This essay investigates a moment for Caribbean knowledge production in which intellectuals, gathered in Haiti in 1944 for an International Congress of Philosophy, questioned whether to politicize knowledge or to seclude it from politics. Focusing on Aimé Césaire’s “Poetry and Knowledge,” the author compares the 1944 conference paper with the version published in Tropiques in 1945 to show a feedback loop between poetry and politics. The war, the isolation, and the intellectual evolution of Tropiques coalesced to form a new environment that prompted Césaire to rethink the relation between poetic practice and political relevance. Illuminating the relation between poetry and politics, “Poetry and Knowledge” is symptomatic of an epistemological shift from poetic writing geared toward political actions to poetic knowledge uncorrupted by political considerations that prepared Césaire for undertaking in 1945 a new literary and political trajectory.
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March 1, 2021
Research Article|
March 01 2021
When Is Poetry Political? Césaire on the Role of Knowledge in 1944
Yohann C. Ripert
Yohann C. Ripert
Yohann C. Ripert is an assistant professor of French and francophone studies at Stetson University. His research focuses on transatlantic intellectual history and African diplomacy, and his work has appeared in African Studies Review, Lingua Romana, and the Journal of African Philosophy. He is currently completing “Senghor for the Ages,” the first critical translation of a collection of political and philosophical essays written by Léopold Sédar Senghor between 1935 and 1985.
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Small Axe (2021) 25 (1 (64)): 1–14.
Citation
Yohann C. Ripert; When Is Poetry Political? Césaire on the Role of Knowledge in 1944. Small Axe 1 March 2021; 25 (1 (64)): 1–14. doi: https://doi.org/10.1215/07990537-8912743
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