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Journal Article
Small Axe (2014) 18 (3 (45)): 90–106.
Published: 01 November 2014
... Walcott's play Drums and Colours and the essays and poetry of Monchoachi show the creative engagement with a differential opacity that speaks to the negotiation of the specificities of self-determination and self-definition necessary to the postcolonial condition. © Small Axe, Inc. 2014 Monchoachi...
Journal Article
Small Axe (2014) 18 (3 (45)): 107–114.
Published: 01 November 2014
...Monchoachi In relating to language (in the poetic relating to language) listening precedes the “answer,” for it is the condition of the “answer well.” And the “answer well” by the poet, who stands face to face with the word that language speaks, is an “answer” that is accorded , that is attentive...
Journal Article
Small Axe (2012) 16 (3 39): 39–57.
Published: 01 November 2012
... of dynamism and memory. The visual—and tactile—creations of Anicet complement the theories of Suzanne Césaire, Edouard Glissant, Monchoachi, and Derek Walcott. (In French) © 2012 by Small Axe, Inc. 2012 Victor Anicet : Le pays-Martinique; ou, Le bleu de la Restitution Naïma Hachad et Valérie...
Journal Article
Small Axe (2015) 19 (3 (48)): 147–162.
Published: 01 November 2015
...-Across, Infiltration, and Transculturation: José Martí's Theory and Practice of Post-colonial Translation in New York,” Translation Review 81, no. 1 (2012): 12–33. 48 Kavita Ashana Singh, “Translative and Opaque: Multilingual Caribbean Writing in Derek Walcott and Monchoachi,” Small Axe...
Journal Article
Small Axe (2016) 20 (3 (51)): 147–162.
Published: 01 November 2016
... and Monchoachi,” Small Axe , no. 45 (November 2014): 52–114, and the other essays in the dossier on translation curated by Kaiama Glover and Martin Munro in that issue. In addition to the constant contact between French and, say, Haitian Kreyol, or between English and Jamaican patois, each distinct island...