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Tout-monde

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Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2010) 14 (3 (33)): 111–120.
Published: 01 November 2010
..., seem to call for vigilance. Small Axe, Inc. 2010 Edouard Glissant, Littérature-monde, and Tout-monde Eric Prieto Whatever else it may have been, the manifesto “Pour une ‘littérature-monde’ en français,” published in 2007, was part of a shrewd marketing campaign, a rebranding, so to...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2015) 19 (2 (47)): 1–28.
Published: 01 July 2015
... deterritorialize an oeuvre known for its grounded, rooted character, and thus important approaches for landscaping a global South and, by extension, a contemporary world literature. © Small Axe, Inc. 2015 Tout-Monde world literature surrealism global South Glissant Je ne pourrais pas dire avec...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2011) 15 (3 (36)): 115–123.
Published: 01 November 2011
... du Tout-Monde (1997). De cette philosophie de la relation découle une Poétique du divers (1995) dont les catégories unissent à une vision esthétique du monde, une éthique de l'action politique. Diversité, métissage, « creolization » : à une saisie de l'identité comme « identité-souche », pivotante...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2009) 13 (3 (30)): 1–11.
Published: 01 November 2009
... the `Tout-monde', to the postcolonial world as a whole; and this second period coincides with his becoming a much better known figure, particularly in the United States. As an illustration of Glissant's influence beyond the francophone Caribbean, I compare the analyses of his trajectory given by Chris...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2018) 22 (3 (57)): 28–36.
Published: 01 November 2018
... theoretical concepts elaborated by Édouard Glissant, particularly that of Tout-monde , or the “Whole-World,” as a way to understand his role as a Haitian writer and publisher in a contemporary globalized context. Copyright © 2018 Small Axe, Inc. 2018 Rodney Saint-Éloi Édouard Glissant Tout-monde...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2017) 21 (1 (52)): 169–179.
Published: 01 March 2017
... du divers and Traité du Tout-monde , dominated by the idea of créolisation , in which identity is formed through contacts with others in the Tout-monde (this is perhaps the best-known period of Glissant's thought). And third, the much less widely read Une nouvelle région du monde in 2006, in...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2011) 15 (3 (36)): 108–114.
Published: 01 November 2011
... to read La Lézarde, Malemort, La case du commandeur, Mahagony, and Tout-Monde, it became clear to me that Glissant was an unmistakably great writer; and although later on he became more famous as an essayist, it is his novels that for me represent his greatest achievement.1 Rather than...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2010) 14 (3 (33)): 89–98.
Published: 01 November 2010
... been rendered unrecognizable through hitherto unknown forms of transnational exchange and interaction remains, as laid out in the manifesto, more a promise than a reality. Literature and the Tout-monde In “Solitaire et solidaire,” an interview originally published in...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2013) 17 (3 (42)): 35–62.
Published: 01 November 2013
... mondes qui s'effondrent, l'autre connaissance.” Finally, from Glissant, he adopted “une démesure émue de la démesure du Tout-monde” 8 and learned this noteworthy lesson: “Contre la prison des systèmes et des identités, sois fragile, ambigu, incertain, intuitif: archipélique ; germe en toi et verse...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2018) 22 (1 (55)): 86–88.
Published: 01 March 2018
...: “The world has nevertheless made Tout-monde . Languages and cultures, civilizations, and peoples have nevertheless met, crashed into each other, mutually embellished and enriched each other, often without knowing or showing it.” 8 It is these equal and unpredictable exchanges that the authors...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2010) 14 (3 (33)): 21–32.
Published: 01 November 2010
... of Glissant, one of the foremost Caribbean intellectuals writing today, has been consistently articulated in terms of a poetics and more recently as an aesthet- ics. Glissant’s poetics of Relation and his poetics of the “Tout-monde”8 articulate as such a 5 Ibid., 110. 6 Jean Bernabé...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2018) 22 (1 (55)): 159–171.
Published: 01 March 2018
... invoke the same Relational reach of the Tout-monde in Glissant, and Chude-Sokei’s desire to leave open the generative range of black sensibilities: The word Black has geographic power, Pulls everybody in: Blacks here— Blacks there— Blacks wherever they may be. 38 Here is an instance in which...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2018) 22 (1 (55)): 126–136.
Published: 01 March 2018
.... C’est l’inscription souveraine dans le concert avec les autres . . .. Pour mieux entrer en relation avec la France nous refusons donc de disparaître dans la France . . .. Nous réclamons pour la Martinique . . . toute la souveraineté nécessaire à son épanouissement et à son inscription dans le monde...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2010) 14 (3 (33)): 121–134.
Published: 01 November 2010
... accompanied by the inauguration of the Prix Edouard Glissant in 2002, the founda- tion of the Institut du Tout-monde in Paris in 2007, and the publication of English-language translations and other material, such as the Baton Rouge interviews from 1990–91 (published by Gallimard in 2008...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2009) 13 (3 (30)): 25–36.
Published: 01 November 2009
...; the Institut du Tout-monde, which he created and which exists both in a physical form in Paris and online;5 and his role in the construction in Paris of a national memorial center for the memory of slavery and its abolitions. For the latter task, then French president Jacques...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2009) 13 (3 (30)): 51–62.
Published: 01 November 2009
... qui [ . . . ] montre sur la scène le monde [ . . . ] tel qu’il est perçu par le personnage à tout moment de son existence scénique9 », le monodrame donne accès à l’intériorité d’un personnage, en l’occurrence à la conscience de Claire, ce qui ne l’empêche pas pour autant de faire entendre...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2015) 19 (3 (48)): 102–120.
Published: 01 November 2015
...” of imbrication, and the cosmic Tout-Monde (All-World), or bristling network of relations in which they attain some form of transcendence of that lieu. The words lieu and Tout-Monde are derived from Glissant's vocabulary, deployed, for instance, in his Poétique de la Relation and borrowed by...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2011) 15 (3 (36)): 102–107.
Published: 01 November 2011
... Tout-Monde In March 1985 the French newspaper Libération published a special issue in which four hun- dred writers were asked to respond to the question, “Pourquoi écrivez-vous?” (“Why do you write Some responses stand out. For instance, Wole Soyinka’s reply was uncharacteristi- cally brief...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2012) 16 (3 39): 199–207.
Published: 01 November 2012
... imaginary; it projects us out of this imprisoning cave we’ve been holed up in—the ship’s hold or the tiny island of so-called singularity. We are greater than that, greater with all the greatness of the world! —Edouard Glissant, Tout-monde Straightaway the rational (the certain knowledge of others...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2015) 19 (3 (48)): 147–162.
Published: 01 November 2015
... spirit alive. 56 In Traité du Tout-Monde , Glissant elaborates on this reflection by describing translation as an “art of the fugue”: What the art of translating teaches us then is to follow the swerve and the trace, that—against the grain of the system—reveals what is uncertain, what is under...