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Alexandra T. Vazquez

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Journal Article
Small Axe (2016) 20 (1 (49)): 164–174.
Published: 01 March 2016
...Celeste Fraser Delgado This essay, a response to Alexandra T. Vazquez's Listening in Detail: Performances of Cuban Music (Duke, 2013), follows Vazquez's lead to “listen in detail” to two ongoing musical projects, conceived and executed in the Little Havana nightclub known as Hoy Como Ayer...
Journal Article
Small Axe (2016) 20 (1 (49)): 175–184.
Published: 01 March 2016
...Samantha Pinto This essay argues that there has been a subtle revolution in African diaspora studies that is emerging across very recent scholarship. Alexandra T. Vazquez's Listening in Detail: Performances of Cuban Music (Duke, 2013) is part of a larger movement in the field of black diaspora...
Journal Article
Small Axe (2016) 20 (1 (49)): 185–193.
Published: 01 March 2016
...Alexandra T. Vazquez Alexandra T. Vazquez hopes that her Listening in Detail: Performances of Cuban Music (Duke, 2013) can be a historical contribution to the work now being done in the fresh waves of Miami studies. At the generous urging of reviewers Alejandra Bronfman, Celeste Fraser Delgado...
Journal Article
Small Axe (2016) 20 (1 (49)): 155–163.
Published: 01 March 2016
...Alejandra Bronfman This short essay is a response to Alexandra T. Vazquez's Listening in Detail: Performances of Cuban Music (Duke, 2013). It aims to recreate the experience of reading the book and the transformation in listening that the book prompted. Written in both personal and academic...
Journal Article
Small Axe (2021) 25 (2 (65)): 36–49.
Published: 01 July 2021
...). 17 See Alexandra T. Vázquez, “ Una escuela rara : The Graciela School,” in Listening in Detail: Performances of Cuban Music (Durham, NC: Duke University Press, 2013), 93–130; and Licia Fiol-Matta, The Great Woman Singer: Gender and Voice in Puerto Rican Music (Durham, NC: Duke University Press...
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