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Volume 21, Number 3 (54)
November 1, 2017
Small Axe: A Caribbean Journal of Criticism Cover Image for Volume 21, Issue 3 (54)
ISSN 0799-0537
EISSN 1534-6714
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Articles

Preface: Friendship as an Art of Living
David Scott
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Bodies of Horror in Marlon James's The Book of Night Women and Clovis Brown's Cartoons
Curdella Forbes
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Amortizing Memory: Debt as Mnemonic Device in Caribbean Canadian Literature
L. Camille van der Marel
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Opitennin
Kamau Brathwaite
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The Jamaican 1960s

On the Very Idea of the Making of Modern Jamaica
David Scott
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Radical Skepticisms: Literatures of the Long Jamaican 1960s
Donette Francis
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Rastafari, Communism, and Surveillance in Late Colonial Jamaica
Deborah A. Thomas
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Global Sisyphus: Rereading the Jamaican 1960s through A Brief History of Seven Killings
Sheri-Marie Harrison
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The Coloniality of Power and the Limits of Dissent in Jamaica
Obika Gray
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Racial Hierarchy and the Elevation of Brownness in Creole Nationalism
Maziki Thame
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The Soundings with My Sisters: Sovereignty, Intimacy, Disappointment
Faith Smith
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How Did There Come to Be a “New Kingston”?
Charles V. Carnegie
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“Seeing False Images of Ourselves”: Rex Nettleford's Mirror Mirror in the Wake of the 1960s
David Scott
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Visualities

Postcolonial Roadways: A Visual Dossier
Clinton Hutton
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Book Discussion: Vanessa Pérez-Rosario, Becoming Julia de Burgos: The Making of a Puerto Rican Icon

Toward a Genealogy of Water: Reading Julia de Burgos in the Twenty-First Century
Rebeca L. Hey-Colón
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Rediscovering Julia de Burgos: The People's Rebel Soul Poet
Edna Acosta-Belén
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Julia de Burgos and the Mourning of Community
Jossianna Arroyo
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The Afterlives of Julia de Burgos
Vanessa Pérez-Rosario
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Contributors

Contributors
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