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Journal Article
Small Axe (2017) 21 (1 (52)): 99–109.
Published: 01 March 2017
...Ana Belén Martín Sevillano This essay offers an account of Clara Morera's artistic course, considering the context and quality of her artwork. Morera has been one of the first female Cuban visual artists to formulate a gendered discourse in the plastic arts by making use of the symbolic...
FIGURES
Journal Article
Small Axe (2017) 21 (1 (52)): 110–125.
Published: 01 March 2017
...Marta Fernández Campa This essay highlights the role of archives, archival research, and integration of archival records in contemporary Caribbean visual artwork that evokes and reimagines unevenly recorded historical processes/moments. It also suggests the defining role of this approach...
Journal Article
Small Axe (2018) 22 (2 (56)): 35–56.
Published: 01 July 2018
...Tao Leigh Goffe This essay focuses on artwork that centers family photographs and home movies as a point of departure to trouble the conventional family album in order to narrate a story about Caribbean Chinese kinship. In the art examined, personal visual archives are used to respond to the lacuna...
FIGURES
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Journal Article
Small Axe (2021) 25 (3 (66)): 63–88.
Published: 01 November 2021
.... It analyzes “Le poème tué” graffiti by young Haitian poet Ricardo Boucher, along with murals by Jerry (Jerry Rosembert Moïse) and Francisco Silva, political graffiti about the PetroCaribe corruption scandal, and the writing and artwork on tap-tap buses, as emergent affects and ideologies about the art...
FIGURES
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Journal Article
Small Axe (2021) 25 (1 (64)): 28–46.
Published: 01 March 2021
...Sarah Phillips Casteel While interned by the Nazis in Belgium and Bavaria during World War II, the little-known Surinamese artist Josef Nassy (1904–76) created a series of paintings and drawings documenting his experiences and those of other black prisoners. Nassy’s artworks uniquely register...
FIGURES
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Journal Article
Small Axe (2013) 17 (3 (42)): 227–243.
Published: 01 November 2013
... the dominant interpretive discourse the alternative reference points of the artist, who can be seen intervening in the space of the commissioned artwork to confront viewers' expectations about the relationships linking Haiti, art, and catastrophe. For instance, the panel titled “Trading Disaster...
Journal Article
Small Axe (2012) 16 (2 (38)): 213–227.
Published: 01 July 2012
... Chambers and Huey Copeland on his edited series Annotating Art's Histories. Examining interactions among artists, artworks, and artworlds as a dialogical circuit facilitates close attention to art's aesthetic agency without the pitfalls of biographical reduction to identity or sociological reduction...
Journal Article
Small Axe (2017) 21 (1 (52)): 126–140.
Published: 01 March 2017
... and media used in their art, the artists have systematically challenged expectations of the role of women in the arts and in society as a whole. Their artwork explores the devastating impact on women of restricted gender roles and new forms of slavery imposed by patriarchal society, such as forced...
FIGURES
Journal Article
Small Axe (2004) 8 (1 (15)): 235–241.
Published: 01 March 2004
...Roshini Kempadoo Small Axe Incorporated 2004 Imaging historical traces: Virtual Exiles project [2000]
[httpwww.mediascot.org/exiles/ve/index.html]
Roshini Kempadoo
Virtual Exiles is a digital print and Internet artwork, based on material from Guyana I collected and
created between...
Journal Article
Small Axe (2016) 20 (3 (51)): 1–19.
Published: 01 November 2016
...” in group exhibitions and the subordination of the aesthetic dimension of the artworks in favor of a direct and immediate identification of their content through their provenance are also not fully addressed. 11 Finally, other similarities can be drawn to the process of overlooking the complex...
Journal Article
Small Axe (2015) 19 (2 (47)): 167–176.
Published: 01 July 2015
... through practices of enunciation and alluding to the “situated” position from which we speak or write. This has profound implications for the temporal frame through which we are encouraged to conceive of artworks or write about them. The difficulty in both revealing, providing knowledge of, and evoking...
Journal Article
Small Axe (2009) 13 (1): 181–191.
Published: 01 March 2009
..., and in the future—in the
reimagined places of Trinidad, London, and elsewhere.
The media artwork Amendments is a series of imagined narratives drawn from contemporary
Caribbean and British landscape photographs, sound recordings, and materials from the
archives. It raises questions and creates...
Journal Article
Small Axe (2015) 19 (2 (47)): 177–184.
Published: 01 July 2015
..., identifies a central problem. Historicizing claims justifying a place in the canon become linked to the linguistic turn such that our tendency, even in Caribbean studies as a form of cultural studies, is to see the visual artwork simply as a sign. What such approaches miss is precisely a return to the thing...
Journal Article
Small Axe (2020) 24 (3 (63)): 31–52.
Published: 01 November 2020
... an onlooker contemplating an artwork already establishes a contract, an agreement, thus conditioning the final result and introducing an element of negotiation into the process of artistic creation. Collaboration, on the other hand, has become a recognizable global trend within contemporary art...
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Journal Article
Small Axe (2015) 19 (2 (47)): 197–200.
Published: 01 July 2015
... Children . J ean -U lrick D ésert is a Berlin-based visual artist born in Haiti. His artworks vary in scale and medium. Well known for his “Negerhosen2000” and his poetic “Goddess” projects, his practice visualizes “conspicuous invisibility.” He has exhibited at the Brooklyn Museum, the Walker Art...
Journal Article
Small Axe (2017) 21 (2 (53)): 22–43.
Published: 01 July 2017
... is clear in the social subjects Jerry chooses for his artwork. But it also highlights the particular mode of political persuasion employed across subjects. Put differently, I suggest that the phrase “in parentheses” reflects Jerry's ethico-political commitment to a kind of rhetorical sleight-of-hand common...
Journal Article
Small Axe (2008) 12 (3 (27)): 94–104.
Published: 01 October 2008
... galleries, most of which are based in Pétionville (a town where much of
the country’s wealth is concentrated). This network is linked to four galleries in the United
States, two galleries in France, and one in Canada. Furthermore, a large part of the marketing
of Haitian artworks is organized by non...
Journal Article
Small Axe (2017) 21 (1 (52)): 89–98.
Published: 01 March 2017
... collaborated as diasporic black Caribbean women artists. We have worked together on specific artworks and community arts–based projects. More broadly, we have engaged each other's work, sharing performance bills, organizing events, and, most important, raising key questions and offering critical feedback...
Journal Article
Small Axe (2015) 19 (3 (48)): 186–204.
Published: 01 November 2015
...” art: either the attempt to explicate the artwork's meaning consists in restating what it represents , to explain it historically through recourse to its moment of production, or to restore its fragments to the context from which they were taken. I will make the case for black ascesis...
FIGURES
Journal Article
Small Axe (2015) 19 (2 (47)): 185–196.
Published: 01 July 2015
... as there have always been flows of people across this transnational geography, there have been movements of artworks and the ideas about them. It is often assumed that art of the Caribbean is somehow lagging behind the leading or cutting edge of art, that art practices and debates around the Caribbean field...
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