The long 1950s in Jamaica encompassed the pivotal moments that set into motion the infrastructures of modern political, social, economic, and artistic activity. They also brought into relief struggles over the appropriate scales of interaction, whether national, regional, Pan-African, or diasporic. This essay lays out three of the experiential baselines that would have undergirded these processes—the beginnings of developmentalism, the normativity of migration, and the more explicit emergence of the United States as a significant actor within political and economic affairs. It argues that by the end of the long 1950s, the earlier-twentieth-century story of an emergent civil society in Jamaica was displaced by the story of political society. The result has been a formal decolonization that lacked some of the decolonial social and cultural visions of earlier moments.
Displacements: The Jamaican 1950s
Deborah A. Thomas is the R. Jean Brownlee Professor of Anthropology and the director of the Center for Experimental Ethnography at the University of Pennsylvania. She is the author of Modern Blackness: Nationalism, Globalization, and the Politics of Culture in Jamaica (2004), Exceptional Violence: Embodied Citizenship in Transnational Jamaica (2011), and Political Life in the Wake of the Plantation: Sovereignty, Witnessing, Repair (2019). She codirected the documentary films Bad Friday (2011) and Four Days in May (2018) and is the cocurator of the multimedia installation Bearing Witness: Four Days in West Kingston (2017). She is also the editor of the journal American Anthropologist. Prior to her life in the academy, she was a professional dancer with the New York–based Urban Bush Women.
Deborah A. Thomas; Displacements: The Jamaican 1950s. Small Axe 1 November 2020; 24 (3 (63)): 53–64. doi: https://doi.org/10.1215/07990537-8749770
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