This essay introduces the special section “Art After Indenture,” in which five scholars characterize and respond to eight contemporary visual artists who are descendants of indentured workers. The author also raises questions about the commemoration of indentureship and calls for greater contention with its traumatic legacy.

visual art, indentureship, Indo-Caribbean
© Small Axe, Inc.
2017
Issue Section:
Guest editor, Andil Gosine
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