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in Pays-là chaviré : Revolutionary Politics in Nineteenth-Century Haitian Creole Popular Music
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2016
“Blanc-Français”; music transcribed by the author. From Jean Prax, “Ahiti: Etudes sur la civilisation des Noirs” (unpublished manuscript, dated 1857), 717. By permission of the Archives diplomatiques, Ministère des affaires étrangères, La Courneuve, France
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in Dominican Pride and Shame: Gender, Race, and LGBT Activism in Santo Domingo
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 1 DR Pride logos 2016. Photograph posted on Facebook by the author. Santo Domingo, Dominican Republic.
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Journal Article
Small Axe (2006) 10 (2): 19–39.
Published: 01 June 2006
...Raphael Dalleo Small Axe Incorporated 2006 Authority and the Occasion
for Speaking in the Caribbean
Literary Field: Martin Carter and
George Lamming
Raphael Dalleo
The dismantling of the colonial system and the emerging dominance of the postcolonial in
the decades following...
Journal Article
Small Axe (2018) 22 (3 (57)): 81–89.
Published: 01 November 2018
...Anthony Harriott; Rivke Jaffe In this brief essay, the authors analyze encounters between Tivoli Gardens residents and members of the Jamaican police and military during the West Kingston security operation of May 2010 (the so-called Tivoli Incursion), understanding these (often violent...
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Published: 01 July 2022
Figure 7 “Indian Type Trinidad,” a postcard from the author’s private collection
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in Against Type: Reading Desire in the Visual Archives of Dominican Subjects
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 5 Author’s family in El Cercado, Dominican Republic, 1962. Photographer unknown. Author’s family collection, Santo Domingo.
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in Making History Visible: Caribbean Artist Josef Nassy’s Visual Diary of Nazi Internment
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2021
Figure 1 Polish graffiti in Tittmoning Castle, Tittmoning, Bavaria, Germany, June 2019. Photograph by the author
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in Black Caribs / Garifuna: Maroon Geographies of Indigenous Blackness
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 1 Garifuna ancestral ritual gathering in Orchard Beach, the Bronx, in June 2018. Photograph courtesy of the author
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Journal Article
Small Axe (2021) 25 (1 (64)): 132–154.
Published: 01 March 2021
...Marlene L. Daut; Aaron Kamugisha This essay explores the genealogy of historian and anthropologist Michel-Rolph Trouillot’s writings as related to broader trends in historical scholarship. The author suggests that it was through Silencing the Past ’s acceptance and ascendance within the very North...
Journal Article
Small Axe (2009) 13 (2): 210–217.
Published: 01 July 2009
...Deborah A. Thomas This article reflects upon Richard Price's newest work, Travels with Tooy . In it, the author argues that the book - on the surface, a text about the transmission of esoteric knowledge passed down from “First Time” to the present among Saramaka Maroons - is actually...
Journal Article
Small Axe (2022) 26 (2 (68)): 154–162.
Published: 01 July 2022
...Petra R. Rivera-Rideau This essay applies Ren Ellis Neyra’s concepts of defiance, solidarity, and mulitpoetic sensorial listening from The Cry of the Senses: Listening to Latinx and Caribbean Poetics (2020) to the author’s own family story about how her great-aunt ate the telegram announcing her...
Journal Article
Small Axe (2022) 26 (3 (69)): 164–173.
Published: 01 November 2022
...Laurie R. Lambert This essay responds to the essays by Belinda Deneen Wallace and Randi Gill-Sadler on the author’s Comrade Sister: Caribbean Feminist Revisions of the Grenada Revolution (2020). It uses the concepts of pushing-into-consciousness and narrative dulling , introduced by Wallace...
Journal Article
Small Axe (2023) 27 (3 (72)): 215–225.
Published: 01 November 2023
...Carolyn Cooper The cantankerous public discourse generated by the author’s bilingual newspaper columns published in the Jamaica Observer (May 1993 to January 1998) and the Jamaica Gleaner (March 2013 to the present) illustrates the conservative, neocolonial language ideology that still prevails...
Journal Article
Small Axe (2023) 27 (3 (72)): 254–262.
Published: 01 November 2023
...Belinda Edmondson In response to three discussions of the author’s Creole Noise: Early Caribbean Dialect Literature and Performance (2022), this essay raises questions about the meaning of authenticity in the production of literary Creole in the anglophone Caribbean from the eighteenth century...
Journal Article
Small Axe (2024) 28 (2 (74)): 73–78.
Published: 01 July 2024
...Nadia Ellis This essay reflects on Carolyn Cooper’s research on Afro-Jamaican feminisms via literary history, literary criticism, and cultural studies and her use of that research in various pedagogical spaces. The author’s approach is personal and layered, working primarily through memories...
Journal Article
Small Axe (2018) 22 (3 (57)): 123–128.
Published: 01 November 2018
...Betsy Wing This essay briefly describes the process of working with the author Édouard Glissant in translating his works, with a particular focus on the novel Mahagony . It explores the extent to which a personal relationship with the author provides both special insights and frustration...
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in Redefining Mestizaje : How Trans-Caribbean Exchanges Solidified Black Consciousness in Cuba
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2021
Figure 2 My teenage son, Camoren Keodouangsy, pictured here with Morejón, joined us for the four-hour interview. Photograph by the author
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in Alternative Soundscape Paradigms from Kamau Brathwaite and the Mighty Sparrow
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2021
Figure 6 Front and back covers of the Mighty Sparrow’s Sparrow , 1960 (RCA Victor, Trinidad and Tobago, LPB-9035). Photograph by the author
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in Alternative Soundscape Paradigms from Kamau Brathwaite and the Mighty Sparrow
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2021
Figure 1 Front and back covers of the Mighty Sparrow’s Great Calypsoes , 1963 (RCA Victor, Trinidad and Tobago, LPB-3107). Photograph by the author
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in Alternative Soundscape Paradigms from Kamau Brathwaite and the Mighty Sparrow
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2021
Figure 7 Front and back covers of the Mighty Sparrow’s The Slave , 1963 (National Recording Company, Port of Spain, NLP-4188). Photograph by the author
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