This essay, part of a roundtable celebrating the twentieth anniversary of the publication of Charles V. Carnegie’s Postnationalism Prefigured (2002), explores the theoretical effects of Carnegie’s insistence that we release ourselves from the thrall of liberal Western sovereignty. It addresses Carnegie’s prescient interventions in relation to three canards of political philosophy—race-based notions of belonging, the centrality of secularism to modern notions of political community, and particular discourses of autonomy and self-determination. The author argues that what Carnegie shows us is that the modernity of control and containment is continually one or two steps behind the countermodernity of subalterns, and that autonomy is rooted not in the race-nation-territory triad but in the everyday movements within, across, and beyond it.
Death and Prefiguration
Deborah A. Thomas is the R. Jean Brownlee Professor of Anthropology and the director of the Center for Experimental Ethnography at the University of Pennsylvania. She is the author of Modern Blackness: Nationalism, Globalization, and the Politics of Culture in Jamaica (2004), Exceptional Violence: Embodied Citizenship in Transnational Jamaica (2011), and Political Life in the Wake of the Plantation (2019), and codirector of the films Four Days in May (2010) and Bad Friday: Rastafari after Coral Gardens (2011). Prior to her life in the academy, she was a professional dancer with the New York–based Urban Bush Women.
Deborah A. Thomas; Death and Prefiguration. Small Axe 1 March 2024; 28 (1 (73)): 83–88. doi: https://doi.org/10.1215/07990537-11131239
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