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Journal Article
Undoing Odysseus’s Pact: Marginal Faces and Voices in the Narratives of Assia Djebar and Agnès Varda
Romanic Review (2015) 106 (1-4): 47–70.
Published: 01 January 2015
...Amr Kamal Copyright © 2015 The Trustees of Columbia University 2015 Amr Kamal UNDOING ODYSSEUS'S PACT: MARGINAL FACES AND VOICES IN THE NARRATIVES OF ASSIA DJEBAR AND AGNES VARDA W hile reading Ces Voix qui m'assiegent . .. en marge de ma francophonie, Assia Djebar's collection of writings...
Journal Article
Romanic Review (2015) 106 (1-4): 1–5.
Published: 01 January 2015
... in a process of learning and discovery rather than an arrival on the final shore of knowledge. Kamal reads Djebar in parallel with another French-speaking woman artist whose work also draws on the story of Ulysses and the Sirens: the filmmaker Agnes Varda, who evokes the encounter in her documentary, Ulysse...
Journal Article
Romanic Review (2014) 105 (1-2): 37–51.
Published: 01 January 2014
...), and Desnos's L'Amour ou la liberte (1927). 8. Somewhere in Paris appeared in L'Art vivant 111 (Aug. 1929) and in Photo-Graphie 1 (1930). Images of laundry flapping in the wind, a staple of postwar European art cinema starting with Italian neorealism, recall sequences in Agnes Varda's 1954 directorial debut, La...
Journal Article
Romanic Review (2021) 112 (2): 235–260.
Published: 01 September 2021
... feuilleton-chronique and looks ahead to the fearless female taxi driver in Agnès Varda’s 1962 film Cleo de 5 à 7 who is a “flâneuse on wheels,” to borrow Lauren Elkin’s term (225). Today, critics are mostly deaf to the voices in Marni’s tales even though she built on and adapted a flâneur writing born...
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