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audience

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Journal Article
Small Axe (2010) 14 (2 (32)): 83–96.
Published: 01 July 2010
...Jane Bryce When St. Lucian-descended Black British artist Isaac Julien presented his avant-garde triple-screen video work Paradise Omeros at a Festival of African and Caribbean Film in Barbados, a member of the audience commended him on the work but regretted it was not being shown to the “real...
Journal Article
Small Axe (2010) 14 (1 (31)): 16–29.
Published: 01 March 2010
... of contacts among people that it makes possible. Based on these definitions, this study focuses on the public intimacies enabled by live performances of soca by examining how they unfold among artists on stage, between the artists on stage and their audiences, and among audience members during the performance...
Journal Article
Small Axe (2020) 24 (3 (63)): 31–52.
Published: 01 November 2020
... social transformation and reaching audiences beyond the artistic medium. Analyzing art installations, public interventions, and socially engaged art pieces produced by Quintapata between 2009 and 2014, this essay argues that artistic collaboration works in the case of Quintapata, not so much as a formula...
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Journal Article
Small Axe (2017) 21 (1 (52)): 141–150.
Published: 01 March 2017
... also looks at her interest in video installations and how this visual space and language challenges the audience to connect in a deeper sense to the other. The visual language I create confuses and moves beyond dichotomies and hierarchies associated with identity while also acknowledging cultural...
Journal Article
Small Axe (2010) 14 (2 (32)): 1–16.
Published: 01 July 2010
... and dream, creating a doubled division for his characters and audience between fantasy and reality, madness and sanity. In this essay, This article reads Walcott's choice of the theater, rather than poetry, as necessary in engendering a collective response to, and responsibility for, envisioning...
Journal Article
Small Axe (2016) 20 (1 (49)): 175–184.
Published: 01 March 2016
.../authors/performers of African diaspora culture. This scholarship is remaking the field as feminist in innovative and surprising ways, challenging scholars and students to ask questions about audience, circulation, authorship, and activism that embrace more capacious definitions of black cultural...
Journal Article
Small Axe (2023) 27 (1 (70)): 67–77.
Published: 01 March 2023
... the “collateral effects” produced by the 1934 publication of Wij slaven by a Caribbean publisher and institution. The author then compares the 1981 Spanish translation of De Kom’s work, Nosotros, esclavos de Surinam , with a different set of debates and texts addressed to diverse audiences and subjects entangled...
Journal Article
Small Axe (2023) 27 (1 (70)): 59–66.
Published: 01 March 2023
..., but a secular perspective does not fully answer what makes certain historical narratives persuasive to particular audiences. Paying closer attention to this sacralizing power of heritage can provide new insights into workings of postcolonial memory and heritage. 31 See Van de Port and Meyer, Sense...
Journal Article
Small Axe (2015) 19 (1 (46)): 109–117.
Published: 01 March 2015
... on Brazilian racial identities and cultural politics. In conclusion, it proposes that Hall was a thinker whose occasionally preacherlike style indicated an openness to his audience and whose writing was structured like music. © Small Axe, Inc. 2015 Brazil reception style A note about conjuncture...
FIGURES
Journal Article
Small Axe (2020) 24 (2 (62)): 53–66.
Published: 01 July 2020
... the archive to a larger audience through digitization. 28 See Michael McEachrane, “Universal Human Rights and the Coloniality of Race in Sweden,” Human Rights Review 19, no. 4 (2018): 471–93; Michael McEachrane, ed., Afro-Nordic Landscapes: Equality and Race in Northern Europe (New York: Routledge...
FIGURES
Journal Article
Small Axe (2006) 10 (3): 111–124.
Published: 01 October 2006
... of the ways in which the “space of tension” created by globalization affects grassroots theatre, I will explore Sistren’s international connections and how these altered their work back home, the changing nature of their audiences, and the changing national and global landscape against which their work...
Journal Article
Small Axe (2017) 21 (1 (52)): 89–98.
Published: 01 March 2017
... be considered inauthentic and unqualified to judge each other. In addition, when the audience of Sucking Teeth has no relationship to the Caribbean, race collapses ethnicity. Without the lipstick, some people may not even be able to tell the lips and noses apart. Similar questions appear in much of my work...
Journal Article
Small Axe (2010) 14 (2 (32)): 42–55.
Published: 01 July 2010
... as exotic is normalized. Through an interrogation of representations of the Jamaican landscape as exoticized and idyllic, and of Jamaicans as Rastas, gangsters, and obeah workers and believers, I suggest that these stereotypes also effectively embody sites of disruption, since audiences can react...
Journal Article
Small Axe (2015) 19 (2 (47)): 56–76.
Published: 01 July 2015
... Small Axe, Inc. 2015 filming in Jamaica Jamaica film industry Jamaican independence James Bond literature and history ska Dr. No was set and filmed in Jamaica. Considering what wooed its initial audiences in Britain, in the United States, and in Jamaica, rather than treating...
Journal Article
Small Axe (2005) 9 (1): 64–79.
Published: 01 March 2005
... work be published and reach the widest possible audience, at the very least the audience whose experience my work refl ects. I am acutely aware of how diffi cult it is for unknown Caribbean/women writers to be published at all, and I am conscious that even for the few of us who are published...
Journal Article
Small Axe (2021) 25 (1 (64)): 15–27.
Published: 01 March 2021
... order, undetachable members of an audience contesting its position in social and cultural space. The radical text was not meant to form a singular bond between reader and writer, but to bind one reader to another as audience.” 38 By alternately addressing enslaved people in Jamaica and the lower...
Journal Article
Small Axe (2001) 5 (2): 60–65.
Published: 01 September 2001
... a profound contribution to the group’s eff orts but became familiar with a whole new generation of West Indians and North Americans who barely knew of his existence, providing him with an enthusiastic audience for his ideas. It was as a result of the CCWIA activities in Montreal...
Journal Article
Small Axe (2009) 13 (2): 148–163.
Published: 01 July 2009
... the composition, with interventions for both himself and Alamire in an imagined dialogue with the great composer. The work was performed before an invited audience in the Chapel of Magdalen College at Oxford in April 2007.6 In addition to the performance itself, Boyce conceived a three-screen video...
Journal Article
Small Axe (2013) 17 (3 (42)): 113–124.
Published: 01 November 2013
... and Anthropology (Oxford: Berg, 2003), 1. In sum, clearly multilingual writing in French Caribbean fiction, combining French and Creole, orality and novel form, can in general be analyzed in terms of strategies for negotiating between a regional audience and the foreign, particularly French readers...
Journal Article
Small Axe (2021) 25 (1 (64)): 186–197.
Published: 01 March 2021
... and far-reaching proportions and consequences: “The book, filmed immediately for television, brought to audiences on both sides of the Atlantic a new awareness of black heritage, genealogy, and pride.” 5 Roots begins in the year 1750 and records the story of the original ancestor of former Coast...