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Published: 01 November 2019
Journal Article
Small Axe (2009) 13 (3 (30)): 100–104.
Published: 01 November 2009
...Valérie John Small Axe, Inc. 2009 An Artist Smuggler of
Images-Matter
Valérie John
I am she who serves as memory to create a work: imbued as I am with time and human
experiences. I pace territories tread by others before me. As a creator, I have to stitch pieces
back together...
Journal Article
Small Axe (2011) 15 (3 (36)): 39–61.
Published: 01 November 2011
... Danticat's latest collection of essays, Create Dangerously: The Immigrant Artist at Work (2010), and reflects on the significance of reading a writer such as Danticat across cultural lines. © Small Axe, Inc. 2011 An Immigrant Artist at Work:
A Conversation
with Edwidge Danticat
Elvira Pulitano...
Journal Article
Small Axe (2017) 21 (2 (53)): 68–80.
Published: 01 July 2017
...Patricia Mohammed This essay examines the organic connection between the methods and materials used by Indian artist Wendy Nanan and the metaphysical ideas that underpin her creativity. Her exposure to a mixture of religious and cultural practices drawn from Presbyterianism and Hinduism...
Journal Article
Small Axe (2013) 17 (2 (41)): 8–26.
Published: 01 July 2013
... of these alternative modes of expression and knowing in the work of contemporary artists. 57 Glissant, Poetics of Relation , 29. 56 For a critique of readings of Caribbean visual art that focus solely on content and message, ignoring questions of aesthetic form and technique, see Wainwright, Timed Out...
Journal Article
Small Axe (2021) 25 (1 (64)): 28–46.
Published: 01 March 2021
...Sarah Phillips Casteel While interned by the Nazis in Belgium and Bavaria during World War II, the little-known Surinamese artist Josef Nassy (1904–76) created a series of paintings and drawings documenting his experiences and those of other black prisoners. Nassy’s artworks uniquely register...
FIGURES
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in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 1 “Le poème tué” graffiti, artist unknown at the time, Brouard Street, Port-au-Prince, 2019. Photograph by Guillermina De Ferrari
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in The Clandestine Philosophy of Graffiti in Port-au-Prince
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 5 PetroCaribe stencil with little Dessalines, unknown artist, Capois Street, Port-au-Prince, 2019. Photograph by Reynier Leyva Novo
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in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 1 Marilyn Houlberg and André Pierre, artist and oungan, Croix des Missions, Port-au-Prince, Haiti, 2005. Photograph by Marilyn Houlberg. Marilyn Houlberg Haiti Collection, EEPA 2012-004-2770, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
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in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 3 Artist Yves Telemak with drapo for Loco, Port-au-Prince, Haiti, ca. 1993. Photograph by Marilyn Houlberg. EEPA 2012-004-1022.
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in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 5 Artist Myrlande Constant with drapo for Nègre Odan Missan, Port-au-Prince, Haiti, 1998. Photograph by Marilyn Houlberg. EEPA 2012-004-1347
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Published: 01 July 2022
Figure 8 The watercolor A Cooly Woman (artist not named), unnumbered plate in William Agnew Paton, Down the Islands: A Voyage to the Caribbees (New York: Charles Scribner’s Sons, 1887), between 180 and 181.
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Published: 01 July 2023
Figure 3 Andil Gosine, Cutlass , 2012. 18k white gold, 3.5″. Courtesy of the artist
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Published: 01 November 2019
Figure 5 A neighboring house in Free Gut, 2013. Courtesy of the artist.
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Journal Article
Small Axe (2009) 13 (3 (30)): 115–127.
Published: 01 November 2009
... of an Artistic
Language in Martinique
Patricia Donatien-Yssa
While the late 1970s in Martinique were hardly the halcyon days for the plastic arts—paint-
ing, sculpture, and installations—music, which had always been a part of the people’s tradi-
tions and accompanied the country’s history, continued...
Journal Article
Small Axe (2004) 8 (2): 84–99.
Published: 01 September 2004
...Jerry Philogene Small Axe Incorporated 2004 Visual Narratives of Cultural Memory and
Diasporic Identities: Two Contemporary
Haitian American Artists
Jerry Philogene
n examination of cultural production is useful to the understanding of the experi-
ences of diaspora...
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in Anacaona Writes Back: The Columbus Statue in Santo Domingo as a Site of Erasure
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 10 Joiri Minaya, proposal for the artistic intervention on the Columbus statue in front of the Government House in Nassau, The Bahamas, 2017. Courtesy of the artist
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Published: 01 July 2017
The three artists pictured are, left to right, Roshini Kempadoo, Sharlene Khan, and Wendy Nanan. Andil Gosine, from Cane Portraiture: The Descendants , 2016; photographs, 12 × 18 in.
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Published: 01 November 2019
Figure 3 The House That Freedom Built project, 2011-present The artist’s studio, Free Gut, St. Croix, 2011. Photo credit Bernard Castillo.
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Published: 01 November 2019
Figure 4 The House That Freedom Built project, 2011-present The artist’s studio, Free Gut, St. Croix, 2016. Photo credit Tamia Williams.
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