This essay traces the author’s intellectual trajectory as a Road Scholar translating academic discourse into the language of the street. Cooper acknowledges the trademarks by which she has come to be known: cultural critic, language-rights activist, feminist scholar, incisive newspaper columnist, television talk show host. These trademarks represent the interwoven strands of the ideas she elaborates in her academic work and her interventions in the media, both local and international. Her brand is an assemblage of identities sharing a common ideological core: contesting many of the “givens” she inherited as a Black girl growing up in the 1950s when institutional racism and class prejudice defined the appropriate place for African Jamaicans. On the periphery! As a public intellectual, Cooper interrogates the fictive national motto—“Out of many, one people”—that reinscribes the diminution of the “many.” She locates the culture of the African Jamaican majority at the very center of national consciousness.
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Research Article|
July 01 2024
“Yu a Brand”: Making a Mark as a Road Scholar from Jamaica
Carolyn Cooper
Carolyn Cooper is the author of Noises in the Blood: Orality, Gender, and the “Vulgar” Body of Jamaican Popular Culture (1993) and Sound Clash: Jamaican Dancehall Culture at Large (2004), and the editor of Global Reggae (2012). She initiated the establishment of the Reggae Studies Unit at the University of the West Indies, Mona, where she was for many years a professor in the Department of Literatures in English. For her work in education, she was awarded a national honor, the Order of Distinction.
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Small Axe (2024) 28 (2 (74)): 103–114.
Citation
Carolyn Cooper; “Yu a Brand”: Making a Mark as a Road Scholar from Jamaica. Small Axe 1 July 2024; 28 (2 (74)): 103–114. doi: https://doi.org/10.1215/07990537-11382517
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