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Visionary Aponte
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Journal Article
Small Axe (2019) 23 (1 (58)): 195–207.
Published: 01 March 2019
... evaluated their circumstances and what might they have been thinking? The essay also examines the paratexts that have evolved from Freedom’s Mirror , specifically those that expand Ferrer’s research on the free black artist José Antonio Aponte. The Digital Aponte and Visionary Aponte projects explore...
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in “He Was a Lion, and He Would Destroy Much”: A Speculative School of Revolutionary Politics
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2019
Figure 2 Marielle Plaisir, Aponte Lámina 23 , from The Book of Life , 2017 (variation on Lámina 23 from Aponte’s book of paintings). Inks, gold pigment, and pencil on 350g paper; 20 × 15 in. From the Visionary Aponte: Art and Black Freedom exhibit; Little Haiti Cultural Center, New York
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Journal Article
Small Axe (2019) 23 (1 (58)): 220–228.
Published: 01 March 2019
... project is titled Visionary Aponte: Art and Black Freedom , a contemporary art exhibit cocurated by Haitian-born artist Edouard Duval Carrié and me. We invited fifteen contemporary artists to interact with the Aponte material available on the Digital Aponte website. For most of the artists...
Image
in “He Was a Lion, and He Would Destroy Much”: A Speculative School of Revolutionary Politics
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2019
Figure 1 Clara Morera, The Preboste Juan , 2017. Mixed media on canvas, 72 × 48 in. From the Visionary Aponte: Art and Black Freedom exhibit; Little Haiti Cultural Center, New York University, and Duke University, 2017–18. Courtesy of the artist
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Journal Article
Small Axe (2019) 23 (1 (58)): 208–219.
Published: 01 March 2019
... vision of Cuba’s 1812 rebel leader José Antonio Aponte—an extraordinary visionary in an extraordinary age. Nevertheless, Freedom’s Mirror argues—perhaps more robustly than any book ever has—that vast amounts of information sharing and interpersonal contact occurred between black populations...