung an exhibition“Outre-merof Paris, the country. to organizedcelebrate art conThis-
Evelyn O’Callaghan is a professor of West Indian literature at the Barbados campus...
Journal Article
Small Axe (2008) 12 (3 (27)): 175–178.
Published: 01 October 2008
...), contained a major essay on the lyric oratorio And the Dogs Were Silent
and the late collection i, laminaria . . . . His latest contribution, a contrastive analysis of the
first four editions ofCahier d’un retour au pays natal, was published in July 2008 in Forum for
Modern Language Studies...
Journal Article
Small Axe (2009) 13 (2): 148–163.
Published: 01 July 2009
... has grown
over the last decade as Boyce has continued the dialogue with members of the general public
about collective memory and music.
The work was first exhibited in a graphic format as a computer-generated, color-coded
list of names organized chronologically...
Journal Article
Small Axe (2015) 19 (1 (46)): 178–181.
Published: 01 March 2015
... and an MA in cultural studies from the University of the West Indies, Cave Hill. He has exhibited in regional and international exhibitions, including “Wrestling with the Image: Caribbean Interventions,” at the Art Museum of the Americas, Washington, DC, in 2011; the 2010 Liverpool Biennial; and “Infinite...
Journal Article
Small Axe (2017) 21 (2 (53)): 81–93.
Published: 01 July 2017
.... 32 Roshini Kempadoo, Face Up (2015); see Grace Ali, “Un” | Fixed Homeland (Newark, NJ: Aljira, 2016), 51, graceali.com/wp-content/uploads/2016/09/unfixed-homeland-catalogue.-aljira-contemporary-art.pdf . Face Up was part of the “Un” | Fixed Homeland exhibition of Guyanese artists curated...
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