1-20 of 175 Search Results for

Stuart Hall

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Small Axe (2015) 19 (1 (46)): 100–108.
Published: 01 March 2015
...Maxime Cervulle The singular position that Stuart Hall occupied in the intellectual life of the British Left can probably be explained by the nature of the scholarly project that was his, marked by the demand of the present and critical impatience. But beyond Hall's critical stance, this singular...
Journal Article
Small Axe (2012) 16 (2 (38)): vii–x.
Published: 01 July 2012
..., that period has taken on a certain form as a mere precursor to what comes after the crossing and the making of the second diaspora in Britain. That altogether emblematic Stuart Hall interests me too, of course. But there is for me, personally and intellectually, a Stuart Hall that reaches more deeply...
Journal Article
Small Axe (2015) 19 (1 (46)): 78–87.
Published: 01 March 2015
...Kobena Mercer Contrary to the view that Stuart Hall's involvement in the visual arts was a supplement to his work in cultural studies and political analysis, this reflection addresses key continuities that connect his 1970s writings on racism and the media with the enlivening impact that the hybrid...
FIGURES
Journal Article
Small Axe (2015) 19 (1 (46)): 109–117.
Published: 01 March 2015
...Liv Sovik Stuart Hall's work was known in Brazil before the year 2000, but it was after his visit that year and the 2003 publication of a major collection of his work in Portuguese, Da diáspora , that its impact was strongly felt. After a description of that visit and the general influence of his...
FIGURES
Image
Published: 01 March 2015
Above and page 77: Stuart Hall at the Partisan coffee house, Soho, London, circa 1958–59. Photograph by Roger Mayne. Courtesy Raphael Samuel Archive, Bishopsgate Institute, London More
Journal Article
Small Axe (2005) 9 (1): 1–16.
Published: 01 March 2005
...David Scott Small Axe Incorporated 2005 Stuart Hall’s Ethics David Scott For Stuart Increasingly, I think one of the main functions of concepts [like identity] is that they give us a good night’s rest. Because what they tell us is that there is a kind of stable, only very...
Journal Article
Small Axe (2015) 19 (1 (46)): 88–99.
Published: 01 March 2015
...Michelle Stephens This tribute assesses the importance of Stuart Hall's work both personally, for the author, and in relation to a broader scholarly conversation about blackness that shapes the latter half of the twentieth century and spans the United States, the Caribbean, and the United Kingdom...
Journal Article
Small Axe (2023) 27 (2 (71)): 33–48.
Published: 01 July 2023
...David Scott This essay reflects on the sources of Stuart Hall’s sensibility, in particular the sense of displacement that pervaded much of his work. 23 Hall, Familiar Stranger , 121. For a fine discussion of the complex impact of Eliot’s modernism on Caribbean writers of Hall’s generation, see...
Journal Article
Small Axe (2015) 19 (1 (46)): 1–4.
Published: 01 March 2015
...David Scott Text of an address at the memorial for Stuart Hall, London, 2014. It reflects briefly on Hall's relation to Jamaica. © Small Axe, Inc. 2015 Stuart Hall Jamaica memorial My friendship with Stuart Hall was always as one Jamaican to another, one displaced Jamaican...
Journal Article
Small Axe (2009) 13 (2): 26–38.
Published: 01 July 2009
...Michelle Stephens Looking back at the dialogue between Black British Cultural Studies and African American Studies that occurred during the 1980s and 1990s, when Stuart Hall first asked the question, “What is this black in black popular culture?” this article explores how that conversation has...
Journal Article
Small Axe (2009) 13 (2): 148–163.
Published: 01 July 2009
... representations of Carnival by artists such as Belisario are marked, according to Stuart Hall, by what is not said, Boyce's Crop Over is motivated by what remains unexplained. Small Axe Inc. 2009 Sonia Boyce and Crop Over Allison Thompson “My name is Donkey-man” A shirtless, barefoot man gazes...
Journal Article
Small Axe (2014) 18 (1 (43)): 38–54.
Published: 01 March 2014
... Stuart Hall has characterized as a moment of “global dispersal.” © Small Axe, Inc. 2014 I am delighted to have the opportunity afforded by this Small Axe special section and its editors to think about Caribbean historiography, or, in my case, about how the study of the Caribbean has informed my...
Journal Article
Small Axe (2017) 21 (1 (52)): 70–88.
Published: 01 March 2017
...Marsha Pearce Using the lens of relationality as posited in Stuart Hall's idea of identity and Terry Smith's notion of the contemporary, this essay analyzes the work of Jamaican contemporary artist Olivia McGilchrist, who, upon her return to the Caribbean after decades of living and studying...
FIGURES
Journal Article
Small Axe (2021) 25 (2 (65)): vii–x.
Published: 01 July 2021
... of the intellectual. The interview was published in the first issue of Small Axe the following year, alongside my interview with his old friend and collaborator Stuart Hall. 1 Indeed, Stuart and Lloyd would be intellectuals I would always think of together as embodying, in a pronounced if not identical way...
Journal Article
Small Axe (2015) 19 (2 (47)): 167–176.
Published: 01 July 2015
... criticism and explorations of art history narratives, including writings by Petrine Archer-Shaw (1956–2012), Okwui Enwezor, Paul Gilroy, Stuart Hall (1932–2014), Salah Hassan, Sarat Maharaj, Kobena Mercer, Annie Paul, Gilane Tawadros, Krista Thompson, and others, 6 have long argued and developed (and, I...
Journal Article
Small Axe (2022) 26 (2 (68)): 85–92.
Published: 01 July 2022
..., a story, a history. . . . Black is an identity which had to be learned and could only be learned at a certain moment. —Stuart Hall, “Minimal Selves” In this essay I attempt to tell a narrative of various contexts in the Afro-Surinamese diaspora that share a struggle around the meanings of Black...
Journal Article
Small Axe (2013) 17 (2 (41)): 43–57.
Published: 01 July 2013
... and moments in the past. It included many different kinds of work … there is something at stake in cultural studies, in a way that I think, and hope, is not exactly true of many other very important intellectual and critical practices. —Stuart Hall, “Cultural Studies and Its Theoretical Legacies” All...
Journal Article
Small Axe (2009) 13 (1): 135–156.
Published: 01 March 2009
... in the material culture of the front room, we might be able to address some of these erasures and mis(sed)representations in the Caribbean and diasporic context. Diaspora in this context has to be treated metaphorically, as Stuart Hall suggests: “Dias- pora does not refer us...
Journal Article
Small Axe (2014) 18 (2 (44)): vii–x.
Published: 01 July 2014
... this from time to time, this “autobiographical” experience of encountering someone called “Stuart Hall,” or having to find him in order to learn something about what seemed to make him who he was. The memoir-form thus typically abjures the dialogical voice of the essay in favor of a spectatorial...
Journal Article
Small Axe (2019) 23 (3 (60)): vii–x.
Published: 01 November 2019
... culture of his upbringing and the hegemonic modernity of his formal schooling. 2 Finally, it matters also that MacIntyre’s philosophy has always evolved within “shouting distance” (as Stuart Hall might have said) of Marxism and therefore has never been unmindful either of Marxism’s criticism...