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Andil Gosine

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Image
Published: 01 July 2023
Figure 1 Andil Gosine, Animal , 2014–22. Letterpress on paper, 2″ × 3.5″ each. Courtesy of the artist More
Image
Published: 01 July 2023
Figure 3 Andil Gosine, Cutlass , 2012. 18k white gold, 3.5″. Courtesy of the artist More
Image
Published: 01 July 2023
Figure 4 Angie Quick, with Andil Gosine, an excerpt of the All that future, all that fortune , 2022. Watercolor on paper, approx. 9″ × 12″. Courtesy of the artist More
Image
Published: 01 July 2023
Figure 6 a, 6b, and 6c. Andil Gosine (after Félix Morin), les trois hommes de Paris: le premier, l’autre et l’un , 2022. Inkjet on paper, 20" × 17" each. Please note that the original artworks have important details in color, not shown here. Courtesy of the artist More
Journal Article
Small Axe (2023) 27 (2 (71)): 159–166.
Published: 01 July 2023
...Kedon Willis This essay on Andil Gosine’s Nature’s Wild: Love, Sex, and Law in the Caribbean (2021) reflects on the author’s application of animal studies as a productive analytic of the enduring anxieties around respectable citizenship in the Caribbean as expressed by contemporary regulations...
Image
Published: 01 March 2015
Portrait no. 32 from (Made In Love) : A Preview of Andil Gosine's Wardrobes , 7 June 2013. Photograph, 4 × 6 in. More
Image
Published: 01 March 2015
Portrait no. 19 from (Made In Love) : A Preview of Andil Gosine's Wardrobes , 7 June 2013. Photograph, 4 × 6 in. More
Image
Published: 01 March 2015
Portrait no. 20 from (Made In Love) : A Preview of Andil Gosine's Wardrobes , 7 June 2013. Photograph, 4 × 6 in. More
Journal Article
Small Axe (2023) 27 (2 (71)): 179–188.
Published: 01 July 2023
...Michelle V. Rowley Taking Andil Gosine’s invitation in Nature’s Wild: Love, Sex, and Law in the Caribbean (2021) to consider the possibilities of animality, this essay sits with the two valences that are potentially inherent in his framing—first, that we reassess the generative possibilities...
Journal Article
Small Axe (2023) 27 (2 (71)): 167–176.
Published: 01 July 2023
...Rajiv Mohabir This essay is a reading of Andil Gosine’s Nature’s Wild: Love, Sex, and Law in the Caribbean (2021) that thinks through the author’s contributions on LGBTQ+ history, art, and activism in the Caribbean. It begins with a look at how the animal is wielded discursively to deride queerness...
Journal Article
Small Axe (2015) 19 (1 (46)): 123–146.
Published: 01 March 2015
...Portrait no. 32 from (Made In Love) : A Preview of Andil Gosine's Wardrobes , 7 June 2013. Photograph, 4 × 6 in. ...
FIGURES | View All (15)
Journal Article
Small Axe (2017) 21 (2 (53)): 123–134.
Published: 01 July 2017
...Andil Gosine In March 2016, a group of artists and scholars met at York University in Toronto to consider visual arts produced by indenture-descendant creators. Among them were filmmakers Richard Fung and Ian Harnarine, who engaged in a dialogue about their work and responded to inquiries posed...
FIGURES
Journal Article
Small Axe (2023) 27 (2 (71)): 187–200.
Published: 01 July 2023
...Figure 1 Andil Gosine, Animal , 2014–22. Letterpress on paper, 2″ × 3.5″ each. Courtesy of the artist ...
FIGURES | View All (6)
Journal Article
Small Axe (2017) 21 (2 (53)): 112–122.
Published: 01 July 2017
.... Current creations, such as Andil Gosine's cutlass brooch ( fig. 2 ), extend the labor symbolism of the jewelry into unexplored areas. As an essential object of plantation life, the cutlass for Gosine also alludes to the “elegance and wild skill of his grandmother, Ramadai, who would use hers to trim...
Journal Article
Small Axe (2017) 21 (2 (53)): 63–67.
Published: 01 July 2017
...Andil Gosine This essay introduces the special section “Art After Indenture,” in which five scholars characterize and respond to eight contemporary visual artists who are descendants of indentured workers. The author also raises questions about the commemoration of indentureship and calls...
Journal Article
Small Axe (2022) 26 (2 (68)): 119–143.
Published: 01 July 2022
...Andil Gosine This is a curatorial essay in which the author explains his research and process for the conception and production of everything slackens in a wreck , a visual arts exhibition running at the Ford Foundation Gallery in New York from June to September 2022. Gosine elaborates his thinking...
FIGURES | View All (13)
Journal Article
Small Axe (2017) 21 (2 (53)): 135–150.
Published: 01 July 2017
.... Photographs; personal collection Wendy Nanan, A work-in-progress, 2016. Photographs; personal collection Roshini Kempadoo The three artists pictured are, left to right, Roshini Kempadoo, Sharlene Khan, and Wendy Nanan. Andil Gosine, from Cane Portraiture: The Descendants , 2016...
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Journal Article
Small Axe (2017) 21 (2 (53)): vii–x.
Published: 01 July 2017
... that will come to occupy a larger share in our concerns. I am very grateful to Andil for his patience, his guidance, and his support. I met Andil Gosine in 2015 at “Caribbean Queer Visualities,” a Small Axe conference convened at Yale University. It was fortuitous. He and I immediately connected, and we...
Image
Published: 01 July 2017
The three artists pictured are, left to right, Roshini Kempadoo, Sharlene Khan, and Wendy Nanan. Andil Gosine, from Cane Portraiture: The Descendants , 2016; photographs, 12 × 18 in. More
Journal Article
Small Axe (2018) 22 (2 (56)): 219–231.
Published: 01 July 2018
...: Palgrave Macmillan, 2016); and Andil Gosine, ed., “Art After Indenture,” special section, Small Axe , no. 53 (July 2017). For the poetry of Mahadai Das, see My Finer Steel Will Grow (London: Peepal Tree, 1982) and Bones (London: Peepal Tree, 1988). 7 Derek Walcott, “The Antilles: Fragments...
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