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Volume 27, Number 3 (72)
November 1, 2023
Small Axe: A Caribbean Journal of Criticism Cover Image for Volume 27, Issue 3 (72)
ISSN 0799-0537
EISSN 1534-6714
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Preface

Preface: The Hard Road from Arusha
David Scott
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ARTICLE

Deceptive Benevolence: Witnessing Whiteness in Marie Vieux-Chauvet’s Dance on the Volcano
Jocelyn Sutton Franklin
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A Caribbean Coast Feeling: On Black Central American Women’s Landscape Portraiture
Melanie White
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La Caldosa: Afro-Lesbian Space-Making and Transnational Politics in Havana
Kerry White
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Walter Rodney’s How Europe Underdeveloped Africa Fifty Years Later

“The Present as History”: Walter Rodney and the Search for Usable African Pasts
Adom Getachew
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Between Revolution and Repair: How Europe Underdeveloped Africa in a Caribbean Intellectual Tradition
David Scott
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Universalism in Unevenness: Writing History at the Hill
Natasha I. Shivji
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History, Method, and Myth: Walter Rodney and the Geographies of Black Radicalism
Peter James Hudson
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Whose Dialectic? Walter Rodney, Marxism, and Africa
David Austin
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Of “Realities and Possibilities”
Michaeline A. Crichlow
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Insurgent Knowledges: Reading How Europe Underdeveloped Africa alongside the Rupture in Guyana
D. Alissa Trotz; Nigel Westmaas
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Reading for Time in How Europe Underdeveloped Africa
Richard Drayton
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Visualities

Off Cuts
Heino Schmid
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Translating the Caribbean

(W)uman Tong(ue): Writing a Bilingual Newspaper Column in “Postcolonial” Jamaica
Carolyn Cooper
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Book Discussion: Belinda Edmondson, Creole Noise: Early Caribbean Dialect Literature and Performance

Din as Discourse in the Anglophone Caribbean
Supriya M. Nair
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Disturbing the Neighbors
Tim Watson
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Noising Creole Abroad: Chatting about Voice; Some Thoughts on Belinda Edmondson’s Creole Noise
Barbara Lalla
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The Importance of Being (In)Authentic
Belinda Edmondson
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Contributors

Contributors
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