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Image
Published: 01 July 2024
Figure 7 Is De Powah to Change , 2023. Story block of watercolor and stone paper, shells, beads, wires, paillettes, lino print, and encaustic wax; 5 × 4 × 4 in.
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Image
Published: 01 July 2024
Figure 8 Cobo Levay , 2023. Story block of watercolor and stone paper, shells, beads, wires, paillettes, lino print, and encaustic wax; 5 × 4 × 4 in.
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Image
Published: 01 July 2024
Figure 9 Let the Love Out , 2023. Story block of watercolor and stone paper, shells, beads, wires, paillettes, lino print, and encaustic wax; 5 × 4 × 4 in.
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Image
Published: 01 July 2024
Figure 10 And Leave Signs , 2023. Story block of watercolor and stone paper, shells, beads, wires, paillettes, lino print, and encaustic wax; 5 × 4 × 4 in.
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Image
Published: 01 March 2017
Figure 9. Kendra Frorup, Butcher Block , 2007. Bronze, steel, cotton, and wood; 40 × 30 × 30 in. Collection of the National Art Gallery of The Bahamas © Kendra Frorup
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Journal Article
Small Axe (2019) 23 (1 (58)): 97–111.
Published: 01 March 2019
... to Jamaican conditions. Among stumbling blocks to this application was a social structure that, consequent on centuries of racial slavery and colonialism, could not be adequately understood or challenged through class analyses. Moreover, the terrain of party politics had been staked out between the Jamaica...
Journal Article
Small Axe (2010) 14 (3 (33)): 99–110.
Published: 01 November 2010
...Kaiama L. Glover In this essay I explore the generic limitations of the “Pour une littérature-monde en français” manifesto. Looking at certain of the document's structural and thematic stumbling blocks, I examine the essential dilemmas that reside at the heart of all postcolonial literary...
Image
in Inside and Outside the Exhibition Space: The Poetics and Politics of Colectivo Quintapata
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 2 Belkis Ramírez, Reconstruyéndonos II , 2009; installation of polychrome carved wooden blocks; 97.25 × 33.5 × 7.5 in. From the Colectivo Quintapata exhibition Mover la roca , 2009, Centro Cultural de España, Santo Domingo. Courtesy of Colectivo Quintapata
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Journal Article
Small Axe (2024) 28 (2 (74)): 167–178.
Published: 01 July 2024
...Figure 7 Is De Powah to Change , 2023. Story block of watercolor and stone paper, shells, beads, wires, paillettes, lino print, and encaustic wax; 5 × 4 × 4 in. ...
FIGURES
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Journal Article
Small Axe (2008) 12 (3 (27)): 142–150.
Published: 01 October 2008
... and Its Discontents,” Joel Weinstein discusses another
complex commentary of the social fabric of Haitian diasporic life through the visual iconog-
raphy of The Indigo Room, or Is Memory Water Soluable? (2004), a triptych painting encircled
by ninety cast-acrylic blocks, installed...
Journal Article
Small Axe (2017) 21 (1 (52)): 151–162.
Published: 01 March 2017
...Figure 9. Kendra Frorup, Butcher Block , 2007. Bronze, steel, cotton, and wood; 40 × 30 × 30 in. Collection of the National Art Gallery of The Bahamas © Kendra Frorup ...
FIGURES
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Journal Article
Small Axe (2001) 5 (2): 81–84.
Published: 01 September 2001
... of words coming from all sides. Impatience is high, and curiosity too.
Aurèle’s name is on one of the special lists. For months now, Similien, Pierre Aulard
and others have been patiently drawing up these lists, area by area, block by street
block. # ere is information written next...
Journal Article
Small Axe (2021) 25 (3 (66)): 178–185.
Published: 01 November 2021
... where men were making concrete blocks for construction. The same blocks that were sold in the city, that people used to build their houses. . . . We drove past row after row of blocks drying in the late afternoon sun. The mountain’s bones, pressed into new shapes. (209) At times, Beckett gently...
Journal Article
Small Axe (2019) 23 (1 (58)): 208–219.
Published: 01 March 2019
... of the region as whole, in quotidian as well as revolutionary times. Where Ferrer has presented a remarkable model for taking this approach in the Age of Revolution, Kristen Block’s Ordinary Lives in the Early Caribbean: Religion, Colonial Competition, and the Politics of Profit offers one model for taking...
Journal Article
Small Axe (2007) 11 (3): 109–117.
Published: 01 October 2007
..., humanity in this movie still seems hopeful
and empowered and empowering as opposed to the fatalistic vision of Blade Runner. I am
particularly interested in the flow of energy in Major Dallas’ apartment/room in the 5,000
block of South Brooklyn. It is the size of, and resembles, those huge metal...
Journal Article
Small Axe (2018) 22 (3 (57)): 123–128.
Published: 01 November 2018
... as they had in French as a way of conceptualizing a new thought, or thought process. Other times, however, particularly in his fiction, the way he had tweaked the French would turn into more than a stumbling block in English, and, to my mind, if repeated frequently would become a road block preventing...
Journal Article
Small Axe (2007) 11 (2): 142–162.
Published: 01 June 2007
... to
slain community leader, William Augustus Moore, alias “Willie Haggart.”
For about 3 1/2 hours, the entire stretch of road from the intersection of Arthur Wint Drive
and Statue Road, down to the gates of the National Arena, was blocked by thousands, some from...
Journal Article
Small Axe (2013) 17 (2 (41)): 223–236.
Published: 01 July 2013
... the leaves into neat heaps, but it was the second one who looked up as Petal approached, her hand motionless over the weed on the cigarillo paper. Both women shifted at the same time, perfectly synchronised, blocking her view of the table with their legs. “How do you do business?” she whispered...
Journal Article
Small Axe (2004) 8 (2): 125–136.
Published: 01 September 2004
...: After much preparation, on the second of January 2003, I started
carving two blocks of dense Styrofoam, ten and eleven feet high. Th e blocks weighed
fi ve hundred pounds each! I used chainsaws, wire brushes, a sanding disk, and sand-
paper. Because of the immense size, I worked from...
Journal Article
Small Axe (2018) 22 (2 (56)): 85–98.
Published: 01 July 2018
... Dominican, exemplifies “passing” for another race by adopting “white” behaviors, such as forcing Raquel to learn tennis and play the piano, marrying a Finnish woman, and moving from Harlem to the “whiter” section of Inwood, “on a block where white people still live” (45). This performance of latinidad...
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