1-20 of 311 Search Results for

audience

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Small Axe (2010) 14 (2 (32)): 83–96.
Published: 01 July 2010
...Jane Bryce When St. Lucian-descended Black British artist Isaac Julien presented his avant-garde triple-screen video work Paradise Omeros at a Festival of African and Caribbean Film in Barbados, a member of the audience commended him on the work but regretted it was not being shown to the “real...
Journal Article
Small Axe (2020) 24 (3 (63)): 31–52.
Published: 01 November 2020
... social transformation and reaching audiences beyond the artistic medium. Analyzing art installations, public interventions, and socially engaged art pieces produced by Quintapata between 2009 and 2014, this essay argues that artistic collaboration works in the case of Quintapata, not so much as a formula...
FIGURES | View All (8)
Journal Article
Small Axe (2010) 14 (1 (31)): 16–29.
Published: 01 March 2010
... of contacts among people that it makes possible. Based on these definitions, this study focuses on the public intimacies enabled by live performances of soca by examining how they unfold among artists on stage, between the artists on stage and their audiences, and among audience members during the performance...
Journal Article
Small Axe (2020) 24 (2 (62)): 53–66.
Published: 01 July 2020
... the archive to a larger audience through digitization. The retrocession treaty of Saint-Barthélemy obliged Sweden to leave all archives on the island in 1878. The departing Swedish officials left the documents in the so-called government house in the island’s capital, Gustavia, named after King Gustav III...
FIGURES
Journal Article
Small Axe (2015) 19 (1 (46)): 109–117.
Published: 01 March 2015
... on Brazilian racial identities and cultural politics. In conclusion, it proposes that Hall was a thinker whose occasionally preacherlike style indicated an openness to his audience and whose writing was structured like music. © Small Axe, Inc. 2015 Brazil reception style A note about conjuncture...
FIGURES
Journal Article
Small Axe (2017) 21 (1 (52)): 141–150.
Published: 01 March 2017
... also looks at her interest in video installations and how this visual space and language challenges the audience to connect in a deeper sense to the other. Projected and moving across the background are silhouettes of various racial and gender stereotypes based on images found online (including...
Journal Article
Small Axe (2010) 14 (2 (32)): 1–16.
Published: 01 July 2010
... and dream, creating a doubled division for his characters and audience between fantasy and reality, madness and sanity. In this essay, This article reads Walcott's choice of the theater, rather than poetry, as necessary in engendering a collective response to, and responsibility for, envisioning...
Journal Article
Small Axe (2016) 20 (1 (49)): 175–184.
Published: 01 March 2016
.../authors/performers of African diaspora culture. This scholarship is remaking the field as feminist in innovative and surprising ways, challenging scholars and students to ask questions about audience, circulation, authorship, and activism that embrace more capacious definitions of black cultural...
Journal Article
Small Axe (2006) 10 (3): 111–124.
Published: 01 October 2006
... of the ways in which the “space of tension” created by globalization affects grassroots theatre, I will explore Sistren’s international connections and how these altered their work back home, the changing nature of their audiences, and the changing national and global landscape against which their work...
Journal Article
Small Axe (2017) 21 (1 (52)): 89–98.
Published: 01 March 2017
... “ …” was a classic art action, a strong central embodied image that became amplified through the tension of an audience. It was a piece very much about power and control. While Rosamond remained fairly immobile during the piece, she was actually the one who had set up the circumstances for the encounter...
Journal Article
Small Axe (2010) 14 (2 (32)): 42–55.
Published: 01 July 2010
... as exotic is normalized. Through an interrogation of representations of the Jamaican landscape as exoticized and idyllic, and of Jamaicans as Rastas, gangsters, and obeah workers and believers, I suggest that these stereotypes also effectively embody sites of disruption, since audiences can react...
Journal Article
Small Axe (2015) 19 (2 (47)): 56–76.
Published: 01 July 2015
..., “‘Gallivanting Round the World’: Bond, the Gaze, and Mobility,” in Christopher Lindner, ed., Revisioning 007: James Bond and “Casino Royale” (London: Wallflower, 2009), 157. Dr. No was set and filmed in Jamaica. Considering what wooed its initial audiences in Britain, in the United States...
Journal Article
Small Axe (2005) 9 (1): 64–79.
Published: 01 March 2005
... work be published and reach the widest possible audience, at the very least the audience whose experience my work refl ects. I am acutely aware of how diffi cult it is for unknown Caribbean/women writers to be published at all, and I am conscious that even for the few of us who are published...
Journal Article
Small Axe (2021) 25 (1 (64)): 15–27.
Published: 01 March 2021
.... In the final section of the essay I argue that Wedderburn’s Axe Laid to the Root transformed the English working-class periodical into a form of the provision grounds. The Axe created a commons of multiple narrative voices addressed to diverse audiences in order to foment revolutionary solidarity between...
Journal Article
Small Axe (2001) 5 (2): 60–65.
Published: 01 September 2001
... a profound contribution to the group’s eff orts but became familiar with a whole new generation of West Indians and North Americans who barely knew of his existence, providing him with an enthusiastic audience for his ideas. It was as a result of the CCWIA activities in Montreal...
Journal Article
Small Axe (2021) 25 (1 (64)): 186–197.
Published: 01 March 2021
... to audiences on both sides of the Atlantic a new awareness of black heritage, genealogy, and pride.” 5 Roots begins in the year 1750 and records the story of the original ancestor of former Coast Guard journalist Alex Haley. Kunta Kinte, a Gambian Mandinka warrior, is captured into slavery and taken...
Journal Article
Small Axe (2013) 17 (3 (42)): 113–124.
Published: 01 November 2013
... vision of the world in an estranged but fully intelligible form of French. What is their aim? If the target audience were only Martinicans, then identification would the writers' driving purpose, not cultural translation (this is, after all, a known world to them). Nevertheless, the passages in Creole...
Journal Article
Small Axe (2009) 13 (2): 148–163.
Published: 01 July 2009
... the composition, with interventions for both himself and Alamire in an imagined dialogue with the great composer. The work was performed before an invited audience in the Chapel of Magdalen College at Oxford in April 2007.6 In addition to the performance itself, Boyce conceived a three-screen video...
Journal Article
Small Axe (2022) 26 (1 (67)): 108–110.
Published: 01 March 2022
... was telling us exactly what they told him to tell us? One evening in 1987 I found myself in the audience at the awards ceremony for the Commonwealth Poetry Prize held at the Commonwealth Institute in London. Kamau’s book X/Self was a finalist for the prize, and I have no doubt that the overwhelming...
Journal Article
Small Axe (2014) 18 (2 (44)): 36–52.
Published: 01 July 2014
..., essentially British in character, likely to appeal to ‘white’ populations in the colonies.” 18 In Jamaica, the BBC's audience was limited to those who could afford shortwave radios. By this time listeners in the United States, Latin America, and Europe had been tuning in to the radio for at least...