...Mikko Keskinen Copyright © 2004 The Trustees of Columbia University 2004 Mikko Keskinen VOICE DOUBLES: AUDITORY IDENTITIES IN MICHEL TOURNIER'S "TRISTAN VOX" V oice is intuitively regarded as the irreducible kernel of subjectivity, as the token of presence, and as the sign of intentionality...

...Jean Duffy Copyright © 2010 The Trustees of Columbia University 2010 Jean Duffy SILENCE, TALK, AND VOICE IN THE RITUAL ENCOUNTER: FRAN~OIS BON'S L'ENTERREMENT AND LAURENT MAUVIGNIER'S LOIN D'EUX1 I n Loin d'eux and L'Enterrement, Laurent Mauvignier and Fran~ois Bon offer ostensibly quite...

...Stamos Metzidakis Copyright © 2010 The Trustees of Columbia University 2010 Stamos Metzidakis "CE QUE DIT LA BOUCHE D'OMBRE" OR THE MASTER'S VOICE FROM BEYOND THE GRAVE H opefully, Michael (not Michel, SVP) Riffaterre would have smiled at this title. He might also have chuckled just a bit...

...Christine Chism Simon Gaunt . Marco Polo’s Le Devisement du Monde . Narrative Voice, Language and Diversity . Series: Gallica , v. 31 . Cambridge, UK : D.S. Brewer , 2013 . Pp. 212 . Copyright © 2015 The Trustees of Columbia University 2015 Book Reviews Simon Gaunt...

... creatively with questions of voice and struggled to find their place in print and in public. More than fifty years after Girardin’s Paris chronicle, Jeanne Marni honed her own art of an urban forme brève , the dialogue story. 1 Training her eye on, and lending her ear to, Belle Époque Paris, her tales...

...Amr Kamal Copyright © 2015 The Trustees of Columbia University 2015 Amr Kamal UNDOING ODYSSEUS'S PACT: MARGINAL FACES AND VOICES IN THE NARRATIVES OF ASSIA DJEBAR AND AGNES VARDA W hile reading Ces Voix qui m'assiegent . .. en marge de ma francophonie, Assia Djebar's collection of writings...

...Karmen Mackendrick Abstract Some environments are more conducive to solitude than others. They offer more space between people, even more distance from other living things. But they might, in their quiet, also offer room for an unusual kind of conversation, in unusual kinds of voices. In Western...

...Hanan Elsayed Abstract This essay focuses on Kamel Daoud’s “response” to Albert Camus’s L’Étranger by highlighting the differences in and implications of their writing styles and narrative voices. Daoud’s narrative refigures the concept of the absurd and his linkage of Camus’s silences...

... and L’Insurgé . I examine the ways in which Vallès’s reading of the Paris of the early 1880s and excavation of the multilayered city’s past and cultural representations help foster the return of repressed voices and collective memories. Using the trope of the city as palimpsest, I argue that the critical power...

... to, or with, or for, another? Can our aloneness—note the irony of the first-person plural—ever be said to be shared? Can it be said at all? Medieval theologians, especially Gregory the Great, Bernard of Clairvaux, and Meister Eckhart, serve as guides in the wilderness here, alongside various voices from the history of North...

.... In the poetic dynamics of the muwashshah , discourses of dispossession compete through the interaction of different languages and social registers. The muwashshah poetics illuminates how the female-voiced solitary presence is maintained not only in the cantiga d’amigo but also in other genres such as trobairitz...

...Cary Howie Abstract These four lyrics give voice to different intersections of solitude and community, this world and whatever lies beyond or within it. They are propelled and animated, they are done and undone, by desire. Solitude, here, is above all an erotic question. caryhowie@cornell.edu...

... Lamartine's was met with contempt and mockery? The answer Boutin provides for this question holds few surprises: the same "feminine" voice that so enchanted male readers in Desbordes-Valmore since it matched what men thought poetry written by a woman should be, disgusted them in Lamartine, for he renounced...

... that a poet preserves the musical essence of poetry through his development of the poetic voice. In "Profusion du soir" Valery voices the poem with a viewer/speaker and an omniscient narrator. It is precisely this dual voicing that focuses the reader's attention on the form and movement of the poem rather...

... first-person narration relates to the other voices in the text, particularly the third-person narrator (present in the premiere and troisieme parties), as well as authorial voice. By better understanding the linguistic stakes of the tension between Berkane as narrator and Djebar as author, as well...

..., but there was a graphic discretion in his marginal comments in their size, shape, and shade that matched Phil's voice. The script was consistently legible, mostly in cursive (a legacy of spending more years in the French educational system than I did), small, and always in pencil. A number of those whose work Phil edited...

... ­these general thematics of parole. Thus for example, in ­these stories that tend to bridge the gothic and fantastical genres, disembodied voices contribute often to the supern­ atural or eerie atmospherics of certain scenes. It is a relatively common occurrence for a character to hear a voice prior...

..., with her, to these buried voices, murmurs, whispers, mutterings, and Tzarl-rit,4 to the intimate 1. The original French title, "Les endeuille-es," emphasizes both the masculine and the feminine forms of the word mourner and could also be translated as "Men and Women in Mourning." 2. Assia Djebar, Nowhere...

... canon since the dawn of literature. As Lawrence Lipking states regarding the tradition launched by Ovid's Heroides, "to be a heroine means being abandoned."l Ovid's series of plaintive epistles, almost all in the voices of women of legend addressing their absent lovers, presents the "other" side...

..., such an invasive presence is more accurately described as coming from the marginal voice of the woman behind the construct of Toute Belle; we must distinguish between the two, because Toute Belle is perfectly congruent and necessary to Guillaume's literary project and therefore incapable of being invasive...