The late Marilyn Houlberg (1939–2012) was an artist, photographer, art historian, anthropologist, professor, curator, and collector. During her lifetime she helped advance the scholarship on and increase the recognition of artists from Haiti, particularly in her role as cocurator of the exhibitions Sacred Arts of Haitian Vodou (1995) and In Extremis: Death and Life in Twenty-First-Century Haiti (2012). In her commitment to support the creative endeavors of artists living in historically marginalized communities in urban Haiti, Houlberg blurred cultural and professional boundaries, raising questions about her roles and responsibilities within the communities of artists and religious practitioners with whom she worked. This essay addresses problems and complexities in Houlberg’s work and activities in Haiti by relying on her extensive field notes, photographs, published works, and other archival materials.
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Research Article|
July 01 2022
At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti
Peter L. Haffner
Peter L. Haffner is assistant professor of art history and affiliated faculty in African and African American studies at Centre College in Danville, Kentucky. He earned his PhD in culture and performance in 2017 from the Department of World Arts and Cultures/Dance at the University of California, Los Angeles. From 2018 to 2019 he was a Smithsonian Institution postdoctoral fellow at the Eliot Elisofon Photographic Archives at the National Museum of African Art, Washington, DC.
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Small Axe (2022) 26 (2 (68)): 60–78.
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Peter L. Haffner; At the Crossroads of Many Worlds: Marilyn Houlberg and Arts Patronage in Haiti. Small Axe 1 July 2022; 26 (2 (68)): 60–78. doi: https://doi.org/10.1215/07990537-9901612
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