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Journal Article
Romanic Review (2004) 95 (1-2): 135–149.
Published: 01 January 2004
...Mikko Keskinen Copyright © 2004 The Trustees of Columbia University 2004 Mikko Keskinen VOICE DOUBLES: AUDITORY IDENTITIES IN MICHEL TOURNIER'S "TRISTAN VOX" V oice is intuitively regarded as the irreducible kernel of subjectivity, as the token of presence, and as the sign of intentionality...
Journal Article
Romanic Review (2004) 95 (4): 491–492.
Published: 01 November 2004
... Ferrer, Michael Groden Eds 480-482 Joly, Jean-Luc, "Georges Perec et Paul Auster: Une Musique du hasard," 99-134 Kallendorf, Hillaire, "'2Que he de hacer?' The Comedia as Casuistry," 327-359 Keskinen, Mikko, "Voice Doubles: Auditory Identities in Michel Tournier's 'Tristan Vox 135-149 Kohn, Ingeborg...
Journal Article
Romanic Review (2023) 114 (1): 125–140.
Published: 01 May 2023
... of the most intriguing characteristics of all voices, beginning with voice’s choral nature. “There is polyphony at the basis of every voice,” writes Jean-Luc Nancy in “Vox Clamans in Deserto” (240). It is not just that all speaking is with another, present or implied. Rather, the voices we hear will reemerge...
Journal Article
Romanic Review (2007) 98 (2-3): 305–319.
Published: 01 May 2007
.... Antelo, Raul. "El entredicho: Borges y la monstruosidad textual." Reescrituras. Ed. Luz Rodriguez-Carranza and Marilene Nagle. Amsterdam: Rodopi, 2004 . 167-75. Almeida, Ivan. "La orquestracion de la vox populi en 'La fiesta del monstruo' de H. Bustos Domecq." Reescrituras. Ed. Luz Rodriguez -Carranza...
Journal Article
Romanic Review (2013) 104 (1-2): 23–43.
Published: 01 January 2013
... that torture had a specific (but limited) place in medieval society delineated by strict boundaries and rules for application, that medieval audiences were no more desensitized to its use and abuse than modern audiences, and that when those boundaries were transgressed the vox populi often resisted" (Tracy 25...
Journal Article
Romanic Review (2007) 98 (4): 323–341.
Published: 01 November 2007
... to feudal loyalty at first seems to exclude the possibility of a mutu- a5. For the division of "scenes deux" in the medieval story, see Paul Zumthor, "De la chanson au recit: La chastelaine de Vergi," Vox Romanica 27 (1968): 77-95, 84ff. 6. All quotes are from the La Chastelaine de Vergi, ed. Frederick...
Journal Article
Romanic Review (2024) 115 (2): 384–403.
Published: 01 September 2024
..., op. cit., p. 236. 61. Michel Houellebecq, « Une civilisation qui légalise l’euthanasie perd tout droit au respect », Le Figaro, 5 avril 2021. URL : https://www.lefigaro.fr/vox/societe/michel-houellebecq-une-civilisation-qui-legalise-l-euthanasie-perd-tout-droit-au-respect-20210405...
Journal Article
Romanic Review (2024) 115 (2): 260–282.
Published: 01 September 2024
... invariablement pessimiste ; son discours, c’est un fait obligé, vibre d’accents crépusculaires, catastrophistes, apocalyptiques. Il est toujours, en un mot, gros de malheurs : « le pamphlétaire est une Cassandre, vox clamans in deserto , annonçant la “mort” de quelque chose » ; il est « toujours sombre et la...
Journal Article
Romanic Review (2004) 95 (1-2): 41–61.
Published: 01 January 2004
... illustre neanmoins un certain refus du monde et de I'histoire, refus benefique en ce qu'il permet de se liberer d'une pesante quotidiennete associee a la vie laborieuse. Ainsi, au lieu de constituer un "enfer" comme Ie veut la vox populi, les friches industrielles de Blangy OU il fait "une sacree putain de...
Journal Article
Romanic Review (2010) 101 (4): 593–618.
Published: 01 November 2010
... sont afaitiet par dons a donner grasces et pardons 21. M.-R. Jung, « Gui de Mori et Guillaume de Lorris », Vox Romanica, 27, 1968, p. 106-37, a la p. 126 ; S. Huot, The Romance of the Rose and its Medieval Readers, Ope cit., chap. III, « The Profitable, Pleasurable Rose: The Remaniement of Gui de Mori...