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Journal Article
Small Axe (2017) 21 (1 (52)): 34–42.
Published: 01 March 2017
... less than their male counterparts. These representational asymmetries appear in the Caribbean art world in similar, though not always directly translatable or easily legible, ways. Though women lead many arts institutions, as the vote in The Bahamas indicated, sexism has been so regularized...
Journal Article
Rethinking the “Transnational” Caribbean Curatorial: Politics of Space in “Caribe insular: Exclusión, fragmentación y paraíso”
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Small Axe (2016) 20 (3 (51)): 1–19.
Published: 01 November 2016
... institutions as well as to the ongoing changes that were taking place within Caribbean artistic practice. In this essay, I have argued that any reading of curatorial practices of Caribbean art developed abroad cannot be based solely on a rigid divide between “authentic” approaches and “misleading” images...
View articletitled, Rethinking the “Transnational” <span class="search-highlight">Caribbean</span> Curatorial: Politics of Space in “Caribe insular: Exclusión, fragmentación y paraíso”
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Journal Article
Timings, Canon, and Art History
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Small Axe (2015) 19 (2 (47)): 167–176.
Published: 01 July 2015
... on the historical and temporal responses to artworks by institutions (such as the Royal Agricultural and Commercial Society [RACS] in Georgetown), British and Caribbean art critics and curators (including Guy Brett, Jan Carew, and Eric Newton), and political contexts of the period. An analysis of work within...
Journal Article
Timed Out: Pathways and Pitfalls for Art History and Caribbean Studies
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Small Axe (2015) 19 (2 (47)): 185–196.
Published: 01 July 2015
... Daros (headquartered in Rio de Janeiro and Zurich). I was told that the Caribbean's art communities are “just dots on the map”—nothing compared to the big market share and global institutional landscape of Latin American art. Artists of the Caribbean belong to a community of communities struggling...
View articletitled, Timed Out: Pathways and Pitfalls for <span class="search-highlight">Art</span> History and <span class="search-highlight">Caribbean</span> Studies
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Journal Article
Contributors
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Small Axe (2009) 13 (2): 229–233.
Published: 01 July 2009
...-time lecturer on the bachelor of art course at the New University of Ulster, Belfast, prior to
teaching since 1985 in the painting department of the Edna Manley School for the Visual Arts,
Jamaica. He has exhibited extensively in the Caribbean and internationally and represented...
Journal Article
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Small Axe (2004) 8 (2): 228–231.
Published: 01 September 2004
..., and Arena magazines.
krista a. thompson is an assistant professor in the Department of Art History at the
University of Illinois, Chicago, specializing in the arts of the African diaspora and the
Caribbean. She is the author of a forthcoming book, Th e Tropicalization of the Anglo...
Journal Article
Small Axe (2021) 25 (1 (64)): vii–x.
Published: 01 March 2021
... to conduct that interview, was the story of the Caribbean Artists Movement (CAM)—how to think about it as a postcolonial intervention into what he had later called the “social arts.” I had pursued other avenues to the story, but to no avail. I had once telephoned Andrew Salkey in Amherst, Massachusetts...
Journal Article
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Small Axe (2017) 21 (1 (52)): 260–265.
Published: 01 March 2017
... Be?” (2015), “Dreams of Utopia: The Postcolonial Art Institution” (2016), “Charles White's J'Accuse and the Limits of Universal Blackness” (2016), and “Every Nigger Is a Star (1974): Re-imaging Blackness from Post Civil Rights America to the Post-Independence Caribbean” (2016). Her forthcoming book...
Journal Article
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Small Axe (2016) 20 (2 (50)): 199–202.
Published: 01 July 2016
... , the Caribbean Review of Books , and elsewhere. She is a doctoral candidate in fiction at Florida State University, where she is working on her first novel. K uan -H sing C hen is a coexecutive editor of the journal Inter-Asia Cultural Studies: Movements and a professor in the Institute for Social...
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Small Axe (2007) 11 (3): 167–170.
Published: 01 October 2007
... will be included
in the exhibition Infinite Island: Contemporary Caribbean Art at the Brooklyn Museum from
31 August 2007 through January 2008.
Winnifr ed Br own-Glaude is an assistant professor in Africana studies at SUNY-Stony
Brook. She is currently working on a book manuscript entitled “Dis...
Journal Article
Contributors
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Small Axe (2021) 25 (1 (64)): 204–206.
