On 9 April 2021, La Soufrière, the volcano in the main island in St. Vincent and the Grenadines, began to erupt explosively, forcing approximately 22,440 people in the north of the island to evacuate to the south. As the ash rained down, the landscape typically known for its lush greens and blues became muted and desaturated. The images selected for this photo essay were taken from a powerboat, with friends on board, during the first series of explosive eruptions that occurred that day. They are merely a snapshot of the larger project—The Beginning is the End and the End is the Beginning—which is an attempt to unlearn the aesthetics of photography and the politics of the image in the midst of catastrophe. The entire series focuses on exploring intimacy in physical spaces during catastrophes, and in the case of La Soufrière, the photographer’s relationships with kin and friends during the crisis. Further, the series hopes to examine the impact of ashfall on the terrestrial, coastal, and submarine environments, as well as the built environment.
The Beginning is the End and the End is the Beginning
Nadia Huggins (whose work also appears on the covers of this issue) is a self-taught visual artist who works primarily with photography. In 2011, she cofounded the visual arts publication ARC Magazine. Her photography was awarded the Festival caribéen de l’image du Mémorial ACTe Jury Prize in Guadeloupe in 2015 and has been exhibited regionally and internationally, including in Relational Undercurrents: Contemporary Art of the Caribbean Archipelago (Museum of Latin American Art, California, 2018–19), the 2017 Jamaica Biennial (National Gallery, Kingston); Small Axe: Caribbean Queer Visualities (Belfast and Glasgow, 2016); Fighting the Currents (Centro de La Imagen, Dominican Republic, 2016); In Another Place, and Here (Victoria, British Columbia, 2015); the 2014 CONTACT Photography Festival (Toronto); and Wrestling with the Image (Art Museum of the Americas, Washington, DC, 2011). Born in 1984 in Port of Spain, Trinidad and Tobago, she currently resides in St. Vincent and the Grenadines.
Nadia Huggins; The Beginning is the End and the End is the Beginning. Small Axe 1 July 2023; 27 (2 (71)): 147–158. doi: https://doi.org/10.1215/07990537-10795335
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