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Caribbean art institutions
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Caribbean art institutions
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Journal Article
Small Axe (2017) 21 (1 (52)): 34–42.
Published: 01 March 2017
... less than their male counterparts. These representational asymmetries appear in the Caribbean art world in similar, though not always directly translatable or easily legible, ways. Though women lead many arts institutions, as the vote in The Bahamas indicated, sexism has been so regularized...
Journal Article
Small Axe (2016) 20 (3 (51)): 1–19.
Published: 01 November 2016
... conditioning, “Caribe insular” sketched, nevertheless, a new conceptualization for the large-scale Caribbean art shows of the 2000s. © Small Axe, Inc. 2016 art institutions collective exhibitions cultural politics curatorship The main interest of this essay is the representational politics...
Journal Article
Small Axe (2015) 19 (2 (47)): 167–176.
Published: 01 July 2015
... by critics, art institutions, national governments, and other artists—in other words, a scholarly reflection emergent from the traditions of a British art history discipline that is mostly based on a selection of an older generation of Caribbean artists from Trinidad and Guyana. It is on this basis...
Journal Article
Small Axe (2015) 19 (2 (47)): 185–196.
Published: 01 July 2015
... experience. And it shows in detail the Caribbean's fraught relationship with the more powerful workings of the discipline of art history and its adjacent institutions of art collecting, display, promotion, and remembrance. Readers should be able to see why it is that the discipline of art history contrives...
Journal Article
Small Axe (2009) 13 (2): 229–233.
Published: 01 July 2009
...-time lecturer on the bachelor of art course at the New University of Ulster, Belfast, prior to
teaching since 1985 in the painting department of the Edna Manley School for the Visual Arts,
Jamaica. He has exhibited extensively in the Caribbean and internationally and represented...
Journal Article
Small Axe (2004) 8 (2): 228–231.
Published: 01 September 2004
..., and Arena magazines.
krista a. thompson is an assistant professor in the Department of Art History at the
University of Illinois, Chicago, specializing in the arts of the African diaspora and the
Caribbean. She is the author of a forthcoming book, Th e Tropicalization of the Anglo...
Journal Article
Small Axe (2021) 25 (1 (64)): vii–x.
Published: 01 March 2021
... possibility of that conversation. Central among the topics I had intended to cover with Brathwaite, had I been able to conduct that interview, was the story of the Caribbean Artists Movement (CAM)—how to think about it as a postcolonial intervention into what he had later called the “social arts.” I had...
Journal Article
Small Axe (2017) 21 (1 (52)): 260–265.
Published: 01 March 2017
... Be?” (2015), “Dreams of Utopia: The Postcolonial Art Institution” (2016), “Charles White's J'Accuse and the Limits of Universal Blackness” (2016), and “Every Nigger Is a Star (1974): Re-imaging Blackness from Post Civil Rights America to the Post-Independence Caribbean” (2016). Her forthcoming book...
Journal Article
Small Axe (2016) 20 (2 (50)): 199–202.
Published: 01 July 2016
... , the Caribbean Review of Books , and elsewhere. She is a doctoral candidate in fiction at Florida State University, where she is working on her first novel. K uan -H sing C hen is a coexecutive editor of the journal Inter-Asia Cultural Studies: Movements and a professor in the Institute for Social...
Journal Article
Small Axe (2007) 11 (3): 167–170.
Published: 01 October 2007
... will be included
in the exhibition Infinite Island: Contemporary Caribbean Art at the Brooklyn Museum from
31 August 2007 through January 2008.
Winnifr ed Br own-Glaude is an assistant professor in Africana studies at SUNY-Stony
Brook. She is currently working on a book manuscript entitled “Dis...
Journal Article
Small Axe (2021) 25 (1 (64)): 204–206.
Published: 01 March 2021
... and the migration of black Caribbean thought to Romantic-era London. Her essay in this issue is part of her book project, Romantic Commons: Resisting Enclosure in Great Britain and the Caribbean, 1750 1850. Eddie Chambers i s a professor in the Department of Art and Art History at the University of Texas, Austin...
Journal Article
Small Axe (2009) 13 (3 (30)): 105–114.
Published: 01 November 2009
..., and propose a reading of the slave societies of the Caribbean. Does the unity of Caribbean art not reside in its critical function, in this contemporary look towards a shared memory that until now has been lost, hidden, denied, and unacknowledged? Small Axe, Inc. 2009 Memory and the
Contemporary...
Journal Article
Small Axe (2008) 12 (1): 169–181.
Published: 01 February 2008
... the opportunity to see a decolonizing art history put into museological practice when I,
my colleague Huey Copeland, and graduate students from Northwestern University, worked
with the African American artist of Caribbean descent, Fred Wilson, on an exhibition at the
Institute of Jamaica...
Journal Article
Small Axe (2008) 12 (2): 191–193.
Published: 01 June 2008
... exhibi-
tions in Europe, the United States, Canada, the Caribbean, South and Central Americas, and
India, and has represented Barbados at several international exhibitions, including the Sao
Paulo Biennials. She currently teaches in the School of Art and Design at Fanshawe College...
Journal Article
Small Axe (2006) 10 (3): 205–207.
Published: 01 October 2006
... of the Institute of Caribbean Studies and coordinator of the University’s Inter-
national Reggae Studies Centre, an academic project she initiated. She is the author of Noises
in the Blood: Orality, Gender and the ‘Vulgar’ Body of Jamaican Popular Culture (1993), and
Sound Clash: Jamaican Dancehall Culture...
Journal Article
Small Axe (2017) 21 (2 (53)): 81–93.
Published: 01 July 2017
... of affect, memory, and history related to indentureship are mobilized in the photographic arts of the Caribbean diaspora; and the aesthetic is a conceptual space with cultural resonance for the descendants of indentured laborers. In essence, the author finds that visual evidence of an indentured past...
FIGURES
Journal Article
Small Axe (2014) 18 (2 (44)): 202–204.
Published: 01 July 2014
... at, and joint head of, the Department of Media and Communications, Goldsmiths College, University of London. He is convener of the MA scriptwriting program and director of the Topology Research Unit. Previously he ran the film and television department at the Caribbean Institute of Media and Communication...
Journal Article
Small Axe (2004) 8 (2): 100–118.
Published: 01 September 2004
...
the eff orts behind the Havana biennial and the degree of Cuban government support
for the arts, Cuba has earned entry into the international biennial “club” and created a
foundation for Caribbean presence.
Hefty budgets, private initiatives, and government support insure repeat...
Journal Article
Small Axe (2015) 19 (2 (47)): 177–184.
Published: 01 July 2015
...Michelle Stephens This assessment of Leon Wainwright's recent monograph, Timed Out: Art and the Transnational Caribbean (2011), focuses on the temporal dimensions of Caribbean art production and reception, including the reception of Caribbean art in the United Kingdom and United States as being...
Journal Article
Small Axe (2009) 13 (1): vii–xiv.
Published: 01 March 2009
..., the “social arts”
with the social sciences. As a journal project, Savacou came to an end with its 1977 special
edition “Caribbean Woman,” as the left cultural-political project entered its terminal crisis.
To my mind, these two journal projects taken together—New World Quarterly and Sava-
cou—map...