Published: 01 March 2021
... and the migration of black Caribbean thought to Romantic-era London. Her essay in this issue is part of her book project, Romantic Commons: Resisting Enclosure in Great Britain and the Caribbean, 1750 1850. Eddie Chambers i s a professor in the Department of Art and Art History at the University of Texas, Austin...
Journal Article
Memory and the Contemporary Visual Arts of the Francophone Caribbean
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Small Axe (2009) 13 (3 (30)): 105–114.
Published: 01 November 2009
..., and propose a reading of the slave societies of the Caribbean. Does the unity of Caribbean art not reside in its critical function, in this contemporary look towards a shared memory that until now has been lost, hidden, denied, and unacknowledged? Small Axe, Inc. 2009 Memory and the
Contemporary...
View articletitled, Memory and the Contemporary Visual <span class="search-highlight">Arts</span> of the Francophone <span class="search-highlight">Caribbean</span>
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Journal Article
“Call the Police. Call the Army. Call God. And Let's Have One Helluva Big Story”: On Writing Caribbean Art Histories After Postcoloniality
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Small Axe (2008) 12 (1): 169–181.
Published: 01 February 2008
... the opportunity to see a decolonizing art history put into museological practice when I,
my colleague Huey Copeland, and graduate students from Northwestern University, worked
with the African American artist of Caribbean descent, Fred Wilson, on an exhibition at the
Institute of Jamaica...
View articletitled, “Call the Police. Call the Army. Call God. And Let's Have One Helluva Big Story”: On Writing <span class="search-highlight">Caribbean</span> <span class="search-highlight">Art</span> Histories After Postcoloniality
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for article titled, “Call the Police. Call the Army. Call God. And Let's Have One Helluva Big Story”: On Writing <span class="search-highlight">Caribbean</span> <span class="search-highlight">Art</span> Histories After Postcoloniality
Journal Article
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Small Axe (2008) 12 (2): 191–193.
Published: 01 June 2008
... exhibi-
tions in Europe, the United States, Canada, the Caribbean, South and Central Americas, and
India, and has represented Barbados at several international exhibitions, including the Sao
Paulo Biennials. She currently teaches in the School of Art and Design at Fanshawe College...
Journal Article
A Complex Contemporaneity: Caribbean Visual Relations
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Small Axe (2015) 19 (2 (47)): 177–184.
Published: 01 July 2015
...Michelle Stephens This assessment of Leon Wainwright's recent monograph, Timed Out: Art and the Transnational Caribbean (2011), focuses on the temporal dimensions of Caribbean art production and reception, including the reception of Caribbean art in the United Kingdom and United States as being...
Journal Article
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Small Axe (2014) 18 (2 (44)): 202–204.
Published: 01 July 2014
... at, and joint head of, the Department of Media and Communications, Goldsmiths College, University of London. He is convener of the MA scriptwriting program and director of the Topology Research Unit. Previously he ran the film and television department at the Caribbean Institute of Media and Communication...
Journal Article
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Small Axe (2006) 10 (3): 205–207.
Published: 01 October 2006
...
is the director of the Institute of Caribbean Studies and coordinator of the University’s Inter-
national Reggae Studies Centre, an academic project she initiated. She is the author of Noises
in the Blood: Orality, Gender and the ‘Vulgar’ Body of Jamaican Popular Culture (1993), and
Sound Clash: Jamaican...
Journal Article
Picturing an Afterlife of Indenture
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Small Axe (2017) 21 (2 (53)): 81–93.
Published: 01 July 2017
... of affect, memory, and history related to indentureship are mobilized in the photographic arts of the Caribbean diaspora; and the aesthetic is a conceptual space with cultural resonance for the descendants of indentured laborers. In essence, the author finds that visual evidence of an indentured past...
FIGURES
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Small Axe (2016) 20 (1 (49)): 194–196.
Published: 01 March 2016
... of West Indian Literature . T onya H aynes teaches at the Institute for Gender and Development Studies, Nita Barrow Unit, University of the West Indies, Cave Hill. She researches in the areas of Caribbean feminist thought, cyberfeminisms, and gender-based violence. Her creative and scholarly work...
Journal Article
Small Axe (2009) 13 (1): vii–xiv.
Published: 01 March 2009
..., the “social arts”
with the social sciences. As a journal project, Savacou came to an end with its 1977 special
edition “Caribbean Woman,” as the left cultural-political project entered its terminal crisis.
To my mind, these two journal projects taken together—New World Quarterly and Sava-
cou—map...
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