...Jerry Root Copyright © 2011 The Trustees of Columbia University 2011 Jerry Root MARVELOUS CRYSTALS, PERILOUS MIRRORS: LE ROMAN DE LA ROSE AND THE DISCONTINUITY OF THE ROMANCE SUBJECT Critics have, for some time now, highlighted the discontinuity of Guillaume de Lorris' version of the Roman de...

...Joanna Luft Copyright © 2011 The Trustees of Columbia University 2011 Joanna Luft THE PLAY OF REPETITION AND RESEMBLANCE IN THE ROMANCE OF THE ROSE The play of repetition and resemblance in The Romance of the Rose is a pervasive dynamic that contributes to the poem's general tendency...

...Claire Nouvet Copyright © 2000 The Trustees of Columbia University 2000 Claire N ouvet AN ALLEGORICAL MIRROR: THE POOL OF NARCISSUS IN GUILLAUME DE LORRIS' ROMANCE OF THE ROSE Borrowing from the allegorical tradition of dream narratives the figure of the cheminement, the Romance of the Rose...

...Priscilla Parkhurst Ferguson Copyright © 2021 by the Trustees of Columbia University in the City of New York 2021 In the last decade of her life, Priscilla Ferguson was busy researching and writing about roses, a long-time passion and, in her final project, a topic of rich scholarly...

.... Maître Falco 1 , conseiller rapporteur, le reconnaît lui-même : « En plaidant aujourd’hui pour les Fleurs du Mal , on a l’impression de plaider pour un livre de la Bibliothèque rose, qui serait couronné par un prix de vertu. Rien ne subsiste pour démontrer un outrage aux bonnes mœurs 2 . » On a du mal...

..., on presuppose de la sorte une vision transcendantale de la condition feminine, donnee une fois pour toutes11 L'originaf et fa reecriture Qu'est-ce que Ie remaniement de Cui de Mori ? aGui de Mori a ete Ie premier auteur recrire en fran~ais Ie Roman de la Rose selon un dessein plus ou moins coherent; malgre sa...

... writer and text is made explicit in Jean de Meun's Roman de la Rose and in Alain of Lille's De planctu naturae. Alain's nature provides Venus with a very large pen with which to document creation. In the Rose, Genius exhorts humans to write with their styluses onto the beautiful tablets that nature has...

... authorities into French language, style and taste that he practiced in the Roman de la Rose to didactic prose translation in his versions of Boethius and Vegetius. Gianfranco Folena thinks that this shift could have been influenced by Brunetto Latini's model of practical translation.60 Even so, a strong...

... in the first chapter is that some of the earliest manuscript witnesses to the chansons of the trouveres are not in fact the chansonniers, but rather narratives with songs such as Jean Renart's Roman de La Rose au de Guillaume de Dole from the early decades of the thirteenth century. One of Butterfield's goals...

.... The viewer attempts to catch hold of the images of his vision at the same time as the last rose color dips below the horizon. 6 soir, tu viens epandre un delice tranquille, Horizon des sommeils, stupeur des creurs pieux, Persuasive approche, insidieux reptile, Et rose que respire un mortel immobile Dont...

... that from now on be the only hope of slowing because of the sweetness in your bones the quickness of death against which I recite a rose is a rose is a rose is a rose (13) V Tee-shirt rouge et voix voilée . . . on fait du yoga ensemble . . . beaucoup moins fort que moi mais supérieurement plus...

... of the earliest manuscript witnesses to the chansons of the trouveres are not in fact the chansonniers, but rather narratives with songs such as Jean Renart's Roman de La Rose au de Guillaume de Dole from the early decades of the thirteenth century. One of Butterfield's goals is to remind scholars of the generic...

... se comprend mieux, se comprend autrement, ou ameme commence se comprendre » (p. 194-195). A quelle definition du texte aboutit-on ? Le texte est ce qui resiste a une comprehension immediate, qui ne se dissout pas dans la communication. Le texte est monument. Le cas du Roman de la Rose est exemplaire...

... made for "the founding myth of nobiliary idleness in the Roman de fa Rose" (p. 28), as if the myth were nonexistent prior to the first part of that thirteenthcentury work. The discourse of Oiseuse is evidently a very important medieval articulation of nobiliary idleness, but a mythologized, idle...

..., and not just the transcendence of the possible divine, but even such patently unreal fantasies as the Aleph (which Borges defines nonchalantly as "ellugar donde estan, sin confundirse, todos los lugares del orbe, vistos desde todos los angulos"28), a rose as beheld by an unfallen Adam ("Marino vio la rosa...

..., dit Grand-Louis, trop pauvre pour pretendre a Rose, la fille cadette du fermier des Blanchemont. Celui-ci, Bricolin, un « bourgeois de campagne », s'amenage une sorte de second chateau, « Ie chateau neuf », face au chateau delabre des Blanchemont, sans cacher son desir de profiter de la ruine de...

... of work in reader response criticism and material philology, taking special inspiration from scholars such as Sylvia Huot, whose important work on Romance of the Rose manuscripts is held up as a model in Michelle Szkilnik's preface and cited by at least two other authors in the collection. Defining...

... possible, and continues to make possible, through her own. From the idea of the bourgeois, to the French literary field, to the meanings of Paris in the nineteenth century, the sociology of French cuisine, and finally to the cultural history of roses—Priscilla’s reach was vast. The diversity...