This essay explores the enduring relevance and challenges of Caribbean Négritude poetry, with specific emphasis on the work and thought of Aimé Césaire and Léon-Gontran Damas. The decolonizing imperative that speaks through their work retains an agonic immediacy and political validity, exemplified by the radical hip-hop voices that emerged following the 2005 youth uprisings in French banlieues. The essay pays particular attention to the opening salvo of the Négritude movement, Damas's relatively underanalyzed Pigments (1947) and Césaire's more celebrated Notebook of a Return to the Native Land (1939–56), the former as prefiguration of Frantz Fanon's psychoanalytical exploration of “the fact of blackness” and the latter as a transcendence of narrow identitarian affirmation announcing a liberated space: the “convocation of conquest” in which there is “room for all.”
Skip Nav Destination
Article navigation
March 1, 2014
Issue Editors
Research Article|
March 01 2014
“Measured by the Compass of Suffering”: Reclaiming Negritude's Insurgent Dimension
Small Axe (2014) 18 (1 (43)): 138–148.
Citation
Christopher Winks; “Measured by the Compass of Suffering”: Reclaiming Negritude's Insurgent Dimension. Small Axe 1 March 2014; 18 (1 (43)): 138–148. doi: https://doi.org/10.1215/07990537-2642818
Download citation file:
Advertisement
188
Views