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Partido Independiente de Color

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Journal Article
Small Axe (2021) 25 (2 (65)): 50–68.
Published: 01 July 2021
... of the black Cuban Partido Independiente de Color (the Independent Party of Color) and thousands of other Afro-Cubans through the plane of the intimate. The author argues that Rolando’s film challenges the myth of racial equality throughout Cuba’s modern history by celebrating Afro-Cuban traditions, from...
FIGURES
Journal Article
Small Axe (2020) 24 (1 (61)): 111–119.
Published: 01 March 2020
..., in a postwar period, experiencing intense racism, exclusion, and disenfranchisement on the island. In highlighting Estenoz, a founder along with Pedro Ivonnet of the Partido Independiente de Color (PIC), Schomburg was publicly declaring his support for Afro-Cuban political and civil rights, a controversial...
Journal Article
Small Axe (2013) 17 (2 (41)): 74–87.
Published: 01 July 2013
... legacy of racial conflict (the 1912 revolt of the Partido Independiente de Color), a wider regional context exists. 30 After the Haitian Revolution, disturbances in Caribbean societies were often associated with external racialized influences. In political discourse, territories perceived as black(er...
Journal Article
Small Axe (2021) 25 (2 (65)): 91–108.
Published: 01 July 2021
..., “For Blacks in Cuba, the Revolution Hasn’t Begun,” is revealing here. People I talked to in Havana in April 2013 compared Zurbano’s critique to the 1908 Partido Independiente de Color. They suggested that Zurbano wanted to start a black political party. This repeated connection to 1908 illustrates how some...
FIGURES
Journal Article
Small Axe (2006) 10 (1): 1–27.
Published: 01 February 2006
... Cubans did organize clubs and societies, despite the political pressures, but none of the existent soci- eties presented a real challenge—ideological and practical—to the Creole establishment until the emergence of the short-lived Partido Independiente de Color (PIC). Th e price...
Journal Article
Small Axe (2021) 25 (2 (65)): 109–124.
Published: 01 July 2021
... describe como la “interacción constante, la transmutación de dos o más componentes culturales cuya finalidad inconsciente crea un tercer conjunto cultural[,] . . . nuevo e independiente” (31). Pero recuerda que casi una década antes, en 1931, Guillén vaticinaba el advenimiento del “color cubano”, 26...