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Journal Article
Small Axe (2006) 10 (3): 111–124.
Published: 01 October 2006
...Sharon L. Green Small Axe Incorporated 2006 On a Knife Edge: Sistren Theatre Collective, Grassroots Theatre, and Globalization Sharon L. Green In 1974, Michael Manley, leader of Jamaica’s ruling People’s National Party (PNP), announced that Jamaica “had been converted...
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Published: 01 March 2019
Figure 1 Sistren Theatre Collective creating Bandoolu Version in a studio at the Jamaica School of Drama, 1979. From left, Barbara Gayle, Beverley Elliot, and Rebecca Knowles. Photograph by the author More
Journal Article
Small Axe (2013) 17 (3 (42)): 223–226.
Published: 01 November 2013
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Journal Article
Small Axe (2012) 16 (1 (37)): 71–118.
Published: 01 March 2012
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Published: 01 July 2022
Figure 7 “Indian Type Trinidad,” a postcard from the author’s private collection More
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Published: 01 July 2017
Wendy Nanan, A work-in-progress , 2016. Photographs; personal collection More
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Published: 01 November 2020
Figure 7 Edna Manley, Prophet , 1935. Mahogany, 30.2 in. Collection of the National Gallery of Jamaica. Courtesy of the Edna Manley Foundation More
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Published: 01 November 2020
Figure 8 Edna Manley, Diggers , 1936. Mahogany, 37.4 in. Collection of the National Gallery of Jamaica. Courtesy of the Edna Manley Foundation More
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Published: 01 November 2020
Figure 6 Edna Manley, Negro Aroused , 1935. Mahogany, 25 in. Collection of the National Gallery of Jamaica. Courtesy of the Edna Manley Foundation More
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Published: 01 November 2020
Figure 10 Alvin Marriott, Banana Man , c1955. Mahogany, 37.4 in. Collection of the National Gallery of Jamaica. Courtesy of Andrew Bogues More
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Published: 01 November 2023
Figure 2 Judith Kain, Bilwi , 1993. Oil on canvas. Collection of Casa Museo Judith Kain, Bilwi. Photograph provided by Adilia Aleman Cunningham, Managua More
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Published: 01 November 2020
Figure 9 Albert Huie, Crop Time , 1955. Oil on hardboard, 34 × 39 in. Collection of the National Gallery of Jamaica. Courtesy of Christine Huie-Roy More
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Published: 01 March 2015
Untitled Species II , 2010. Mixed media on paper; 66.75 × 50 in. Collection of Eric and Tara Hirshberg, Los Angeles. Photo courtesy of the artist and Monique Meloche Gallery, Chicago More
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Published: 01 March 2015
Duppy Treez (detail), 2013. Mixed media on paper; 78.5 × 63 in. Collection of Vascovitz Family Collection, Seattle. Photo courtesy of the artist and Monique Meloche Gallery, Chicago More
Journal Article
Small Axe (2014) 18 (2 (44)): 108–122.
Published: 01 July 2014
...Nalini Mohabir A newly installed plaque at the port of Kolkata stands as a memorial to the indentured Indian diaspora. It conveys a collective story relevant to present desires, not past hauntings. Yet it is the tension of absences and silences that makes the port city an interesting site...
Journal Article
Small Axe (2020) 24 (1 (61)): 53–60.
Published: 01 March 2020
...Ángel A. Rivera This essay explores Eugenio María de Hostos’s and Ramón E. Betances’s notions of modern subjectivities, in the context of Romantic narratives, to index the fractures of collective and communal nationalist imaginaries within the Caribbean Confederation. Hostos and Betances were...
Journal Article
Small Axe (2020) 24 (1 (61)): 111–119.
Published: 01 March 2020
...Nancy Raquel Mirabal The Schomburg Center for Research in Black Culture is the premier center of African American and Afro-diasporic studies. Yet, as the literary scholar Vanessa Valdés argues, we know little of the center’s namesake and his drive to collect and establish a renowned archive...
Journal Article
Small Axe (2016) 20 (2 (50)): 175–186.
Published: 01 July 2016
... gifted political intellectuals is heard in the United States and in the Commonwealth Caribbean. Both the quality of social thought and regard for political intellectuals as agents of transformative change are alleged to be in steep decline in these islands. Brian Meeks's recent collection of essays...
Journal Article
Small Axe (2019) 23 (1 (58)): 17–34.
Published: 01 March 2019
... moves through Immanuel Kant’s Critique of the Power of Judgment to contend that aesthetic experience as such requires this kind of ecstatic movement. The sociality assembled by aesthetic judgment is an ecstatic, de-structured collectivity. Zong! ’s sensus communis is not an a priori universality...
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Journal Article
Small Axe (2017) 21 (1 (52)): 169–179.
Published: 01 March 2017
.... In this essay, three different versions of the interrelation of identity and change are considered. In Glissant's 1981 Le discours antillais , the emphasis is on the conscious construction of a collective identity as a means of promoting the struggle for independence. In his texts of the 1990s, in contrast...