1-20 of 28

Search Results for Andil Gosine

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Image
Published: 01 July 2023
Figure 1 Andil Gosine, Animal , 2014–22. Letterpress on paper, 2″ × 3.5″ each. Courtesy of the artist More
Image
Published: 01 July 2023
Figure 3 Andil Gosine, Cutlass , 2012. 18k white gold, 3.5″. Courtesy of the artist More
Image
Published: 01 July 2023
Figure 4 Angie Quick, with Andil Gosine, an excerpt of the All that future, all that fortune , 2022. Watercolor on paper, approx. 9″ × 12″. Courtesy of the artist More
Image
Published: 01 July 2023
Figure 6 a, 6b, and 6c. Andil Gosine (after Félix Morin), les trois hommes de Paris: le premier, l’autre et l’un , 2022. Inkjet on paper, 20" × 17" each. Please note that the original artworks have important details in color, not shown here. Courtesy of the artist More
Journal Article
Small Axe (2023) 27 (2 (71)): 159–166.
Published: 01 July 2023
...Kedon Willis This essay on Andil Gosine’s Nature’s Wild: Love, Sex, and Law in the Caribbean (2021) reflects on the author’s application of animal studies as a productive analytic of the enduring anxieties around respectable citizenship in the Caribbean as expressed by contemporary regulations...
Image
Published: 01 March 2015
Portrait no. 32 from (Made In Love) : A Preview of Andil Gosine's Wardrobes , 7 June 2013. Photograph, 4 × 6 in. More
Image
Published: 01 March 2015
Portrait no. 19 from (Made In Love) : A Preview of Andil Gosine's Wardrobes , 7 June 2013. Photograph, 4 × 6 in. More
Image
Published: 01 March 2015
Portrait no. 20 from (Made In Love) : A Preview of Andil Gosine's Wardrobes , 7 June 2013. Photograph, 4 × 6 in. More
Journal Article
Small Axe (2023) 27 (2 (71)): 179–188.
Published: 01 July 2023
...Michelle V. Rowley Taking Andil Gosine’s invitation in Nature’s Wild: Love, Sex, and Law in the Caribbean (2021) to consider the possibilities of animality, this essay sits with the two valences that are potentially inherent in his framing—first, that we reassess the generative possibilities...
Journal Article
Small Axe (2023) 27 (2 (71)): 167–176.
Published: 01 July 2023
...Rajiv Mohabir This essay is a reading of Andil Gosine’s Nature’s Wild: Love, Sex, and Law in the Caribbean (2021) that thinks through the author’s contributions on LGBTQ+ history, art, and activism in the Caribbean. It begins with a look at how the animal is wielded discursively to deride queerness...
Journal Article
Small Axe (2015) 19 (1 (46)): 123–146.
Published: 01 March 2015
...Portrait no. 32 from (Made In Love) : A Preview of Andil Gosine's Wardrobes , 7 June 2013. Photograph, 4 × 6 in. ...
FIGURES | View all 15
First thumbnail for: Portfolio I
Second thumbnail for: Portfolio I
Third thumbnail for: Portfolio I
Journal Article
Small Axe (2017) 21 (2 (53)): 123–134.
Published: 01 July 2017
...Andil Gosine In March 2016, a group of artists and scholars met at York University in Toronto to consider visual arts produced by indenture-descendant creators. Among them were filmmakers Richard Fung and Ian Harnarine, who engaged in a dialogue about their work and responded to inquiries posed...
FIGURES
First thumbnail for: Kitchen Table Talk: Richard Fung and Ian Harnarine...
Second thumbnail for: Kitchen Table Talk: Richard Fung and Ian Harnarine...
Journal Article
Small Axe (2023) 27 (2 (71)): 187–200.
Published: 01 July 2023
...Figure 1 Andil Gosine, Animal , 2014–22. Letterpress on paper, 2″ × 3.5″ each. Courtesy of the artist ...
FIGURES | View all 6
First thumbnail for: Animal History; Animal Future?
Second thumbnail for: Animal History; Animal Future?
Third thumbnail for: Animal History; Animal Future?
Journal Article
Small Axe (2017) 21 (2 (53)): 112–122.
Published: 01 July 2017
... Nazywalskyj, “Andil Gosine's Wardrobes : The Premiere of Cutlass ,” ARC Magazine , 15 August 2012, arcthemagazine.com/arc/2012/08/andil-gosines-wardrobes-the-premiere-of-cutlass . 24 Patricia Mohammed, Imaging the Caribbean: Cultural and Visual Translation (New York: Palgrave Macmillan, 2010...
Journal Article
Small Axe (2017) 21 (2 (53)): 63–67.
Published: 01 July 2017
...Andil Gosine This essay introduces the special section “Art After Indenture,” in which five scholars characterize and respond to eight contemporary visual artists who are descendants of indentured workers. The author also raises questions about the commemoration of indentureship and calls...
Journal Article
Small Axe (2022) 26 (2 (68)): 119–143.
Published: 01 July 2022
...Andil Gosine This is a curatorial essay in which the author explains his research and process for the conception and production of everything slackens in a wreck , a visual arts exhibition running at the Ford Foundation Gallery in New York from June to September 2022. Gosine elaborates his thinking...
FIGURES | View all 13
First thumbnail for: Everything Slackens in a Wreck
Second thumbnail for: Everything Slackens in a Wreck
Third thumbnail for: Everything Slackens in a Wreck
Journal Article
Small Axe (2017) 21 (2 (53)): 135–150.
Published: 01 July 2017
...Roshini Kempadoo; Sharlene Khan; Wendy Nanan © Retained by each artist 2017 The three artists pictured are, left to right, Roshini Kempadoo, Sharlene Khan, and Wendy Nanan. Andil Gosine, from Cane Portraiture: The Descendants , 2016; photographs, 12 × 18 in. The three artists pictured...
FIGURES | View all 17
First thumbnail for: After Indenture: Three Photo Stories
Second thumbnail for: After Indenture: Three Photo Stories
Third thumbnail for: After Indenture: Three Photo Stories
Journal Article
Small Axe (2024) 28 (2 (74)): 167–178.
Published: 01 July 2024
... allowed me to directly draw on my experience as a Caribbean diasporic lesbian for the creation of the artwork presented here. Most of these pieces can be seen in New York at the Leslie-Lohman Museum of Art’s The Plural of He exhibition, curated by Andil Gosine, which runs 15 March–21 July 2024. Oui...
FIGURES | View all 10
First thumbnail for: Busshead Hardhead
Second thumbnail for: Busshead Hardhead
Third thumbnail for: Busshead Hardhead
Image
Published: 01 July 2017
The three artists pictured are, left to right, Roshini Kempadoo, Sharlene Khan, and Wendy Nanan. Andil Gosine, from Cane Portraiture: The Descendants , 2016; photographs, 12 × 18 in. More
Journal Article
Small Axe (2017) 21 (2 (53)): vii–x.
Published: 01 July 2017
... to be overtaking me. Perhaps the detour was coming to an end. Perhaps at last my mother was releasing me from the duty to her memory. The hybrid book Refashioning Futures: Criticism after Postcoloniality emerged from this return in the hermeneutic circle. 6 I met Andil Gosine in 2015 at “Caribbean Queer...