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Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2011) 15 (3 (36)): 108–114.
Published: 01 November 2011
.... Britton recounts some of her memories of time spent with Glissant and his wife, Sylvie, and attempts to give a picture of what he was like as a man: a man for whom the idea of Relation governed both his life and his writing. © Small Axe, Inc. 2011 “Always Changing, while Still Remaining”: A...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2011) 15 (3 (36)): 102–107.
Published: 01 November 2011
... rejection of systems of organization is profoundly connected to the power of this primal drama in which the subject is always off balance, identity always thrown into question in the face of the fierce charge of external reality. © Small Axe, Inc. 2011 Edouard Glissant: The Poetics of Risk J...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2013) 17 (3 (42)): 227–243.
Published: 01 November 2013
...Wendy Asquith As has recently been observed by Matthew J. Smith, “It is a peculiar feature of Haitian historiography that increased production of new literature often follows national crisis.” A parallel pattern has been evident in Haitian visual arts, yet this has not always been at the impulse of...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2015) 19 (1 (46)): 5–19.
Published: 01 March 2015
...Fayçal Falaky This essay engages the broad question of the relation between the French Enlightenment and colonial racial slavery by exploring the literature of planters and slavetraders in the French Caribbean and showing how the ideals of French Enlightenment philosophy were not always framed as...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2014) 18 (3 (45)): 35–51.
Published: 01 November 2014
... to caution that it is always important to ask about the ideological construction of the theory-problems in our scholarship. The essay then turns to a discussion of the problem-space that makes intelligible why and how C. L. R. James's The Black Jacobins is constructed as an exploration of the Haitian...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2016) 20 (3 (51)): 49–64.
Published: 01 November 2016
..., it suggests that going beyond national perspectives also includes the study of local histories, reconceived as spaces linked to but not always bound by national narratives. historiography area studies A search of essays in Small Axe reveals uneven results across Caribbean space. Searching...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2015) 19 (3 (48)): 186–204.
Published: 01 November 2015
... slave past as missing from the visual field and in need of recovery—as, in one way of phrasing it, bound to appear. Best contends that this last entailment is not always tenable or justified by the historical record, and he invites us to consider other ways of predicating of loss. © Small Axe, Inc...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2016) 20 (3 (51)): 199–205.
Published: 01 November 2016
... of justice and political redress in multiple ways because of how longstanding histories of colonialism, imperialism, and unequal global power structures always already refract these across places and borders. © Small Axe, Inc. 2016 Dominican literature gender Hilma Contreras Our...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2010) 14 (2 (32)): 97–110.
Published: 01 July 2010
..., and race, it offers a narrative about postemancipation Jamaican males that looks beneath their masks to suggest how legacies of slavery are being played out through them in dynamic and queer ways. Jamaica's history is one that has always called for the Janus-faced accessory: a dressing up ritual to...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 October 2008) 12 (3 (27)): 71–82.
Published: 01 October 2008
... her work, the landscape she creates, and the people in it. If home, as the article argues, has always been Haiti for this writer, the two selected works expose the ambiguous, enigmatic character of this location. ©2008 Small Axe Incorporated. All rights reserved. 2008 Home Is Where the Heart Is...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2012) 16 (1 (37)): 36–52.
Published: 01 March 2012
... history and function untraumatized in new diasporic spaces. Rather, Counihan posits that the novel fails to reconcile its “logic of memorialization” with its “logic of resolution.” Sophie's attempt to claim transcendent Haitian and American identities, because “Haiti will always live in her,” is a much...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2018) 22 (1 (55)): 55–69.
Published: 01 March 2018
... common assumptions about Puerto Rican and Dominican racial politics: first, that Puerto Ricans and Dominicans are always in conflict and, second, that Puerto Ricans and Dominicans shy away from identifying as black. An analysis of the music video provides one example of how diasporic blackness operates...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2017) 21 (1 (52)): 169–179.
Published: 01 March 2017
...Celia Britton The theme of identity runs throughout Édouard Glissant's work and constitutes one of his most original contributions to postcolonial thought. It is always considered in relation to change, but his formulations of both identity and change themselves change in the course of his career...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2015) 19 (1 (46)): 1–4.
Published: 01 March 2015
...David Scott Text of an address at the memorial for Stuart Hall, London, 2014. It reflects briefly on Hall's relation to Jamaica. © Small Axe, Inc. 2015 Stuart Hall Jamaica memorial My friendship with Stuart Hall was always as one Jamaican to another, one displaced Jamaican to...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2013) 17 (2 (41)): 211–222.
Published: 01 July 2013
... beating, we always descend, we always return, like the garden in winter, like the garden in summer, we always descend, we always return, we always return, we always return. These are the days for caring about the poem, let it be round, softly curved like a moon, washed in...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2014) 18 (2 (44)): vii–x.
Published: 01 July 2014
... were overlapping, or at odds. I don't mean anything very mysterious, of course. You already know that it has always seemed to me that for you writing was a way of moving on, of not standing still; it was a way of not being the same, of occasionally changing yourself, of saying the next thing rather...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2014) 18 (2 (44)): 165–172.
Published: 01 July 2014
... would receive some kind of reward for finishing the food that night. And he finished it. With a spoon. He always ate with a spoon. With delicate twists of the wrist he would take the rice and peas from the bottom of the plate, making the mountain fall in on itself, while skillfully keeping its shape...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2016) 20 (2 (50)): 115–122.
Published: 01 July 2016
... energy that was catalyzed by the second Gulf War. But, as always, the imagination embodied in Ward's found-object sculptures is animated by a sense of the theatricality of the quotidian and by an attunement to the life-giving, life-nurturing energies of the resolutely ordinary. ...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2016) 20 (2 (50)): vii–x.
Published: 01 July 2016
..., confidentially and with my interest in view, that it would be at best a short-lived enterprise. It was grand, yes, ambitious even, but it wouldn't last . That was always the thing—it wouldn't last. Nothing like it did. The Caribbean is awash, they knowingly said, with well-intentioned initiatives that run...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2005) 9 (1): 80–83.
Published: 01 March 2005
... CCharlesharles CCampbellampbell am always slightly uncomfortable when asked to speak or write about my work. Partially this is because I have never managed to feel at home with the obtuse and Ihyperbolic language of...