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Journal Article
Small Axe (2016) 20 (3 (51)): 1–19.
Published: 01 November 2016
... conditioning, “Caribe insular” sketched, nevertheless, a new conceptualization for the large-scale Caribbean art shows of the 2000s. © Small Axe, Inc. 2016 art institutions collective exhibitions cultural politics curatorship The main interest of this essay is the representational politics...
Journal Article
Small Axe (2020) 24 (3 (63)): 31–52.
Published: 01 November 2020
... but rather as a flexible tool employed to face situations of economic and institutional precariousness, extending the outcomes of each project beyond its original temporality and audience. © 2020 Small Axe, Inc. 2020 artistic labor art biennials Caribbean art collaborative art the Dominican...
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Journal Article
Small Axe (2017) 21 (1 (52)): 34–42.
Published: 01 March 2017
... and discourses. © Small Axe, Inc. 2017 Caribbean art feminist art contemporary art Caribbean diaspora Caribbean art institutions This special section focuses on the works of women whose artistic practices are grounded in a feminist ethos and engage multiple and nuanced meanings of the Caribbean...
Journal Article
Small Axe (2004) 8 (2): 49–60.
Published: 01 September 2004
...Andrea N. Douglas Small Axe Incorporated 2004 Facing the Nation: Art History and
Art Criticism in the Jamaican Context
Andrea N. Douglas
n the opening comments for the 2000 Annual National Exhibition, Michael Cooke,
then director of museums for the Institute of Jamaica...
Image
in At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2022
Figure 1 Marilyn Houlberg and André Pierre, artist and oungan, Croix des Missions, Port-au-Prince, Haiti, 2005. Photograph by Marilyn Houlberg. Marilyn Houlberg Haiti Collection, EEPA 2012-004-2770, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
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Journal Article
Small Axe (2016) 20 (1 (49)): 194–196.
Published: 01 March 2016
... spent the last five years indulging his obsession with Jamaican street signs, old-school dancehall illustrations, and global street art movements through an art practice that engages and challenges the traditional art institution. After his graduation from the Edna Manley College of Visual Art in 2013...
Journal Article
Small Axe (2007) 11 (3): 167–170.
Published: 01 October 2007
... Institute, the Queens Museum, the Brooklyn Museum,
the Salvador Dali Museum, the Biennial of Ceramics in Contemporary Art in Savona, Italy,
and at the Artist Commune in Hong Kong. She was the featured artist in the Initial Public
Offering series at the Whitney Museum of American Art in 2005. Her work...
Journal Article
Small Axe (2012) 16 (2 (38)): 213–227.
Published: 01 July 2012
... use of dialogics has taken shape through my transatlantic journeys since the mid-1990s, while showing how such an approach tackles the harsh realities Chambers indicates, such as art institutions' responsibilities toward multiple publics. If Bakhtin could be characterized as a post-formalist...
Journal Article
Small Axe (2015) 19 (2 (47)): 167–176.
Published: 01 July 2015
... by critics, art institutions, national governments, and other artists—in other words, a scholarly reflection emergent from the traditions of a British art history discipline that is mostly based on a selection of an older generation of Caribbean artists from Trinidad and Guyana. It is on this basis...
Journal Article
Small Axe (2012) 16 (1 (37)): 179–180.
Published: 01 March 2012
... as the found-
ing director and chief curator of the National Art Gallery of the Bahamas. She earned a PhD
in art history from Duke University and has served as a Clark Fellow (Clark Art Institute), a
John Hope Franklin Fellow (Duke University), an International Association of University Women
180...
Journal Article
Small Axe (2022) 26 (2 (68)): 60–78.
Published: 01 July 2022
...Figure 1 Marilyn Houlberg and André Pierre, artist and oungan, Croix des Missions, Port-au-Prince, Haiti, 2005. Photograph by Marilyn Houlberg. Marilyn Houlberg Haiti Collection, EEPA 2012-004-2770, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution...
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Journal Article
Small Axe (2015) 19 (3 (48)): 225–227.
Published: 01 November 2015
... and the Challenge of Technology (1999), Agency and Embodiment (2009), and Voices of Negritude in Modernist Print (2015). She has received fellowships from the NEH, ACLS, the American Philosophical Society, the John Simon Guggenheim Foundation, and the Clark Art Institute/Oakley Humanities Center at Williams...
Journal Article
Small Axe (2017) 21 (1 (52)): 260–265.
Published: 01 March 2017
... Be?” (2015), “Dreams of Utopia: The Postcolonial Art Institution” (2016), “Charles White's J'Accuse and the Limits of Universal Blackness” (2016), and “Every Nigger Is a Star (1974): Re-imaging Blackness from Post Civil Rights America to the Post-Independence Caribbean” (2016). Her forthcoming book...
Journal Article
Small Axe (2017) 21 (2 (53)): 63–67.
Published: 01 July 2017
... of the capital, Port of Spain, where the country's main art institutions are located. At the same time, visual arts have not been strongly embraced in Indo-Trinidadian communities; music and dance performance are preferred forms of expression, undoubtedly in part because of their lower cost production, easier...
Journal Article
Small Axe (2016) 20 (2 (50)): 28–43.
Published: 01 July 2016
...,” radio interview, 9 September 1948, folder 7, box 30, CLP; “Chinese Dancer Presents Program at Art Institute,” Dayton Journal , 7 April 1939, folder 8, box 30, CLP. 36 “Downtown and All Around,” 6–7. 37 Chen, “Statement of World Attitude,” 7–8. 38 Ibid., 8. 39 “Announcer...
Journal Article
Small Axe (2009) 13 (1): 112–134.
Published: 01 March 2009
... from using them.”
“But Bogle carried a cutlass, he killed the Custos with a cutlass, all the books say that.”
“Yes Bogle him carry cutlass.”
“And the men of Stony Gut carried cutlass too?”
7 Manley had been trained abroad at various art institutions in England, and her...
Journal Article
Small Axe (2004) 8 (2): 100–118.
Published: 01 September 2004
...—and institutional support—raised questions about the
real potential for a future pavilion and the resulting image of Jamaican art at that event.
Th e lack of Jamaican national support and on-island institutional structures; the lead
role of individual artists rather than curators; and the capitalist history...
Journal Article
Small Axe (2013) 17 (1 (40)): 263–280.
Published: 01 March 2013
... York: Alternative Center for International Arts, 1977), n.p. 26 Colin Westerbeck, The James VanDerZee Studio (Chicago: Art Institute of Chicago, 2004), 15. 27 Richard J. Powell, Cutting a Figure: Fashioning Black Portraiture (Chicago: University of Chicago Press, 2009), 62. 28...
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Journal Article
Small Axe (2004) 8 (2): 1–31.
Published: 01 September 2004
.... One of the most important exhibition spaces for academic forms of art in Jamaica in the late nineteenth century was the Institute of Jamaica, a museum, library, and public lecture venue. In 1879 Governor Anthony 8 Musgrave founded the institute for the encouragement of literature, science and art...
Journal Article
Small Axe (2020) 24 (2 (62)): vii–x.
Published: 01 July 2020
... an organization called the Contemporary Jamaican Artists Association in order to give coherence and direction to their effort to build an institutional space for the exhibition, reception, sale, and discussion of modern Jamaican art. But why “contemporary”? What exactly did they mean to evoke or summon up...
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