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Caribbean counterhegemonic epistemologies

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Journal Article
Small Axe (2020) 24 (1 (61)): 142–151.
Published: 01 March 2020
... Arturo Schomburg archive Afro-Latinx Caribbean marronage How much has been left unsaid. —Arturo Alfonso Schomburg, “My Trip to Cuba in Quest for Negro Books” In February 1933, Opportunity published an article by Arthur A. Schomburg, “My Trip to Cuba in Quest for Negro Books.” 1...
Journal Article
Small Axe (2019) 23 (2 (2)): 132–141.
Published: 01 July 2019
... understandings of gender, sexuality, race, ethnicity, and nationality? In addition, the book shows how the Dominican case study serves as an example to explicate the (neo)colonial influences of Europe and the United States in the Caribbean and Latin American regions. It situates Dominican history and cultural...
Journal Article
Small Axe (2015) 19 (3 (48)): 29–49.
Published: 01 November 2015
... that it imposed “an imaginary coherence on the experience of dispersal and fragmentation” that is the history of all diasporas, “by representing … Africa [as lying] at the centre of our cultural identity,” a connection that heals the “loss of identity” that has been “integral to the Caribbean experience” (223–25...
Journal Article
Small Axe (2015) 19 (1 (46)): 78–87.
Published: 01 March 2015
... “Cultural Identity and Diaspora” distinguishes one view of the Caribbean that upholds a centripetal emphasis on “one people” sharing a common history beneath their many differences of language and culture, from another that foregrounds the transculturated mixtures of African, European, and New World...
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Journal Article
Small Axe (2021) 25 (2 (65)): 109–124.
Published: 01 July 2021
...; an English translation is available online) © Small Axe, Inc. 2021 Nancy Morejón Nicolás Guillén mestizaje black women Caribbean counterhegemonic epistemologies Y cuando despiertes de tu sueño, continuada tu estirpe, Sacúdete, pega, muere y mata tú también que ya vuelas y vives en tu...
Journal Article
Small Axe (2012) 16 (2 (38)): 213–227.
Published: 01 July 2012
...” but that the migratory spaces of postcolonial London created a contrapuntal context in which such artists actively chose to be in dialogue with counterhegemonic voices led by Afro-Caribbean political initiatives. 18 British Chinese artists in the 2000s indicate not an ontological merging with blackness...
Journal Article
Small Axe (2002) 6 (1): 1–30.
Published: 01 March 2002
...Anthony Bogues Small Axe Incorporated 2002 Politics, Nation and PostColony: Caribbean Inflections Anthony Bogues For if the history of Caribbean society is that of a dual relation Between plantation and plot, the two poles which originate in a single Historical process...
Journal Article
Small Axe (2016) 20 (3 (51)): 147–162.
Published: 01 November 2016
...Laura Lomas Scholars of Caribbean and translation studies alike are indebted to Cuban anthropologist Fernando Ortiz for bringing into focus the multidirectional vectors of influence in the wake of colonization in his Contrapunteo de tabaco y azucar ( Cuban Counterpoint: Tobacco and Sugar...
Journal Article
Small Axe (2015) 19 (3 (48)): 205–224.
Published: 01 November 2015
...': Carnival and Performance Art of the Caribbean at the Contemporary Arts Center New Orleans (2015). 55 Spillers, “Art Talk,” 178. 56 Ibid., 180–81. 57 Here, I have in mind a recent tour-de-force reinterpretation of Manet's picture, which carefully reconstructs the histories of racial...
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