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Journal Article
Small Axe (2010) 14 (2 (32)): 179–183.
Published: 01 July 2010
...Lorna Goodison A response to Sandra Pouchet Paquet's and Donette Francis' discussion of Goodison's memoir, From Harvey River: A Memoir of My Mother and Her Island Small Axe, Inc. 2010 Reporting Back to Queen Isabella, Donette Francis, and Sandra Pouchet Paquet Lorna Goodison...
Journal Article
Small Axe (2012) 16 (3 39): 59–71.
Published: 01 November 2012
... and nonfiction, both of which insist readers learn to read in a new way. The reward is attainment of a transformative vision that shares Harris's commitment to revising, recreating, and redefining history. © 2012 by Small Axe, Inc. 2012 Play It Back a Next Way: Teaching Brodber Teaching Us Evelyn...
Journal Article
Small Axe (2013) 17 (2 (41)): 136–153.
Published: 01 July 2013
Journal Article
Small Axe (2013) 17 (2 (41)): 211–222.
Published: 01 July 2013
...Lynn Sweeting Poetry: Danielle Boodoo-Fortuné, “Lunar Planting” (first place), Lynn Sweeting, “Coming Back to Life” (second place); short fiction: Sharon Millar, “The Dragonfly's Tale” (first place), Alexia Arthurs, “Lobster Hand” (second place) © 2013 by Small Axe, Inc. 2013 The harbour...
Journal Article
Small Axe (2021) 25 (3 (66)): 1–23.
Published: 01 November 2021
... the anchor, obscured from street view. Miniature bows protrude from the pedestal’s corners, marking the four cardinal points and framing our frontal view of Anacaona’s back. 22 Figure 3 Joos van Winghe, “Massacre of the Queen and Her Subjects,” 1598; from Bartolomé de las Casas, Brevísima relación...
FIGURES | View All (11)
Journal Article
Small Axe (2021) 25 (1 (64)): 186–197.
Published: 01 March 2021
... leading nowhere other than back to slavery, she more profoundly suggests, “The name Carby in all its derivations resonates not only with a sense of place and settlement but also with the movement and migration of peoples” (268). What Carby’s book consistently throws into sharp relief is the sliding...
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Published: 01 July 2021
Figure 1 Front and back covers of the Mighty Sparrow’s Great Calypsoes , 1963 (RCA Victor, Trinidad and Tobago, LPB-3107). Photograph by the author More
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Published: 01 July 2021
Figures 2 and 3 Front and back covers of Edward [Kamau] Brathwaite’s spoken word albums Masks , 1968 (Argo, London, Mono PLP 1183), and Islands , 1973 (Argo, London, PLP 1184/5). Photographs by Mathieu Bonnefont More
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Published: 01 July 2021
Figure 4 Front and back covers of the Mighty Sparrow’s Sparrow in Hi-Fi , 1959 (Balisier Records, Trinidad and Tobago, HDF-1009). Photograph by the author More
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Published: 01 July 2021
Figure 6 Front and back covers of the Mighty Sparrow’s Sparrow , 1960 (RCA Victor, Trinidad and Tobago, LPB-9035). Photograph by the author More
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Published: 01 July 2021
Figure 7 Front and back covers of the Mighty Sparrow’s The Slave , 1963 (National Recording Company, Port of Spain, NLP-4188). Photograph by the author More
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Published: 01 November 2017
Figure 9. A section of Back-a-Wall, in West Kingston, in 1962. The destruction of poor people's homes began here in 1963. © 1962 The Gleaner Co. (Media) Ltd. More
Journal Article
Small Axe (2017) 21 (1 (52)): 1–16.
Published: 01 March 2017
... analysis of revivalists, it posits that while the revival suggests a reaching back to a defining cultural form—reggae, which is both local and national—it is as well globalized in its commitment to engaging sounds and forms. Insofar as the revival takes significant impetus from the 2010 Tivoli Gardens...
FIGURES
Journal Article
Small Axe (2009) 13 (2): 26–38.
Published: 01 July 2009
...Michelle Stephens Looking back at the dialogue between Black British Cultural Studies and African American Studies that occurred during the 1980s and 1990s, when Stuart Hall first asked the question, “What is this black in black popular culture?” this article explores how that conversation has...
Journal Article
Small Axe (2016) 20 (2 (50)): 187–198.
Published: 01 July 2016
... and elsewhere, as a moment of hegemonic dissolution. Meeks argues that this notion must be handled with care, since there is no easy road back to renewal and recovery from a genuine state of societal collapse. © Small Axe, Inc. 2016 Caribbean black power Grenadian Revolution Caribbean intellectual...
Journal Article
Small Axe (2013) 17 (2 (41)): 203–210.
Published: 01 July 2013
...Danielle Boodoo-Fortuné Poetry: Danielle Boodoo-Fortuné, “Lunar Planting” (first place), Lynn Sweeting, “Coming Back to Life” (second place); short fiction: Sharon Millar, “The Dragonfly's Tale” (first place), Alexia Arthurs, “Lobster Hand” (second place) © 2013 by Small Axe, Inc. 2013 I...
Journal Article
Small Axe (2013) 17 (2 (41)): 223–236.
Published: 01 July 2013
...Sharon Millar Poetry: Danielle Boodoo-Fortuné, “Lunar Planting” (first place), Lynn Sweeting, “Coming Back to Life” (second place); short fiction: Sharon Millar, “The Dragonfly's Tale” (first place), Alexia Arthurs, “Lobster Hand” (second place) Was this how it happened? That you crossed lines so...
Journal Article
Small Axe (2013) 17 (2 (41)): 237–242.
Published: 01 July 2013
...Alexia Arthurs Poetry: Danielle Boodoo-Fortuné, “Lunar Planting” (first place), Lynn Sweeting, “Coming Back to Life” (second place); short fiction: Sharon Millar, “The Dragonfly's Tale” (first place), Alexia Arthurs, “Lobster Hand” (second place) © 2013 by Small Axe, Inc. 2013 Her hand...
Journal Article
Small Axe (2022) 26 (2 (68)): 46–59.
Published: 01 July 2022
... within queer Cuban and Caribbean studies, noticing the ways they push back against renderings of gender and sexuality as inherently distinct categories. Instead, for these artist-thinkers, trans subjectivity is informed by various experiences related to gender, sexuality, race, class, and geography...
Journal Article
Small Axe (2023) 27 (3 (72)): 237–245.
Published: 01 November 2023
...Tim Watson This essay is a response to Belinda Edmondson’s Creole Noise: Early Caribbean Dialect Literature and Performance (2022), which is an excellent history of literary and performative Creole in the anglophone Caribbean, tracing its roots back to the work songs of enslaved African laborers...